Steve Clark profile picture

Steve Clark

Never gave him an even break, Getting caught is the chance you take, It could be your last mistake.

About Me

Steve is born on April 23, 1960 in Hillsborough (Northern Sheffield, UK), the first son of Barry and Beryl Clark. Caught by music at a very young age, Steve gets his first guitar at the age of 11, and learns to play classical guitar -- until he hears what Led Zeppelin's Jimmy Page can do with his Les Paul. From that moment, Steve knows what he wants: to play rock n' roll.
In 1978, Steve is at a Judas Priest show in Sheffield, where he bumps into Pete Willis and Joe Elliott. They both invite him to come down to the Bramall Lane spoon factory, where the young musicians, along with Tony Kenning and Rick "Sav" Savage, rehearse with their band. After Steve plays some very impressive guitar parts, the rest of the band agree that Steve is the guitarist they're looking for to write and play their own material with.
One memorable situation occurred in 1978, when Steve was sick of rehearsing and not playing any shows. He told his bandmates that he would leave the band unless they wouldn't do a gig very soon. Put under pressure by Steve, Joe arranged the band's first gig at the local high school, which was only the first in a long line.
The first Def Leppard release, simply called "THE DEF LEPPARD EP," became successful partly due to Steve's strong riffs in "GETCHA ROCKS OFF" and "RIDE INTO THE SUN", and earned the band a record deal. On the first album, "ON THROUGH THE NIGHT", his riffs played another important role, especially in songs as "WASTED", "ROCK BRIGADE" and "IT COULD BE YOU". On the band's second release, "HIGH 'N' DRY", Steve's masterpiece can be heard: "SWITCH 625", an instrumental up-tempo rock song, all based on one recurring three-note theme.
The third DL release, "PYROMANIA", showed why Steve deserved his nicknames "Steamin'" and "Riffmaster": "TOO LATE FOR LOVE", "FOOLIN'" and "PHOTOGRAPH" are songs that are still popular among the fans, enough to be part of a current Def Leppard set list. During the recordings of that album, Pete Willis was replaced by Phil Collen. The combination Steve/Phil proved to be a perfect one. Both guitarists knew how to challenge, complement and inspire eachother, both on stage, off stage, and in the studio: on "HYSTERIA", the band sounds tighter than ever, with Steve and Phil being the perfect guitar tandem.
The long tour to promote "HYSTERIA" got the band into the world of drugs and alcohol even more than they were at the time. While Steve was a heavy drinker already, life on the road didn't make it easier for him. On stage, Steve was the guitar god. Off stage, he was unhappy and depressed, reaching for the bottle far too often.
After the tour, Steve's alcoholism got worse. He checked into rehab several times to get rid of the bottle, which seemed to control his life more and more. During the recording of the band's next album, things did not get better. Towards the end of 1990, the four other band members gave Steve a 6 month leave of absence, to get the "rock star" pressure off his chest and get himself together.
On January 8, 1991, even before those 6 months were over, Steve Clark died alone in his London home at the age of 30. After taking a fatal combination of prescription drugs and alcohol, Steve's battle with alcohol came to an end. Unfortunately, Steve Clark lost.
We miss him.
Quote from Steve:
"I remember lying in bed at night, thinking that when I get rich, I'll have a wall full of guitars."
Steve Clark died of a fatal mixture of alcohol and drugs according to the coroner's report released in London on February 27th. The report said Steve died of a respiratory failure due to a compression of the brain stem resulting from excess quantities of alcohol mixed with antidepressants of painkillers. The Westminster Coroner's Court issued a verdict of accidental death caused by non-dependent abuse of drugs and alcohol, with no evidence of suicidal intent. The thirty-year-old guitarist was found dead in his London home on January 8th.
According to the report, Steve fell asleep on the sofa after drinking heavily in a local pub with a friend. The coroner disclosed that the alcohol level in Steve's blood was three times the British legal limit for driving. Steve had battled alcoholism for several years and had undergone clinical treatment during the past year and a half. The autopsy revealed traces of Valium and morphine along with a fatal quantity of codeine. Steve had been taking painkillers as a result of a back injury. Although some British newspapers reports that traces of heroin had been found as well, the coroner found no evidence of the drug.
The members of Def Leppard made no public comment on the coroner's report. They have resumed work on their follow-up album to 1987's Hysteria, with Leppard guitarist Phil Collen playing all of the guitar parts.
-David Fricke
Steve’s memory lives on in his family, band mates, and his millions of fans all over the world. Steve ‘Steamin’ Clark may be gone, but he will never be forgotten.

