Russell

All my pixxx are hyper-old; I'm kinda' chunkier now and have four and a half (damn half skull, lol!) tattoos. Emerging as a principal figure in delusional circles, Russells works brace their most noteworthy contributions within writings and philosophies surfacing originally as superfluous supplemental to a personal profile on one of the internets pre-eminent friend gathering and distance dating services. The overly self indulgent premises of self-evaluation and autobiographical recollection semi-successfully masked Russell's characteristic dearth of creativity and enabled him to produce an assortment of largely unintentionally comedic narratives and flat-falling efforts at genuine insight over the course of a not-so-feverish two year span. Subsequent pieces, often underpinned by themes of faux self awareness and burgeoning popularity, were heavy handed and routinely dismissed, resulting in the desperate manifestation of an incalculable number of self humoring photographs that were tailored heavily to highlighting either the deceptive density of shoddy facial hair growth patterns or modeling perfectly the more aesthetically pleasing left side of Russell's face. Born in a popularly unspecified region of Pennsylvania's backwoods, Russell's insular surroundings necessitated a love of cinema and television and nurtered a wildly distorted sense of adolescence and common social structures, percieved generally through the vicarious prism of poorly plotted high school dramas or in their more nuanced but equally grotesque subtextual manifestations as the underlying ethos of Hollywood's seasonal superhero films. As a result, Russell is devoted shamefully and completely to the universally derided 1990 film, Dick Tracy (Warren Beatty, Al Pacino) which produced two superfluous Academy Awards nominations but failed to inspire the marketable franchise targeted by creators. His television loyalties lie firmly with the heralded 90s coming of age episodic drama, The Wonder Years from whose lead female he has derived his delusionally particular and entirely unrealistic taste in women. It is also pertinent to note a fondness for action figures, breakfast cereal & Maury Povich and a complete disdain for social interaction and self improvement. Although some people, or more accurately: one person, have labeled Russell as a dreamer his foremost lifetime goal to build a labyrinthine underground lair, complete with functional periscope to identify intruders and a vast illegal arsenal with which to dispose of their identified sort, has -as of this date - gone unfulfilled. These and other measures theoretically designed to allay a deep rooted paranoia seem unfortunately unrealistic, both because of their likely illegality and because of Russell's perpetual lack of disposable income; itself undermined by paranoia that extends to driving an automobile, motorbike, motor scooter, Amish buggy or other practical form of conveyance. Though his once trumpeted relative and internally exaggerated popularity amongst internet ruffians has splintered into isolated acquaintances, Russells works endure due to the stark crystallization of the human ideal, the frank depictions of the backend of the human spirit and his sheer unwillingness to delete them from atop his rotting page. The assumed trajectory for his work, long abandoned, had reduced itself to a lumbering disorientation in intent and construct, losing all traction in reality and resulting in delusional a uniqely delusional aesthetic that has maximized itself in the composition of this description. Despite fancying himself a well crafted enigma, Russell can be reached by a simple clicking of the message icon contained within the frame of the html box hovering below his breathtaking portrait ( the modeling of which, in itself ,demonstrates an aversion to deviating from prior habit.) In the rare event contact should be made, Russell seeks only the company of young to senior aged women and prefers them sassy with only the most bodacious of asses.AOL IM: Ashamed2BSterile YAHOO & MSN IM: i_hit_my_head_on_overhangs