RICKY FRENGUELLI

Enter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My ProfileEnter Pimp My ProfileEnter your content here. Pimp My ProfileEnter your content here. Pimp My Profileun po' di informazione...... Electroclash, a form of music known predominantly to the underground, spawned in the late 1990s in The Hague, Munich, Berlin, Vienna, New York City, and Detroit. The first example of electroclash is often cited as the Dutch artist I-F's 1997 track "Space Invaders Are Smoking Grass." The movement emerged in 2000-2002 through Larry Tee's roving, fashion/art/hipster Berliniamsburg, and later at the Mutants club nights, at Club Luxx in Williamsburg, Brooklyn. Many deem that Larry Tee coined the term "electroclash", and also began the Electroclash,, Festival which helped him in trademarking the word itself. Tee's early electroclash parties were defined by historically oppressed and/or fringe members of society, including transsexuals, cocaine users. The crowd tended to be dressed in revealing 1980s- sub-culture clothing, while music at such events consisted of obscure New Wave and disco remix records.The name derives from the early '80s electropop bands who provide the majority of electroclash's musical influence. Lyrics are generally tongue-in-cheek and punk inspired, and often more given to attitude and pose than poetics or theme; while the vocal delivery is typically atonal to the point of caricature. The deadpan style of the band The Flying Lizards could also be considered an influence.In contrast to the American gay nightclubs, the International DJ Gigolo nights held by DJ Hell in Munich attracted a predominantly heterosexual crowd. Electroclash peaked in Berlin in 2002.In subsequent years, scenes in other cities and areas, such as in Southern California, spawned loosely affiliated, and generally more "serious" '80s homage projects adopting the electroclash moniker. The lyrical subjects and themes were often taken more seriously and were considerably darker than those of the original East Coast style, toning down the original tongue-in-cheek flavor of the genre.By the mid-2000s, 'electroclash' had become a popular synonym for "'80s retro dance music." The genre has since gone on to be associated more strongly with international rather than U.S. scenes; dominant now in Berlin, Barcelona, Bogotá, Montreal, Mexico City and Rio de Janeiro, with Madamme Nini and Lady Ray's monthly party Fashion Nugget at the nightclub known as Dama de Ferro, rather than New York, Detroit and San Francisco.In the UK, electroclash has been most popular in both the alternative gay scene and parts of the Goth scene, with nights like Nag Nag Nag, The Cock, Anti-Social, Death Disco, Electrogogo, Fuck The Pain Away and Beyond Club . For a time, the scene was synonymous with the Hoxton area of London. In North East England and Newcastle upon Tyne around 2002/2004 the scene was promoted by Orange Sync Records. This label also ran New Wave Electro parties at The Stage Door "the oldest night club in Newcastle" within the Chinatown area, Stowell Street and also at Beyond Club in "The Gate complex".[citation needed]Enter your content here. Pimp My Profile

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