My Interests



Def Leppard-Tribute to Steve Clark-Visualize

Add to My Profile | More Videos

Last Words From Steve Clark

After finishing Hysteria and before beginning work on Adrenalize, Def Leppard's guitarist talked with Matt Resnicoff about his view of the band's past and his hopes for the future.
M: What made Def Leppard explode with Pyromania, after so many years of struggling on a local and cult scale?
Steve: We had a great album, probably the best-produced, best-recorded album at that time. There was no filler. And the group sort of looked fresh, had a good attitude and really worked hard. The market was right, something was really lacking that we filled.
M: How was recording Hysteria different from Pyromania
Steve: When we started recording we decided that we didn't want to make it like Pyromania at all, that we wanted a different approach. We didn't use any keyboards and Pyromania had a lot of keyboards on it. We went out of our way to write keyboard parts we could play on guitars and to orchestrate it a lot more. And we wrote in a different way. In the old days we used to come up with a riff and then try and put the vocal on top of it. On Hysteria we came up with the vocal lines and real simple chord sequences and then put a little riffs in the gaps between the vocals. It was a different approach altogether. There's virtually no time when Phil [Collen] and I are playing the same chord; we're always playing different parts that don't really mean anything on their own, but when you put them together, it all gells. So musically, I think it an improvement.
M: Phil says you have equal share in writing, but it must move around.
Steve: On the older records I came up with virtually all the music, but on Hysteria it was all split four ways with the exception of Rick, because he has trying to get his new drumkit together.
M: How did losing his arm affect rehearsals and recording?
Steve: It didn't really affect things too much. Not that it was a good thing to happen, but once we were in the studio, we went straight back in to work while he was trying to get his new kit going, so we worked to a LinnDrum. The drums were one of the last things to go down. So if anything, it bought a lot of time for Rick to experiment a little. He didn't hold things up too much, but, you know, it wasn't the best thing that could have happened. It threw everybody for a little while.
M: Since Phil replaced Pete Willis on guitar, it would seem like the success the band achieved after Pyromania could have been partly due to the change in the lineup. Why did Pete leave?
Steve: Eh.. well he..one, he had a drinking problem. But it wasn't because of that. A spark had gone. It wasn't good for him anymore and it wasn't good for us. It was like a mutual agreement that he probably shouldn't play anymore.
M: You and Phil were old friends. Did that make a difference?
Steve: Yeah, it would have made a lot of difference if we didn't get on. That would have been really tough and hard work, and half of the thing with Def Leppard is that it has to be natural and fun. But if Phil brought a little more energy to the group, more enthusiasm. Pete started grinding things to a halt on occasion and he was a bit tough, but Phil's enthusiasm and attitude made everybody sort of pick up and pound through it.
M: Do you work closely with Phil on riffs, or do you both come into the studio with your own ideas?
Steve: Yeah, we always work really close together, even to working out solos together; we'll suggest things to each other. We're actually sitting in with each other when we do solos and things like that, and he'll say, "That sounds weird," or "I don't like that," and I do the same for Phil. So it's a very close relationship. Neither of us is scared to admit something is great or something's terrible. [laughs] it works really good together. We're very different. Phil goes for playing fast [laughs] and I try for something with a bit more melody, or orchestrate it a bit more. The two together really complement each other. I don't think about it too much, to be quite honest. [laughs]
M: Who influenced your playing?
Steve: Mainly Led Zeppelin and Jimmy Page. I like Jimmy Page not just for the guitar playing, but he wrote most of the material, he produced it played his solos, and live, he was a good showman. So the whole package really influenced me a lot, rather than just to sit down on a stool and play faster than somebody else. I mean, I'm aware of Steve Vai and things like that, I've heard them. I really don't care for what they do. I don't really enjoy guitarists who just show how great they are. I appreciate what they do, but it don't put me out.
M: As heavy pop bands like Bon Jovi brought metal styles into the foreground, the guitar has sort of taken a back seat. On Hysteria the solos are pretty short. Is that a problem for you as musicians?
Steve: No. Even on some of the early albums the solos were always cut down to a minimum; there were never any sort of self-indulgent parts. We prefer it that way. We don't want long drawn-out solos. Everything is for a the good of the song and the solo has to complement it. We never write a song to find an excuse to solo. It all has to work together.
M: Do you listen to any soloists?
Steve: Not really. I prefer to listen to the Police or Prince or Led Zeppelin when I feel like rocking out, rather than other bands I'm competing with. We've never let the market influence what we do. We always thought we were going to stretch it a little bit with Pyromania and things like that. A lot of groups really ripped off Pyromania and they made Pyromania too horrid. [laughs] so we thought we'd do something slightly different. We've always set the standards rather than follow them. With Hysteria we just looked for something to try to stay one step ahead. but in the future we'll probably change again. I don't know really what kind of direction we'll take, I don't know if it'll be heavier or poppier. It'll be just what feels right next time we make an album. We've already started working on songs for the next one. We were a bit naive after Pyromania: We were obviously aware that we had to make another album, but we never faced up to it until the last minute: "Oh, shit, we're gonna make another on." We're very conscious not to let that happen ever again. So this time, even with Hysteria was being mixed, Phil and myself were still working on some songs. We've got about four ideas on board. Whether they'll be on the next album or not, I don't know, but at least it's healthy that we're thinking about it beforehand.
M: Will Mutt Lange produce it?
Steve: We don't know yet. I'd love it if he could, but we've learned the best thing is just to see what happens at the time [laughs] like everything with this group.

