dubble d

Playin' Out!! Out now!

Dubble D – Playing Out

“Playin’ out” is an album inspired by life on the road as its title boldly suggests. Danny Ward is Dubble D, the man behind all the music. Simple. I could just leave it at that but I happen to love long drawn out sleeve notes packed with trivial information you can impress your mates with and I am sure you do too or otherwise you would have stopped reading by now! So here it goes.

Dubble D caused a bit of a storm in 2005 with the release of his debut album, “Reachin’ Out”. It garnered support from the media across the board and pulled off a clean sweep of, “album of the months”, with the cognoscenti. It was packed full of guest vocalists such as Diane Charlemagne, Q and C, Kate Rogers and the legendary Flora Purim as well as having the honour of Nightmares on Wax and Fingerthing represent on a couple of jams. It also pulled off the trick of becoming a commercial success when, “Pudpots”, ended up being used on an Adidas commercial. Something both the label and artist were indeed surprised by! At this stage the time honoured tradition would have seen the artist develop a huge ego, even bigger narcotic habit, lose all his real friends and demand the label got him Pharrell Williams to co-produce the next album. (Well that actually did happen but it was in a hotel room in Germany at 6am and it soon passed). No, that would be far too obvious. Instead this album came about in the best way possible, which in my book is always, by chance and in an honest manner.

The truth is that the tracks were written over quite a long period of time. Danny is always making beats, he is the archetypal beat junkie. Now that the portable studio is such a reality it means he can make them anywhere anytime. After touring “Reaching Out”, Danny set off on the road again with the 2020Soundsystem to tour their 2006 album, “No Order”. For those that don’t know I also happen to play a part in this band of gypsies and more often than not ended up sharing rooms and plane, train and automobile seats next to Danny. He always had new beats to bring to the table and as the year went on I became more and more impressed. We spoke at length about “where now” for Dubble D and it started to become clear that we didn’t seek to follow up the first album at all but rather present a whole new face of DD. This time we would strip out the guests altogether and do what Dubble D does best, which is to make beats.

On tour we spend the time travelling constantly buzzing about new music and throwing new influences at each other. For 2006 the biggest player on our trips was the Jay Dilla album, “Donuts”. We just couldn’t get enough of it. It had a heavy effect on some of D’s writing (check “Still Love You” on this disc) as well as on our imagination for how music could be presented. Something had clicked but I don’t think we had recognized it yet. Then as I mentioned before the laws of chance cast the dice and we turned up for a mini tour of Germany with the 2020soundsystem with no support act due to some misunderstandings between agents. For once I hadn’t brought my records and we were 1 hour away from kick off with some increasingly concerned promoters. Danny stepped up and suggested he could pull it off as he had a load of tracks with him and off he went to the club. He launched into a four hour set magically mixed and blended together taking in jazz, latin, hip hop, dub and eventually ending on house and leaving it perfect for us to go on and rock. To put it mildly I was well impressed. Danny had claimed his place as the pre-band support act and by November he was playing to a packed and eager crowd at the back to basics birthday party, smiling like a Cheshire cat. It then naturally followed that the best way to present the album would a DJ mix inspired by these sets and experiences on tour, showcasing both his talents as a producer as well as being able to, “Play Out”, with the best of them. There ya go…..

Ralph Lawson 2007