Stand up comedy, traveling around the globe, recording music, contemporary architecture, reading, yeah, i said reading! what, black man can't read a book? Heavy into fashion, fast cars (porsche freak), art(jean michele-basquait my fav), architecture (frank gehry, reem koolhaas, frank lloyd wright, etc.), modern furniture (Le Corbousier, Cassina, Cappelllini, B&B, Poliform, Ligne Roset, Knoll, Kartel, etc.), shoppin'(Prada, Helmut Lang, Miu Miu, Gucci). Bottom line is I'm metro like a mothafucka. Wanna go to the sale at Barneys? I guess I can be called one of them 'arty-farty' brothas! Traveling around the globe for the last 15 years, has opened me up to things that I never would have experienced.
Also into the most beautifuliest women with big booties that are on the verge of being obscene, just kidding! Kinda :) That's actually a lyric from a song by Prince. I also like working out, hiking, riding my ninja 636, I loooove porsches!! Did I say that already? I looove HD television, and buying the same high end recording gear that big recording studios have, so I can compete with them sonically out of my crib!
I'd like to meet:
i basically want to meet down to earth
people into house music, and funky techno, not that trance
bullshit. also i'd like to meet other like minded individuals with dreams, goals, and a STRONG sense of self. in other words, you ain't into doin shit that's not good for you, just cuz you see people around you doin' it. don't let other people drag you down with them if they choose to live that way. one other person i wanna meet is the
mothafucka that shot me in 1994, so i can ask him
why he did it. then, i would pimp slap him right across the face!
yes, i really was shot. wanna see the scar? no time for arse
holes, funk fakers. i only surround myself with positive
people who know how to make themselves happy, bcuz life is
too short (rest in peace laura gavoor). can i get an amen? if you can't look me in the eye while i'm talkin' to you, cuz you too concerned with whose walking in the door, step aside. life is too short to spend fighting for your undivided attention. you know who you are. if you want to check out my music, you can basically go anywhere .. and hear it. just do a search on my name (Kenny Larkin) and it will pop up. i also do music under the name "dark comedy", which is on itunes. it's a blend of electronic blues/jazz.
____________________________________________________________
_______________
Kenny Larkin is one of the chief innovators of Detroit's so called 'second wave' of techno producers from Detroit.
He began his music career in 1990. After serving two years in the U.S. Air Force repairing computers, Larkin returned to Detroit to pursue stand up comedy. During his pursuit, he, along with other Detroit club goers, witnessed the birth of a new genre of music at local clubs. What came to be called “Detroit Techno,†thumped in clubs like; The City Club, The Majestic Theatre, The Shelter, and the legendary Music Institute. The latter considered home base for the bumping, sultry, emotive, yet almost romantic style of club music that rose out of urban plight, desperation, and decay.
Larkin mostly frequented The Shelter, were he soon hooked up with Richie Hawtin, who was one of the club’s resident dj’s, and the two became good friends. While driving around the city at night, they stumbled onto a local Detroit radio mix show. The dj creating the mind-blowing mixes that changed both of their lives was none other Derrick May, or “Mayday,†his call-name on the radio. May along with others, inspired both Larkin, and Hawtin to pursue this new form of music.
When Hawtin formed +8 with John Acquaviva, Larkin released his first two singles. But, it wasn’t until 1992, when he founded his own label, Art of Dance, that he came into his signature sound. Under his “Dark Comedy†moniker, Larkin created ‘War of the Worlds,’ which went on to become a seminal dance floor techno classic for Derrick May’s Transmat Records, of which Larkin licensed the project to. After contributing the exquisitely beautiful and sublime tracks ‘Serena X’ (under the name Yennek) for the compilation Panic in Detroit and 'Tedra' on the hugely innovative Virtual Sex (Buzz) compilation, Kenny was pushed to the forefront of techno's soulful elite.
In 1994, Larkin shrewdly carved out his own classic sound when he signed to Warp Records, and released his first album, entitled Azimuth. The album was hailed by European and U.S. press as one of the most original techno albums to date. A few quotes:
“Azimuth is one of the most imaginative and original techno albums yet.â€
MUSIC WEEK
“Delightful, pure Detroit-style techno. Melodic, emotive and, like so much great U.S. techno, almost jazz-like in places. Larkin is a man with his finger on the fast forward button of music’s future.â€
SELECT
“A masterpiece. This LP of intelligent Detroit techno is an upcoming classic.â€
STREETSOUNDS
Street Sound magazine later voted Azimuth as one of the top 50 Techno CD’s of all time.
