RUANG PAMERAN
Di bawah ini adalah antara karya karya saya semoga anda dapat 'menikmatinya' satu persatu...
Title: WILD WORLD
Collection of Dr. Choo and Angelina
Medium: Oil on canvas
Size: 24 Inch x 48 Inch
Year: 2006. Abd Latif Maulan
2006 © All Right Reserved
Title: Open for business
Medium: Oil On Canvas,
Size: 28" x 33"
Abd Latif Maulan.
Collection of Dato Wan Khairul, Kuala Lumpur
Year: 2006 © All Right Reserved
Title: Silhouette Journey
Medium: Oil On Canvas,
Size: 36 Inch x 48 Inch
Abd Latif Maulan.
Collection of Mr. Antonio Marely-President of Atalia Funiture (Italy)
Year: 2006 © All Right Reserved
Title: Beware
Collection of Bank Negara Malaysia
Medium: Oil on canvas
Size: 36 Inch x 48 Inch
Year: 2006. Abd Latif Maulan
2006 © All Right Reserved
Title: Forest Reserved
Collection of Balai Seni Lukis Negara
Medium: Oil on canvas
Size: 36 Inch x 48 Inch
Year: 2006. Abd Latif Maulan
2006 © All Right Reserved
Title: Stress Night
Medium: Oil On Canvas,
Size: 30" x 40",
Abd Latif Maulan.
2006 © All Right Reserved
Title: Imagrant Dreams
Medium: Oil On Canvas,
Size:36 Inch x 48 Inch,
Abd Latif Maulan.
2006 © All Right Reserved
Title: I Want To Be Somebody... (Aku Ingin Menjadi Sesuatu....)
Medium: Oil On Canvas,
Size:36 Inch x 48 Inch,
Abd Latif Maulan.
2006 © All Right Reserved
Title:Butterfly Wishes
Collection of Mr. Antonio Marely-President of Atalia Funiture (Italy)
Medium: Oil On Canvas,
Size:24 Inch x 48 Inch,
Abd Latif Maulan.
2006 © All Right Reserved
Title:Tipah Ikan Segar
Medium: Oil On Canvas,
Size: 14" x 19.5" ,
Abd Latif Maulan.
2006 © All Right Reserved
Title:Fantasy Dreams
Medium: Oil On Canvas,
Size: 36 Inch x 48 Inch
Abd Latif Maulan.
Private Collection
Kuala Lumpur
Year: 2006 © All Right Reserved
Title:Jumaat
Medium: Oil On Canvas,
Size: 24 "x 30 ",
Abd Latif Maulan.
Collection Of Balai Seni Lukis Negara
Kuala Lumpur
Year: 2006 © All Right Reserved
Title:Rejected
Medium: Oil On Canvas,
Size: 36 Inch x 48 Inch
Abd Latif Maulan.
Collection of Mr. Antonio Marely-President of Atalia Funiture (Italy)
Year: 2006 © All Right Reserved
Title:BELAKANG
Medium: Oil On Canvas,
Size: 30 Inch x 24 Inch
Abd Latif Maulan.
Collection of Mr. Antonio Marely-President of Atalia Funiture (Italy)
Year: 2006 © All Right Reserved
Title:JALAN SEHALA (ONE WAY)
Medium: Oil On Canvas,
Size: 36 Inch x 48 Inch
Abd Latif Maulan.
Collection of Mr. Antonio Marely-President of Atalia Funiture (Italy)
Year: 2006 © All Right Reserved
Title:Kampung Boy
Medium: Acrylic On Canvas
Size: 16 Inch x 19 Inch
Abd Latif Maulan.
Private Collection KL
Year: 2005 © All Right Reserved
Title: The Games of Life
(Percaturan Hidup)
Medium Oil On Canvas
Size: 48" x 36"
Year: 2006. Abd Latif Maulan
2006 © All Right Reserved
Title:Lord Of The Drums
Medium: Oil On Canvas,
Abd Latif Maulan.
2006 © All Right Reserved
Title: Cuci Mata
Medium: Oil On Canvas,
Size: 56 Inch x 52 Inch
Abd Latif Maulan.
Private Collection Kuala Lumpur
2006 © All Right Reserved
Title:Bougainvilla II
Medium: Acrylic On Canvas,
Size: 27.5 Inch x 33.5 Inch
Abd Latif Maulan.
Collection Of
Puan Siti Haslinda
The money goes to
(Malaysian Red Crescent-Tsunami Fund Art Donation)
Year: 2004 © All Right Reserved
Title:Sunflower IV
Medium: Acrylic On Canvas,
Size: 27.5 Inch x 33.5 Inch
Abd Latif Maulan.
Collection of
Mr. Rainer Rothoff, KL
Year: 2003 © All Right Reserved
Title:Rafflesia
Medium: Acrylic On Canvas,
Size: 27.5 Inch x 33.5 Inch
Abd Latif Maulan.