I'd like to meet:



Which member of Def Leppard are you?
You are Steve Clark!You are very talented, but you are also very depressed. Your family tends to give you a hard time, making you feel as if you're not good enough. You find escape through drinking and music. You are a quiet person, but your sense of humor comes out at the most random moments. People see you as shy, lonely and talented.
Take this quiz !

Quizilla | Join| Make A Quiz | More Quizzes | Grab Code
Which 80s hair metal band do you belong in? (6 possible results)
"Rock rock til you drop", you belong in Def Lepaprd.
Take this quiz !

Quizilla | Join| Make A Quiz | More Quizzes | Grab Code

Copy and paste this link to see an amazing Steve Clark site! WWW.STEVECLARKGUITAR.COM

Image brought to you by:Steve "Steamin" Clark Tribute

Heroes:

Jimmy Page

My Blog

Yet another poem

Okay so my friend Rachel wrote a poem 'bout Steve a while back and since I personally think its really good I think other people should read it as well so thus I am posting a blog with her poem in it....
Posted by Steve Clark on Mon, 16 Jul 2007 11:58:00 PST

Poem

The marvel of our timeguitar laced with powerheld captive by roaring crowdsThe audience; his deepest thrillempty spirits inside to fillComing far and wideto witness magic break the tideTo heal the pai...
Posted by Steve Clark on Mon, 23 Apr 2007 02:42:00 PST

Blood Runs Cold

I heard this line one time 'bout tryin' to save the world But have you ever tried to save yourself A wide-eyed suicide drive remains a fake As if you'd ever, ever go and make that same mistake St...
Posted by Steve Clark on Wed, 14 Feb 2007 12:15:00 PST

Long, Long Way To Go

You held my hand and then you slipped away And I may never see your face again So tell me how do to fill the emptiness inside Without love, what is life? And anyone who knew us both can see We always...
Posted by Steve Clark on Fri, 09 Feb 2007 03:52:00 PST