Larkin’s music career seemed very bright, but tragedy struck when on November 17, 1994, he almost lost his life after being shot in his suburban Detroit home by two unknown assailants. Luckily, the bullet missed vital organs, but it sliced through his lower abdomen. After 12 hours of surgery, Larkin was in critical condition, but pulled through. Hospitalized only for 6 days, Larkin began touring just two weeks after he was discharged from the hospital to support his new album, Metaphor, which was released on R&S Records in February of 1995. The release earned him more accolades as a leader in electronic music.
"This is electronic soul music, full of human feeling and warmth"
MixMag
"A juxtaposition of polished classic Detroit and quirky jazz-inspired innovation". At times very minimal and ambient, other times well informed by house, Kenny's warm dance beats hit in just the right places at just the right time.â€
I-D
Metaphor was nominated for best electronic album of the year in Keyboard Magazine. In his hometown, Metro Times voted Larkin ‘Best Techno Artist of The Year’ at it’s yearly music awards.
Since the release of Azimuth, Larkin has traveled over 2 million miles around the globe, dj’ing and playing live at the biggest Festivals in Europe, some which had him doing his electronic performance in front of as many as 25,000 fans.
In addition to his own productions, Larkin lent his melodic sensibilities to various artists. He has done remix work for Carl Craig, Inner City, Charm Farm, L.A. Synthesis, and most notably, Sade. Although a bootleg, the remix of ‘Surrender’ sold 10,000 in 3 weeks. Apparently, Sade wasn’t amused. Her attorney contacted Larkin and demanded they stop selling the single, or face litigation. Larkin agreed, and stopped distributing the single.
Larkin’s remix for Charm Farm entitled, ‘Superstar’, shot up the charts in France, helping establish the band in Europe in the dance scene.
In 1997, Larkin released his first LP under his ‘Dark Comedy’ moniker. More striped down and minimal than his first two LP offerings, the project showed a darker side to his persona. ‘The Bar’, which was released as a single, was a favorite among techno’s elite dj’s, because of it’s frenetic beats, and purposely rough, off edits.
After the release of this album, Larkin took a break from recording to keep up with his hectic dj schedule. Unfortunately, months turned to years. And he found himself losing motivation to releasing techno music. He explained when interviewed, “there’s so much crap out being called techno, that I’ve lost the desire to be associated with it anymore.â€
For the next few years, Larkin was content with dj’ing, until 2001. That’s when he decided to go back to his first love, stand up comedy. As a result of that decision, Larkin gave up the ‘state of the art’ studio he built in the suburbs of Detroit, and moved to LA to pursue comedy full time. Although definitely not a seasoned professional yet, Larkin is performing his comedy in the biggest clubs in LA, the Laugh Factory being his preferred spot, which is paying off. He regularly showcases his act here, and is very close to securing a prized ‘regular’ spot at this this top club.
In 2002, after getting his comedy career off the ground, Larkin’s desire to record music returned. With the new change of scenery and inspiration, Larkin began to record two albums at the same time. These would be his first projects in almost 8 years. The first completed album, Narcissist, was picked up by Peacefrog.
Released in April, 2004, Larkin did what he always tried to do, which is go against the established perception of what techno should be. His signature sound still remains after such a long hiatus. Larkin has put focus more on mood, and melodies, instead of harsh, abrasive, non-melodic material that has defined techno for the last few years.
The second album Larkin completed late 2004, was under his Dark Comedy alias. This album took a huge departure from what others have come to expect from him. Instead of the stripped down production of his ‘7 Days’ outing, he decided to go in a totally different direction.
“I felt it was imperative that I take my music in a totally different direction. There was nothing else I could do with ‘techno’ to take my sound to the next level. For inspiration I decided to pay homage to my musical upbringing. I listened to a lot of blues, jazz, and funk. Once I turned to my past, it took me a split second to decide what type of album I wanted to do, and what direction I wanted to go with my Dark Comedy name. I’m all about pushing myself, and trying different things with this group. In the end, it was very easy for me to record this album, because I stuck very close to my musical roots. My slant in this production is it has an electronic edge to it. It’s my version of an electronic blues/funk/jazz album. For the first time, I’m using my voice to weave stories about my life. What I’ve been through,†Larkin states.
