About Me
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To start with a little story: A story of a band, let us call it
Ms. John Soda, and a concert journey that led up to
Canada and nearly would have gone wrong because of a
missing visa of Misses. John Soda. Or Mister. John Soda?
The misunderstanding was quickly cleared up but maybe
the lady of the Canadian consulate has put us on the right
track.
During the past years John Soda was a little robot on t-shirts,
tour leaflets, on the first album’s cover “no p. or d.â€
(09/2002). A robot, this analogue way of imagining the
digital world. The human being imagined as a machine
with all its little faults, doubts and passions. And also Ms.
John Soda stand for an analogue idea of digital music – or
precisely vice versa. Also with all their little faults, doubts
and passions. „Things may seem somehow unsure in
times“, it says in one of the questioning moments of
“notes and the likeâ€. „There is no view that’s not produced
in one person’s mind“, it says in another place. Stefanie
Böhm sings through her and our world beyond all too
simple truths. She shows us images. More clearly she
shows how these images become blurred and fade.
“hiding / fadingâ€, being a song on the first album.
“notes and the like†has become a songwriter album. Loud
and soft, warm and wide-awake. What may astonish in so
far if one has been able to experience one of the energetic
concerts of Ms. John Soda – More human being and less
machine, thus? Rather vice versa: The little robot has
extensively rummaged in the instruments’ chamber. Ms.
John Soda have extended the direct address of their
concerts by softer and more many-voiced articulations.
Undisguised and close, the voice and the melodics of
Stefanie Böhm. Around there are ensnaring bass guitars,
carefully assembled percussion sounds, synthesizer, a
string quartet, a soft vibrato, a glockenspiel.
“scan the ways†is a hungry track with an almost nervous
start. Basses whine, electronics squeal, the vocals are
performed via spoken words, and, it addresses you.
Clearly. “A million times†begins as a chamber musical
excursion, silent and indulging. It shows how far Ms. John
Soda have gone on this – their second – album. Gone far
but still close to themselves. Intimately close in many
moments. Cosy and uncanny at the same time. Finally
“plenty of†closes “notes and the like†nearly
cinematographically. Like the last picture of an italo
western movie, the heroes ride into the sunset, if we
would not have just learned from Ms. John Soda that it is
not that easy with heroes at all.