Talking about me is like dancing about architecture
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Modigliani
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backstroke, the Tree of Life, making music, painting, the present moment, heavy rocks, editing films, staring at clouds, climbing trees, quiet, love and light, life, music, listening, eating stuff that grows from the ground, ancient cities. I also enjoy bar fights, tong-len meditation, and memories of middle school phone conversations.
Linda Cardellini, John Cassavetes, Degas, Basquiat, Alan Watts. And Amma...again.
David Bowie. The Mae Shi, Russian Vogue, Cansei de ser Sexy, Of Montreal, Chavela Vargas, The Blow, Lacoste, Neutral Milk Hotel, Olivia Tremor Control and the Elephant 6 collective, BJM, ANAVAN, Raveonettes, Getto Boys, Animal Collective, My Morning Jacket, Mozart, Chopin, Shubert, Osiris on the accordian, Beethoven, Mike Patton, John Frusciante, Smog, Spaceman3, X, The Cramps, Public Enemy, Elliot Smith, Immortal Technique, Sage Francis, Sparklehorse, Tibetan monastary noise, music that uses instruments, large and small.
Y Tu Mama Tambien, Fauteuils d'orchestre, Mister Lonely, Herzog's Lessons in Darkness, The John Cassavetes box set. Half Nelson, Tom Noonan's The Wife or What Happened Was. The Thin Red Line. Magnolia, Putney Swope, Pan's Labrynth, Last of the Mohicans, Dont Look Back, Masculine-Feminine, A Woman is a Woman, True Romance, Floating in a Tin Can, Science of Sleep, Scarecrow, Some other bullshit probably...
Curb, Sein, Peepshow, Nat Geo, Disc, Charlie Rose
Always Win: Mechanical Bullshit by Gullivan, Invisible Man by Ralph Ellison, The Selfish Gene, White Noise by Delillo, Less Then Zero and The Informers by Ellis, Alan Watts, and doodles on post-its by me.
the big dog from Neverending Story and my mom