In the Late Nineteen Eighties the creative forces who would later become Bonemill D-Signs, began their training. Immersing themselves in the underground music scene. Industrial, Electro-Industrial, Electronic, E.B.M., Goth, Punk, Dance, Trance...although most of these sub-genres would be identified later. Observing society, and working in the private sector, built the proper foundation for their design ethics. Inspired by Machinery, Music, Technology, Bonemill D-Signs/Industrial Streetwear was ready to begin! In the early Nineteen Nineties, GearHed was ready to un-leash his creation upon an un-suspecting world. The Logo for the ArtWear studio itself is comprised of a skull flanked on both sides by Sprockets, with a larger gear behind. The basic design pinciple for Bonemill is "Man's De-humanization through Technology, and Machinery". Although not all designs are sternly serious. Satire is another powerful tool incorporated by the "lab" as it would later be called. "Slave to the Rhythm" was a series of skeleton figures dancing in various positions. The word, "SLAVE" above them, and "To the Rhythm" below, all in a "bone" style font. This design was printed in a glow in the dark puff ink on black shirts, and was a big hit! Over the years, the quality of the designs and printing have increased, but still reflect the "lab's" irreverent viewpoint on society and man himself.
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