Private Collection
Kuala Lumpur
Year: 2003 © All Right Reserved
Title: Still Life With Banana
Medium: Acrylic and oil on canvas
Size: 33 Inch x 27 Inch
Year: 2006. Abd Latif Maulan
2006 © All Right Reserved
Title: Tradisional modern still life with basket
Medium: Acrylic, alkyd and oil on canvas
Size: 27 Inch x 45 Inch
Year: 2006. Abd Latif Maulan
2006 © All Right Reserved
Title:Green Wing Pegion
Medium: Acrylic On Canvas
Size: 41 Inch x 32 Inch
Abd Latif Maulan.
Collection of Cs HuenChan Chun Sdn Bhd
Year: 1998 © All Right Reserved
Title: HORNBILL
Medium: Acrylic On Canvas
Size: 50.5 Inch x 67 Inch
Abd Latif Maulan.
Private Collections
Year: 1998 © All Right Reserved
Title: Ordinary Day
Medium: Acrylic On Canvas
Size: 43 Inch x 34 Inch
Abd Latif Maulan.
Collection Of Mr. Rainer Rothoff Kuala Lumpur
Year: 2004 © All Right Reserved
Latif Maulan OFFICIAL website
To all the people who love arts ; Mereka yang sudi berkenalan dan mereka mereka yang meminati seni....
Hi, apa khabar , minat seni, jangan lupa join portal "Art Friends" saya okey....pas tu upload la gambar2 yg berunsurkan seni, photography atau gambar sendiri ekk..thank u...
ARTfriends
Portal Seni- Khas untuk mereka yang meminati seni- tidak kira anda pandai melukis atau tidak - myarthost
http://www.myarthost.com/
All kind of music that nice to listen
Modigliani
Director : Mick Davis
Producer : André Djaoui,Philippe Martinez,Stéphanie Martinez
Screenwiter : Mick Davis
Starring : Andy Garcia,Elsa Zylberstein,Hippolyte Girardot,Omid Djalili,Eva Herzigova,Udo Kier,Miriam Margolyes
Despite great talent, fame and fortune eluded the Italian artist Amedeo Modigliani during his brief life. A drunkard and a drug addict, Modigliani lived in squalor and died a relatively obscure figure of the Paris art scene of the early 20th century. Now, more than 80 years after his death, with a single one of his portraits recently fetching $8 million, Modigliani has finally achieved the ne plus ultra of artistic success: He is the subject of a feature film, writer-director Mick Davis’s aptly titled Modigliani.
After a brief prelude, the film picks up Modigliani’s story in 1919, the year before his death, at a time when modern art was flourishing in Paris. Artists such as Pablo Picasso, Diego Rivera, and Jean Cocteau haunted the cafes at night as their fame and influence spread over the globe. It is here, in a café, where Modigliani (Andy Garcia) makes his entrance, drunkenly hopping onto a table and publicly ridiculing Picasso with the question, “How do you make love to a cube?â€
It’s a good question, and, if the film is to be believed, one that sincerely troubles Modigliani. His bitter rivalry with Picasso (Omid Djalili) is one of the story’s primary threads. Time and again, Davis pits Modigliani against Picasso. At a party, in a cafe, at an exhibition, in a car, wherever their paths cross Modigliani and Picasso end up in a showdown of artistic lights — the sort of high-noon confrontation usually reserved for westerns. At times, the effect is unintentionally comic, as it is when Picasso, dressed up as a samurai, threatens to unsheathe his sword and “draw blood.â€
Regardless, the message is clear: Modigliani’s belief in his work and his passion for art are unconditional. No one can touch them, not even Picasso. Unfortunately, however, the film never shows us the source of Modigliani’s convictions, the deep forces that drive his work. We never know where he’s coming from. We only know that he’s an artist.
Davis instead fills his script with incident, emphasizing the legend of the artist’s heavy drinking and hashish addiction, his cattiness toward Picasso, and finally his sadly tumultuous relationship with Jeanne Hébuterne (Elsa Zylberstein) — who stays with Modigliani, a Jew, despite the vehement protest of her Catholic father.
As the film works its way to its tragic end, the disparate elements of the story ultimately come together around a painting competition. Modigliani, Picasso, Rivera, and all of the major players of the Paris art scene enter. It is Modigliani’s chance to justify his waywardness, to redeem Hébuterne’s unquestioning loyalty to him, and to prove the importance and genius of his work. Davis is skillful in weaving these storylines together and bringing the film to a close, but by the time the end credits roll, little is known about Modigliani other than that he was a drunk, a passionate lover, and a painter. The central questions still remain: Who was he, really, and why did he paint like that?
The actors can’t be faulted. They’re all skillful in their portrayals. Garcia manages to express both anguish and exuberance without resorting to simple scenery-chewing. Likewise, Djalili is enjoyable as Picasso — simultaneously smug, malicious, and petty. And Zylberstein registers an appropriately high emotional pitch in her turn as Modigliani’s longsuffering lover and wife.
Rather, Modigliani’s problems lie in its contentment with superficial clichés. It is a portrait of the artist as a madman — nothing more.
Reviewer: Matt McKillop
Six Feet Under, Desperate Housewife, Heroes, Fashion House
DaVinci Code