Myspace Layouts - Myspace Editor - Image Hosting
First and foremost I am a clubber. I discovered dance music during the second
summer of love in 1988/89 and I have been pursuing my passion ever since…
clubbing all over the world and collecting vinyl, the progression to my first
set of turntables around 1993 was a natural one.
I grew up in Bangor; home of one of NI’s pioneering Dance clubs – The Helmsman
(later renamed Charlie Heggarties). This is where local legends such as Robbie
Nelson, Gleave Dobbin, Marty C, Jacko and Sequel all earned their spurs, in the
days when the music was relatively genre free…. It was all about the vibe, and I
couldn’t get enough…. House, early trance and techno… it was all dance music to
me.
A defining moment in my musical life came in 1992 when I attended NI’s first
ever all nighter – Evolution. The music was harder and darker, and I was hooked…
At this stage I was travelling all over the UK to party and I was heavily
influenced by nights out at the likes of Hellraiser, Fantazia, Rezerection,
Fubar, Metro etc etc but there was one club that topped the lot. One sound that
was hard, yet fresh, exciting, and different than what I was hearing elsewhere….
That club was KELLYS in Portrush. In my opinion no club was like it, the music
and the crowd, and nowhere has come near since…. The sounds being pushed by
X-Ray and Sci influenced my entire DJing career, and still continue to do so
today.
Up until this point, as a DJ I was buying everything from house to hardcore, but
the Belgian/German hard trance sound was always my favourite style. I built up a
decent following in my local area around the mid nineties with gigs in most of
Bangor’s nightspots, and strong sales of my mix tapes in local record stores and
clubs.
When the NI harder music scene imploded around 1997 I stopped playing hardcore
altogether due to the English influence that the scene was adopting, although my
love for the Kelly’s sound remained. It was around about this stage that I
stopped actively DJing as nowhere was promoting the sounds that I loved.
Around this time most of my favourite clubs were forced to close, and I started
attending Shine, where my love of techno began. Although I went to many smaller
nights of many different styles, Shine quickly became my regular haunt over the
next few years, and I continued to enjoy the darker, harder end of the musical
spectrum in any form I could. Shine is still really the only club i go to on a
regular basis outside my own nights these days, due to lack of options and time
As the nineties drew to a close I started to hear those old hardcore samples
again in a newer form, and I was excited again… the old hardcore producers had
mutated the sound, slowed it down, and UK Hard House was born…. I picked up the
headphones again to fuse this sound with the hard trance sounds from the old
skool, along with the darker, more techno based sounds that I had been clubbing
to. The result was the early forming of the dark techy cross genre sound that I
still play today, and I found myself gaining recognition again.
I started doing mixes again I my new style, and they were very well received in
the burgeoning scene, and in 2001 I was awarded the DJ Of The Month award by the
ENERGY UK, the pivotal NRG and hard house resource in the UK. This gained me a
lot of exposure and recognition from the major DJs and promoters within the hard
house scene, and bookings followed in England and Scotland in numerous venues
from Aberdeen to London, Blackburn to Hull, and many other venue’s in between.
The pinnacle of 2001 was qualifying for the ENERGY UK DJ Of The Year Final,
where I actually finished runner up. Despite a dead heat scoring finish with the
eventual winner, I lost on a technicality (number of mix downloads, when I had
handed out my mix on a CD instead 100 times instead of encouraging dial up
downloading) . I was gutted as the winner was due to play the Frantic’s massive
Hard House Academy @ Brixton Academy, London. Luckily I was noticed through this
competition anyway, and within a month I had been signed up by Last Resort
Productions in Holland for a year’s contract gigging in the Netherlands.
Highlights of this included major gigs at De Waakzaamheid with Lucien Foort
(Gatecrasher), Alexander Koenig and Per, and a massive open air stage gig on
Queens Day behind Dam Square in Amsterdam (over a million people flood Amsterdam
for Queens Day every April)
2002 seen the launch of my SUBCULTURE series of mix CDs, which were received to
great acclaim across the hard dance scene. Things were looking good for me
musically, but my work career was also taking off, and a promotion in work meant
that I had less and less time to dedicate to my music, at a time when I should
have been upping my profile. Work and family life of course came first and again
it wasn’t long before I considered hanging up then headphones for a second time.
The cousin of a good mate of mine persuaded me to help out with one final gig
that he wanted to put on, so I agreed to do the one off to help him out.
Today as a DJ I rarely play my first love that’s now classed as ‘old skool’,
preferring to concentrate on the newer sound that I feel encapsulates all my
musical influences over the years, as defined by my musical journey…a Cuffy set
these days is almost always dark, always hard, and never restricted to one
particular genre… hard dance, trance, techno, acid….and anything in between.
These days the website now takes up more of my time than actually
playing, I just love the buzz of the party, and hopefully we are bringing
something slightly different to our local scene, both old skool and new… and I continue to define my sound….
So don’t try to pigeon hole it, just pop in, listen, decide for yourself…. And
most importantly, DANCE!!!