About Me
About me:
I met Death today. We are playing chess.
Hi. I'm Nate. I care about my life and sometimes I care about others' lives. I have a lot of questions and I have a lot of answers too. Some people think I have too many answers, but I don't. I like a lot of things, but nothing more than my own life, so I'm particularly interested in enjoying myself, celebrating myself, and actualizing myself. Some people think this makes me arrogant, but I don't. My cynicism grows like a cactus - it requires minimal attention and nurturing.
Trepa * Nation [the zine]
Horrormones [the band]
Discussion Symphony [the group]
"For those who believe in God, most of the big questions are answered. But for those of us who can't readily accept the God formula, the big answers don't remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command or faith a dictum. I am my own God, We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us."
- - - Charles Bukowski
MOVIES
1. Blue Velvet (David Lynch, 1986)
2. 8½ (Federico Fellini, 1963)
3. Adaptation (Spike Jonze, 2002)
4. Twin Peaks: Fire Walk With Me (David Lynch, 1992)
5. The Seventh Seal (Ingmar Bergman, 1957)
6. The Good, The Bad, and The Ugly (Sergio Leone, 1966)
7. The Blair Witch Project (Daniel Myrick & Eduardo Sanchez, 1999)
8. Videodrome (David Cronenberg, 1983)
9. Gummo (Harmony Korine, 1997)
10. Night of the Living Dead (George A. Romero, 1968)
11. The Squid and the Whale (Noah Baumbach, 2005)
12. Lawrence of Arabia (David Lean, 1962)
13. Fear and Loathing in Las Vegas (Terry Gilliam, 1998)
14. The Forbidden Zone (Richard Elfman, 1980)
15. Suspiria (Dario Argento, 1977)
16. Eraserhead (David Lynch, 1977)
17. A Nightmare on Elm Street (Wes Craven, 1984)
18. La Dolce Vita (Federico Fellini, 1960)
19. The Evil Dead (Sam Raimi, 1981)
20. The Thin Blue Line (Errol Morris, 1988)
