..I guess I picked the wrong week to quit sniffing glue "I'm not sure what my current girlfriend weighs, but she's only about 5'2 and she only has one leg, so it'd be hard to use her weight to accurately describe her."
Qui j’aimerais rencontrer :
Tom Verlaine
Scott Halpin
Randy Rhoads
Marketa Belonoha
Lightnin' Hopkins
Kaia Wilson.
cezanne, shes a team
visit friends in denmark, sweden and texas
Once you find a good tailor do not give away his name, not even under the threat of bodily harm
..
..nothing,
Randy Rhoads,
Paul Di'anno
kimgordon
danzig
Iommi,
Carrie Brownstein,
Kathleen Hanna,
Evan Dando!
reon kadena
Wayne Michael Coyne
"Twilight Terror is the short span between sunset and dusk; this is considered the most dangerous time in traffic, because half of the people switch on the headlights, and the other half doesn't. It's when most accidents happen."
airplane.. oh ask me about my job interview at blockbuster (i didn't get the job)..
ANYWAY YOU WANT IT....Once you find a good tailor do not
youtube . ..
Rory gilmore:hilarious!
Mr gilmore:Well natrually i thought they were refuring to the, archduke, so i jumped in, as who wouldn't with some thoughts about the various conspiracy theory's about his imfamaous assaination in sarajevo. Imagine my surspire when I learned that franz ferdinand was a name of a very popular rock and roll band!
Mrs gilmore:muhahahhahaha
x
3. peynier is a hero
Rumack: how many times a day do you say Booya
Elaine Dickinson: and what makes you say it?
i don't read but my sister writes, recently i was reading some filthy book but i only read it when flying.
..1.My dear, look at my face, I've been waiting for you in the same old place.
2. old colin
4. liampipepollpollardbikeshowmaster
5. woodsmen and women
There is no chance to improve anything without questioning everything.Rick Astley's debut single, "Never Gonna Give You Up" contrasted the singer's expressive, soulful baritone with synthesized dance-club backing, and while the highly processed quality of the latter sometimes seemed to overwhelm the former (no easy task), the song became a wildly popular smash, winding up as the biggest hit single of 1987 in the U.K. and topping the U.S. charts in early 1988.The song was driven by a busy rhythm track and a synthesized string section strongly reminiscent of late-'70s disco productions, while Astley's distinctive voice boomed over the top. Perhaps the most memorable flourish on "Never Gonna Give You Up" is the way Astley handles the chorus, which alternates rapid-fire 16th notes with longer, off-the-beat triplets; his delivery is impeccably smooth, navigating the rhythmically shifting melody with ease.
It's not difficult to see, in retrospect, why Astley eventually grew tired of the Stock, Aitken & Waterman production team's work; while the slick sheen doesn't exactly rob Astley of his personality, the layers of echo don't really do much to accentuate or humanize it, either. Still, the song does demonstrate that Astley has a flair for up-tempo dance tracks, and it's such a well-crafted piece of music that the partnership between singer and producers seems fruitful enough to overlook any shortcomings.