Ashok

ASHOK: A collaboration of various musicians and vocalists dating from 2003-2008.New video: LEAN FROM THE MIDDLE
All photos by Antonia Lowe & Katje Ford
background-repeat:no-repeat; background-position:bottom left; border:0px;" You should create your own MySpace Layouts like me by using nUCLEArcENTURy .COM’s MySpace Profile Editor !___________________________________________________________ ______________________________________ "BAND OF 2007", Phill Jupitus, BBC 6
************************************************************ ************************************* "Like De La Soul gone orchestral Ashok are a bizarre fusion of musical elements..."
Gigwise 2007
************************************************************ ************************************* "The debut album ’Plans’, from emerging South London jazz/blues/rock band Ashok, is a breath of fresh air for those of us who are beginning to grow tired of the same old cliched songs that the music industry keeps pumping out since the turn of the century."
Matt turner, Rock Louder, 2007
************************************************************ ************************************* "Ashok are a band with the talent and chops to take things all the way; a tight sounding band with impressive vocal presence ".
Mike Bond, UKM, 2007
************************************************************ ************************************* Ashok-PlansAfter being prepared for some down and dirty rhyming and a looped drum beat, the fiddle on first track A New Year’s Anxiety came as a bit of a shock. As does the rest of the album. This is a hugely melodic mixture of rhymes, complex super effective rhythms and quality musicianship. The result is Plans- a pleasant surprise of an album. The lilting vocals give a old school jazz/ swing feeling to the songs, and is complimented by the rhyming skills of Leo Nathan brings the tracks bang up to date. Chris Lane’s talented guitar playing also adds another dimension to this melting-pot, in particular on Franky Boy and Always Ashok. To describe the last track, Happy Slap, the word jig might have to be used, whether the band like it or not. The lyrics are instantly memorable and the offbeat guitar keeps up the quick tempo.Separately the three member of Ashok would bring something special to any band. Together they create a brilliant fusion of old and new styles, with influences ranging from Billie Holiday to Dr. Dre to samba rhythms and the Rat Pack. Ashok bring the whole lot together, wrapped up in one album in a class of its own.
Catriona Boyle, Tasty, 2007******************************************************** ***************************************** Ashok - Plans, out now ****Comment
Ashok impressed Greenwich audiences earlier this year "I first came across Ashok at Oliver’s Jazz Bar in Greenwich and I’ve been keen to add their music to my collection ever since. The band consisted of [guest vocalist] Flo Welch [now Sorana Santos] and lyricist and rapper Leo Nathan on vocals and guitarist and writer Chris Lane.They are backed by musicians ..o, violin, trombone, saxophone and keyboards which makes for a unique and enjoyable musical experience.Their 11-track album Plans does not disappoint.It begins with the energetic strings of New Year’s Anxiety, followed by their current single Lean From the Middle which talks of escaping society’s extremes through deep dreams’ and hallucinogenic riddles.’ The track Sunday introduces a more cheerful, laid-back feel before the album takes a slower, more serious turn with Always Ashok, which describes the creativity behind the musical process.Darkness, anger and confusion dominate Under the Thumb which reflects the diversity and range of the group’s songwriting talents.The album closes with the amusing, punchy and ironically cheerful Happy Slap about a woman beating up her boyfriend."
M. Connock, newshopper, 2007
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Ashok to the system
THE New Beatniks are in town, with their Bohemian cabaret of urban poetry and funky jazz. ..Ashok are hard to categorise... there is jazz, funk, soul and hip-hop in the mix as well as echoes of traditional ballads and folk...The talented and eclectic combination of lead and bass guitars, trombone, bongo drum and electric cello worked like a dream. Throughout the set, these diverse elements came together in delightful ways...Looking good and sounding better, Ashok’s vibrant music floods the lively crowd in the little basement club."
BY Paul Revell
************************************************************ ************************************* MySpace Of The Day Thursday 7th December: Ashok
It’s not often I fall for a music act as quickly and passionately as I did for Ashok. Within ten seconds of putting their EP, ’Lean From The Middle’, out 18 Dec, on the player (or more specifically, in the CD drive of my PC, as that’s how I frequently play these things), I was absolutely hooked. In fact, it was one of those EP experiences that is almost depressing, because I got to the end of the fourth track and was gagging for more. I’m not entirely sure what genre the genre-experts (I hate them, by the way. Pigeonholers) would put this band in, but I can tell you that their end product is jazzy, soulful, funky, delicious. My only sadness is that you can’t right now listen to that whole EP - because the tracks on the MySpace site are great, but there are only two of them, and I want you to hear more. More, I say. More. Look out for a forthcoming glowing review of the EP. Fabulous.
************************************************************ ************************************* First impressions can be deceptive. On opener ‘New Year’s Anxiety’, Greenwich trio Ashok seem to continue where The Wolfgang Press left off on their cover of the Randy Newman classic ‘Mama Told Me Not To Come’ 15 long years ago. And that’s putting the fun into funk.Nevertheless, Ashok, cover more bases than funky, funky, funky on this their debut album. As hard to categorize as TWP themselves, they also dabble in jazz, soul, country, and hip-hop on Plans. Ambitious doesn’t begin to describe their sound. Building up a reputation on the circuit, Ashok have secured a residency at Oliver’s Jazz Bar in Greenwich. Gigs there are notoriously messy affairs, and not just because of the copious amounts of red wine drunk by the audience.Ashok may be on a label that’s only just recently celebrated its own launch. But it’s a record company with plenty of pedigree, seeing as it was set up by Jack Steven who’s previously signed the likes of X Ray Spex and the Eurythmics. And Ashok themselves come across as cocksure gonnatobes rather than wishy-washy wannabes, combining, as they do, elements of Marxman, Urban Species, Galliano, and The Young Disciples, all aboard the talkin loud merry-go-round at the height of Giles Peterson’s label’s powers. They know how to give good party, but Ashok offer much more than just that. They’re talking loud, all right. And really saying something.:"
By Matthew Hirtes , 2007
************************************************************ *************************************Plans – Ashok

Inspired, ground breaking and fresh. All fairly complimentary words, you’d say? Sadly, though, not ones you’d use to describe the sound of Ashok’s debut album, Plans. Words like vanilla, staid and garden variety would be closer to the mark. The entire Ashok crew, all nine of them, clearly sat down one day to a hearty meal of Jamiroquai acid jazz, Chili Peppers funk, Jill Scott motown and the hippity-hop of ambassadors for righteousness, The Disposable Heroes of Hypocrisy. Once they’d polished that lot off they had a bit of Dolly Parton country for dessert. And then came the impending burp; their album. No-one was safe. On their MySpace they shamelessly name everyone as their inspiration; from Duke Ellington to Beethoven, from Nirvana to Roots Manuva. Obviously they have no new ideas of their own. So their album should be slapped with a ‘rubbish to be recycled’ sticker, right?Wrong. It’s brilliant!From the jazzy Dust Junkys-esque ‘Lean From The Middle’ to the jumpy knees-up of ‘Happy Slap’ this album has fun written all over it. Yet surprisingly the dark lyrics betray the music’s tone by referring mainly to the more serious aspects of life – such as war, death, lost love and spousal abuse. Jolly stuff indeed when combined with infectious fiddles, pianos, trumpets and looped beats.If this album is an indication of how danceable misery can be, then the live show must be a winner."
Christian Rose-Day. Tuesday, 29 May 2007