Member Since: 4/3/2006
Band Website: mexicansummer.com
Band Members: C.C. & E.C.
Influences: CURRENT MOON moon phase:
Sounds Like: Texan nomad fellas on a dark, lonesome, reverb-soaked high — think the Stones’ “Wild Horses†in super-slow-mo and you’re getting there. - ARTHUR MAGAZINE
A hazy brand of desert night blues caked in clay and baked by the setting sun. These are lonesome moon odes to desperate spaces; murky dreams full of easy venom and soft elixirs. Occupying the slim window where Brightblack Morning Light stop and Wooden Wand begins, the band carry themselves like troubadours of the last caravan West. - RAVEN SINGS THE BLUES
Full of hauntingly psychedelic songs the whole album is a magical listening experience rich with wonder and mystery...as ethereal as a twist of incense smoke, as heady as the first blooms of spring. - TERRASCOPE
At times recalling the pastoral roaming and freak folk of contemporaries like Brightblack Morning Light, MV + EE, and Wooden Wand & the Vanishing Voice, the album more closely resembles the dark side of Neil Young’s Harvest, a somber and stripped-down meditation on the roots of Americana and blues. - AUSTIN SOUND
The most fitting description of Headdress may be that the band sounds like folk, blues, and country that’s all been left to bleach and fade in the southwestern desert. All of the original components are still in place, they’ve just been warped by the dust, sun, and heat. This aesthetic has a lot to do with the primitive sound of the recording. Every ringing note and echo takes on a more primal, ethereal feel than it ever would have otherwise. There is a profound sense of space in every song letting each instrument speak for itself without a lot of background clutter. In the end, it’s the sustained feeling of sitting out in the desert night that solidifies “Turquoise.†- FOXY DIGITALIS
Beautifully lo-fi, Headdress’ “Turquoise†is more of an experience than a flat out album. Ariel Pink meets Desperado, the album plays up echoes and evokes a desertscape, giving off a distinct vibe of stationary solitude. Nothing that I’ve heard this year comes close to the vivid, almost photographic imagery that results from listening to Headdress. - CULTURE WARRIOR
Spare guitar, spare drums and percussion, breathy, reverbed vocals; elsewhere it might sound too precious, but on Turquoise (Totem Songs), it makes for a minimalist blues meditation that never gets long-winded. - AUSTIN CHRONICLE
Thick with echo, space and traditional elements. Fans of Dirty Three will like the band's latest album, Turquoise, a dark, brooding jaunt into a dimly lit motel room on the edge of some southwestern town. Each note and every carefully chosen guitar lick fall carefully into place, purposefully, amidst the ominous compositions. - AUSTINIST
Rain drop guitar plucking, windy vocals and distant claps of thunderous tambourine combine to paint the deserted backdrop of Turquoise. Once in full downpour, the rivers of the album run full and wolves come out to stretch their legs. The climax is the day after with the formerly crackled and dry desert now green and full of life; crickets and birds sing out, and lazy rays of sun dance through the guitar, shimmering as they strike the mountains of vocals. - NATURALISMO
Record Label: Mexican Summer (Kemado)
Type of Label: Indie