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Basically the concern of just one man, Bob Green, the Grassy Knoll has explored a variety of cutting-edge musical styles, including ambient techno, acid jazz and dub, each under-pinned by Green's affinity for jazz fusion. Born in the Dallas area, Green listened to the usual '60s and '70s rock sources, from the British Invasion to early heavy metal, but soon became infatuated with fusion, specifically Miles Davis' mid-'70s period. He went to study photography at the San Francisco Art Institute, and had returned home by 1990, when he began recording with a computer and sampler. He returned to the Bay Area to look for musicians with similar interests, and found drummer David Revelli, trumpeter Chris Grady and reed player Jonathan Byerly. After shopping demos around, the Grassy Knoll signed with Nettwerk and released their self-titled debut album in 1995, with production help from Jaime Lagueruela. Just six months after its release, the album was picked up by Polygram through the Antilles label, which released the group's second album as well, 1996's Positive........
by John Bush (AMG)
The Grassy Knoll, Bob Green’s personal musical conspiracy, has been purveying uniquely potent instrumental-rock abstraction since 1993. Having served three acclaimed albums to major labels (nettwerk/verve/antilles), Green has veered from the tried-and-true route to release his latest rock narrative, “Short Storiesâ€, via a collective imprint of his own devising, sixtyonesixtyeight. Green, who sees the ever-evolving artist as the only true artist, has taken on multimedia performances as his next challenge. These audiovisual happenings feature him performing on bass alongside guest collaborators and his own specially created visual presentations.The Grassy Knoll’s multimedia evenings juxtapose the Knoll’s exquisite brand of electro-rock action with audiovisual samples from pre-MTV rock, jazz and classical icons, not only seamlessly celebrating the relationship between 20th-century musicians but allowing these disparate artists to speak a common language. This isn’t just instrumental rock backed with a video screen; this is sampling taken to a new, comprehensively artful level. With Final Cut Pro his tool of choice, Green has given every sonic image a corresponding visual image, combed from a vast array of famous, infamous and rarely seen archive footage. Trained in photography, he also shoots his own footage of New York City street life and small towns in his native Texas, adding anindividual POV.Fully engaging all your senses, the Grassy Knoll is in-the-moment rock music with an inclusive sense of both the past and the future. This is sampling that changes everything. The Grassy Knoll -- you must believe it to see it.THEGRASSY KNOLL (1995) Credits:
Mike Boguslawski Assistant Engineer__
Steve Cornell Organ__
Beth Custer Clarinet, Sax (Alto)__
DJ Quest Turntables__
Brian Gardner Mastering__
Bob Green Producer, Engineer__
Nate Herr Coordination__
Chris Grady Trumpet__
Norman Kerner Guitar, Producer, Engineer, Mixing__
David Lau Art Direction, Design__
Jeff Zilm Drum Loop----------POSITIVE (1996) Credits:
Chika Azuma Art Direction, Design__
Matthew Brubeck Cello__
Brian Gardner Mastering__
Bob Green Bass, Guitar, Arranger, Keyboards, Producer, Sampling, Mixing__
Chris Grady Trumpet__
David Kaplowitz Piano, Keyboards__
Jaime Lagueruela Producer, Engineer, Drum Programming, Mixing__
Patricia Lie Art Direction__
Ralph Patlan Guitar__
Larry Sultan Photography----------III (1998) Credits:
Chika Azuma Art Direction, Design__
Peter Beddow Web Design__
Ellery Eskelin Sax (Tenor)__
Brian Gardner Mastering__
Chris Grady Trumpet__
Bob Green Bass, Guitar, Piano, Programming, Producer, Sampling, Roland S555__
Nate Herr Release Coordinator__
Carla Kihlstedt Violin__
Danny Madorsky Engineer, Assistant Engineer__
Thurston Moore Guitar__
David Revelli Percussion, Drums__
Roger Rosenberg Bassoon, Clarinet (Bass), Sax (Soprano)__
Nick Sansano Mellophonium, Organ (Hammond), Producer, Engineer,
Mellotron, Fender Rhodes, Oberheim, Mixing, Juno, Oberheim OB8, Oberheim 8 Voice__
Jane Scarpantoni Cello.