Where I used to spend most of my time...
Where I will be spending a lot of my time from now on - Ableton Live...
House all the way... with a few select bits of techno. Why do I not like any other kinds of music? As I get older it begins to mildly concern me that I haven't broadened my musical tastes (nor do I feel the desire to do so...) Maybe you think I am a bad person because of this. That is not a problem to me.
Here is a handful of artists, DJs, producers, labels, clubs and moments that have been major influences on me down the years, but not all are necessarily still moving me in quite the same way...
Stu Allan
Where it all began. This was my first "proper" encounter with underground dance music. At the time I was still listening to any old kind of music, but with more interest in the commercial dance records that had started to make inroads into the charts. I discovered Stu's show on Manchester's Piccadilly Key 103 radio station whilst randomly searching the airwaves one evening. This was sometime in late 1992, and I was hooked. The sounds of his "Hardcore Hour" and "House Hour" would fill my Sunday evenings for the next couple of years.
Roger Sanchez / Essential Mix
Like most fans of electronic/dance music, Radio 1's Essential Mix has played a major part in introducing me to new DJs and some amazing records. Having the opportunity to listen to world-class DJs in the days before I was able to attend clubs was made a whole lot easier by this show. The first show to really captivate me and direct my attention towards a more soulful, vocal sound was the mix by Roger Sanchez on 23rd July 1995.
Masters At Work
The first records I bought were the "Ministry Of Sound Sessions 5" quadruple-vinyl pack, selected by Masters At Work. Until then I had only heard a few of their remixes and productions, and mainly bought this because at the time MOS was renowned as a quality US house club, and I knew MAW were quite similar in sound to the Roger Sanchez mix I loved so much. THIS is where my vinyl addiction started...
Carl Cox
Whilst developing an interest in what would become my true musical love for house music, I was still drawn to the harder edged sounds of techno, an influence of the sounds I first heard on Stu Allan's show. It was through a friend who also listened to Key 103 that I got hold of a Carl Cox tape mixed live at Eclipse in Coventry. The energy of the set and the way Cox fused hardcore and techno with funkier house sounds was a real inspiration to me. Sadly the tape disappeared a few years ago, but shortly after hearing it I went out and bought the first edition of Cox's FACT series. The man is still a huge inspiration to me.
I finally got to see Carl Cox live for the first time on 28th April 2000, at Bugged Out!, then at Cream's home, Nation in Liverpool. The atmosphere and intensity of the set in the courtyard was everything I hoped for, perhaps even harder than I expected. Later that year in November I returned to the same place, this time in the main room to hear what still remains the best set I have heard Cox play, at Bugged Out's 5th birthday. Credit to Jon Carter for taking the place close to the edge beforehand but Cox managed to step it up even further. The entire room was simply going crazy, there is no other way to describe it.
Carl Craig
Another inspirational Essential Mix was broadcast in October 1995, mixed by Detroit legend Carl Craig. This opened my ears still further, taking in a sound that perfectly fused the soul and emotion of house with the futuristic elements of techno. This mix still remains one of my favourites to this day, although my original tape has sadly been lost somewhere along the way. This mix was also responsible with starting my fascination with the film Blade Runner, due to Craig's use of samples from the movie throughout the mix. He released another exceptional mix for K7's "DJ Kicks" series in early 1996.
Cajual Records / Derrick Carter
Being just too young to catch the original wave of Chicago and acid house, it was left to the new breed of producers coming from house's original place of birth to capture my imagination. Leading the way was Cajual Records, headed up by Cajmere/Green Velvet and artists such as Derrick Carter, DJ Sneak and Johnny Fiasco. Carter was beginning to emerge as the figurehead DJ of this second wave of artists from the city, playing the a harder-edged, highly syncopated sound. His "Future Sound Of Chicago 2 - The Many Shades Of Cajual" served as a showcase not only for the label but Carter himself. The sound is quite stark and raw in places but takes in the whole spectrum of what house music is about for me and really showed how to mix up various styles of house without losing the flow. This mix is still my favourite of all time.
Yousef
Siesta Music
Classic Music Company
Danny Tenaglia
Steve Lawler
Peace Division
X-Press 2
Misstress Barbara
Blade Runner, Kill Bill 1 & 2, Pulp Fiction, Fear & Loathing In Las Vegas, Monty Python & The Holy Grail, Monty Python's Life Of Brian, Carlito's Way, Killing Zoe, Taxi Driver, Clockwork Orange, Goodfellas, Natural Born Killers, High Fidelity, Rear Window, Vertigo, Withnail & I, Memento, Napoleon Dynamite, House Of Flying Daggers, Mean Streets, Raging Bull, Casino, Scarface, Fight Club, Marathon Man, Straw Dogs, The Conversation, Fargo, Being John Malkovich, The Shining, What's Eating Gilbert Grape?, The Deer Hunter, Jackie Brown, 1984, Bad Lieutenant, King Of Comedy, Clerks, The Acid House
The Simpsons, Futurama, Fawlty Towers, Bo! Selecta, Scrubs, Green Wing, Everybody Hates Chris
Anything by Irvine Welsh or Douglas Coupland, biographies, anything music/design/photography related