Member Since: 7/12/2007
Band Members:
Influences: JJ Johnson, Curtis Fuller, Frank Rosolino, Carl Fontana, Bill Watrous, John Coltrane, Albert Mangelsdorf, Raul De Souza, Vinnie Cutro, Christian Lindberg(only his jazz playing, of course), Ralph Sauer, Miles Davis, and many more. . . . .
Sounds Like: "[Bob Ferrel] has a full-bodied, wide-open sound on trombone, coming out of J.J. and Slide, when he wants to, but he also mixes in a healthy dose of 'in-your-face' latin trombone bravura. Most of all, though, he's coming out of Bob Ferrel, with equal degress of mastery and inspiration which seems to be lacking in many younger players. 'Bon Voyage', the title cut, is a tour de force performance by Bob Ferrel with inspiried multiphonics-and perfect intonation 'very impressive'. 'Lament' is followed by a kick-ass version of Oliver Nelson's 'Stolen Moments' with a trombone ensemble...The last 2 tracks were recorded on a 1905 Thomas Edison phonograph. The most surprising thing about 'Blues for the Century' is what a modern sextet sounds like through this 1905 recording machine."
"Bob Ferrel has a style which is an intriguing mixture of finely-honed technique and risk-taking challenges. 'Bon Voyage' is a fine recording helping to move the music forward."
Don Glasgo - Jazz Improv Magazine
"There are few trombonists performing today with the facility of Bob Ferrel. He's got it all: masterful technique, a gutsy, dirty tone, and logically developed solos. Ferrel is the focus of the CD, with spellbinding trombonastics on many of the tracks. His multi-phonics on "Sackbut Nation" rival that of Albert Mangelsdorff with a stunning display of technical proficiency."
Steven Loewly
Cadence Magazine, New York
Record Label: BFM Productions
Type of Label: Indie