mark

Children of Arcadia @ Krannert Art Museum - January 25th through March 30, 2008
- is being shown in the Krannert's CAVE [full 3D]
see more @
http://childrenofarcadia.com/
www.markskwarek.com
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I'm a new-media artist working with videogame engines to create nongoal oriented experiential 3-D environments. In layman's terms the work is a real-time environmental moving sculpture which reacts to the viewers presence. Most recently my work has focused on creating augmented realities [basically overlying the physical world with reactive/ real-time virtual objects and environments].
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::: Children of Arcadia ::: multiuser online ::: COMING very soon --- VR overlay of Wall St Federal Hall Memorial
Cyber Arts 2007 ::: @ Browns CAVE --:::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::::::::::::::::::
Soundscape 2007- [below] www.soundscape2007.com baghdadskyline.com
real-time augmented reality [nyc]-- mark skwarek, joseph hocking, damon baker, felix lu -- www.soundscape2007.com:::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::
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augment reality DEMO -- New York public Library with virtual overlay
The virtual overlay transforms the model the Library into ruins.::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::
Fall of the Damned v1-2 -- project/concept-- Mark Skwarek -- code- Joseph Hocking -- assisted by Mark Skwarek -- shown at pixelerations v2 -- this is real-time 3D graphics [not video]
The piece has two forms of experience, first as a slowly moving image, as the figures fall they keep the composition and dynamic balance. Secondly the work is reactive, if a viewer approaches the work for closer inspection the figures will slowly begin to reach out to the viewer for help. The effect is subtle due to the slow and fluid nature of the work. Viewers normally do not realize that the work is changing because of their presence until multiple figures are simultaneously reaching out to the viewer.:::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::
:::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::58% -- marks skwarek-- sound installation consisting of 400 headphone speaker's embedded in the installation wall.:::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::
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