Upon hearing the album, record companies big and small lined up to sign it. Among the interested parties, Dan Keeling, A&R at Parlaphone/EMI UK, who discovered and signed Coldplay. Larkin decided to sign the album to a smaller label, in order to get as much attention as possible for this totally different genre-bending album. Poussez, a French label headed by Alain Ho (DJ Yellow) from Yellow Productions/France, convinced Larkin that they could provide what Larkin was looking for. Larkin signed the album, entitled: Dark Comedy;Music Saves My Soul. The first 12 inch was released in end of Nov.2004. The album was released June 2005 to much critical success.
The music profile can be viewe here on Myspace: www.myspace.com/drkcomedy
Music:
music on my ipod:
50 cent
tribe called quest
al green
alecia keys
amerie
amp fiddler
aretha franklin
b.b. king
balil
basement jaxx
bebel gilberto
beyonce
bilal
bill withers
bilie holiday
bjork
bob james
buena vista social club
cannonball adderley
carl craig
cesaria evora
charles mingus
charles webster
charlie hunter
charlie parker
cinematic orchestra
john coltrane
common
curtis mayfield
cybertron
d' angelo
dark comedy
david bowie
dinah washington
dwele
eminem
erykah badu
fela kuti
gabin
the game
gotan project
groover washington
guy called gerald
harco pront
herbert
inner city
james brown
jay dee
jay z
jazzanova
jean luc ponty
jill scott
jimi hendrix
john lee hooker
john legend
joy division
kanye west
kenny larkin
koop
kurt elling
larry heard
lauren hill
lenny kravirtz
ludacris
ludovic navarre
marvin gaye
mary j blidge
mary mary
massive attack
masters at work
maurizio
michael franks
michael jackson
miles davis
morcheeba
moodyman
mr.scruff
muddy waters
nas
nina simone
norah jones
nuture
nuyorican soul
obie trice
outcast
paperclip people
pat matheney
phil collins
the pogues
portishead
prince
rachelle ferrell
radiohead
ray charles
rhythm is rhythm
richard pryor
robin harris
rose royce
roy brooks
sade
sarah vaughan
seal
slum village
the smiths
snoop dogg
son house
spacek
st. germain
stevie wonder
sueno latino
telex
kraftwerk
thelonious monk
thievery corporation
tom&joyce
truby trio
ufo
usher
vanessa daou
verve remixed
vince guaraldi
wendy carlos
george benson
Movies:
basquait, clockwork orange, the shining, ghost in the shell, snatch, lock stock 2 smoking barrels, godzilla movies, crouching tiger hidden dragon, 2001: a space odyssey, 5th element, coming to america, star wars series, the matrix, fight club, alien, the hulk (yeah stupid ass movie, but the effects are mind blowin'. that muthatfucka looks real!). bladerunner, the incredibles, kill bill series, thx 1138, amelie ( i shouldn't put this but fuk it), the exorcist (still scared to watch that by myself), war of the worlds (for the effects, and to see the aliens blowin' up the man), crimson tide, tokyo decadence, the cable guy, ace ventura, bowfinger, x-files, fight club, metropolis, rain man, royal tenenbaums, silence of the lambs, the professional, finding nemo (ellen is hilarious), transpotting, 12 monkeys, contact, lord of the ring series, terminator, donnie darko, xmen, the passion, close encounters, traffic.
Television:
..
MY FIRST BOOK COVER! RELEASED FEB. 2006
Heroes:
Derrick May, Kevin Saunderson, Juan Atkins. These are the mothafucka's that started a genre of music which has changed the face of music. Sad thing is, people in the states are oblivious to them. As a result of their gift, I have been able to make a living doing music, and traveling the world performing it. Much respect. If you don't know us, and our music, GOOGLE US!!Can't leave out the most important person in my life: My mom. Her contributions to my life can't be measured.Jean Michele Basquiat is probably my biggest inspiration. Probably the only black artist to be really taken seriously in the art world. Check out the movie, it's very inspiring. I don't care for the drugs, and all the excess shit they were into, but I love his art and determination.
