Kieser - ProfilesArchive

About Me

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Kieser, born ***** ****** in The Broadway, South London , is a 22 year old semi-producer. He has been tampering with production on and off since he was 14. His audio style is varied, as are his influences. Not really a fan of current mainstream music, he basically puts his heart into creating the sorts of tracks he used to be inspired by when young. It is this factor that deterred him from wanting to become too deeply attached to production. What with a new breed of fans listening to the same music he once loved, the authors of many gems then were forced to cater to the needs of these pollutists who didn't realise the artistry involved in the works of many acts, but simply clambered upon the dusty bandwagon of rap because it was rapidly gaining a fashionable tag to itself. How can an artist who fed his mind with works such as Liquid Swords, Only Built For Cuban Linx & Ironman survive in an industry run by the likes of Chingy, Bow Wow and 50 Cent? Nevertheless he continues doing what he does for himself and those who travel the same train of thought as him. Luckily he was able to surround himself with dart assassins such as Vivid from the Abstract Armi , and Vivid's cuzn XL Verses, from DC3 . The three would trapse the terrain for hours on end, spilling dart juice on the paves as they went. Kieser then went on to meet and cipher with numerous singers, rappers and producers, including Marval from ClearCut Ent.,developing his love for the rapid-thought freestyle scene. Later, disheartened by the lack of any success from other British artists whom he had respect and admiration for, he strayed from the verbal side and began recreating the works of Picasso in audible track form. These works were produced at the now legendary "Hostel" , controlled and operated by his elder brother. He still continues to do this now.

My Interests

Music:

Member Since: 12/7/2006
Band Members: Bryan & Kieser 50/50
To Anybody That Has Known Kieser For 6 Years Or More -
This Picture Epitomises My Emotions Concerning My Once Most Respected Artists. You Had A Good Run - Spanning Out Classics, Consequetively. But For Me - That's The End... Thank You
RIP Mobb Deep: Died Somewhere Around Infamy, And One Of Their Numerous Garbage Mixtapes. Definitely Before The Curtis Jackson Heist

Influences: Artists from Bits------------Asare (A-man), Alleykid Marval, Syloe, The Whole Clearcut Youngers & all the Ruskin persons who took part in them canteen rituals, Empra, Don Vito, Blak Fonz, C-Tek, S Double (Vybes), Poseidon n his Father, Chimaine S, Prince Sampson, my brother JZA, Lumu from the Red Flats (MitchNam), Cuzn Aaron (showed me good Muzique when younger), D.G., Spilla G, Strugman, Any Means (Blendo), JMan, Rawkid & Big$hot, Third World Rebels, Glamma n Aron (Marvin's Brothas - Cipher in the Shubz), XL Verses, Scripts (Crack), Morbid, Sonaman, Jay (Dosha) n Jeffrey, Micheal, David, Emmanuel, Joshua (Daniki!!), the Bums, Crackheads and Hobo's outside Tooting Broadway Station (negative reinforcement), Ozman, T.N.I.C. (or P.N.I.C. now?) Brixton Micheal an all the Furzedowne rhymers/ballers on them courts, Leoni, Chantal, Avalon n all them Phipps Bridge Rhymesters and everyone I ever collaborated with thus far has influenced and encouraged me to be a bit more serious with this thing.

Established Artists-----------The Wu-Tang, Allah Mathematics, Persia Legacy, Bronze Nazareth, Nas, Common, Alexander O'Neal, Jurassic 5, So-Solid Crew, Dizzie Rascal, Roll Deep, The Alchemist, Dj Premier, Souls of Mischeif, Del The Funky Homosapien, Slick Rick (MitchNam!), Mobb Deep, Dilated Peoples, Gangstarr, Isley Brothers, Fugees, Vanessa Paradis, Big L, Big Pun, Klashnekoff, Ty (safe for the encouragement, Victoria Line en route from Germany), Prince Sampson, Earth, Wind And Fire and my guy MJ.
Sounds Like: Music.
***To all with monaural output devices - The reason your hearing the tracks strangely is due to the fact dat there is alot of panning used in the arrange of most of my stuff, yea? Either get a stereo setup, or configure your settings and switch your output to "STEREO" not "MONO" an you won't be hearin it strange no more... *&^%Â£***
Record Label: unsigned
Type of Label: None