the use of language in various art forms, new forms, new ideas, historical basis, famous collisions, high activity, hidden stories, continuing education of the masses, communication, miscommunication, representation, misrepresentation, dramatic conflict, moral philosophy, the psychology department at harvard university, mind control (my own and others), buzz words, word choice, consumer responsibility, the web 3.0, the facial coding system and empathy art, alba emoting, blankness, presence, absence, present-absence, absent-presence, memory, disclosure and intimacy, the candid and the real, self importance versus self respect, gentlemanly vice, properly identifying ironic situations, the trickle down effect, trends, personal style, personal firsts, Meisner actors, wounded animals, ignorant humor, the curiosity brought forth by ellipses, sturdy paperbacks, well constructed books, navigating through multi-syllabic words, solitude, turkish coffee, solitude, the stars (in the sky), chivalry, trinkets, the spiracle nature of everything, re-claiming my innocence, embracing my shadow.
Current research and writing topics: transference, mirror-neuron systems, Brecht, Boal, the self-representative loop of the actor and the self-censoring loop of the spectator, the semantic bridge between Strasburg and Mamet, affective forecasting, haikus.
Current areas of practice: dual goal, character/language/action, choreography/pantomime/gesture/action, placement of self in stories within stories
The curious, collaborative and compassionate--anyone in it for the long run... and with nothing to prove.
the perceived irrational, Santiago Ramon y Cajal, Hodgkin and Huxley, Harvard psych, The New York Correspondence School.
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