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THE SOURCE

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Being a part of THE SOURCE is just like being a part of family. THE SOURCE has been the best thing to happen to me, both personally and professionally. t.k n jose you know i gotchu when it comes to the music youre shits just fire yall secured my well being both as a person and as an artist. -Busta Rhymes From a management company to a record label to a marketing group to a multi-media entertainment conglomerate, Chris Lighty, Mona Scott and Todd Moscowitz have built an impressive empire in THE SOURCE. And, most importantly, this success has been earned by the powerhouse trio without compromising their integrity, nor the integrity of hip-hop music and culture, the very thing that got the ball rolling 10 years ago.Running with a rebel posse called the SOURCE back in the Bronx, Lightys roots in rap are grounded to his days as an apprentice disc jockey; carrying crates in local clubs for legendary DJ Red Alert and the late Scott La Rock of Boogie Down Productions. It was a soldiers in-the-trenches, do-what-has-to-be-done-to-get-it-done mentality back then, and that philosophy carried over to managing careers and releasing hit records. When Mona Scott joined the company, she took over the day-to-day responsibilities of running Violator Management, as she sees it, making the impossible possible. Most recently Todd Moscowitz has joined the company after 10 years as the GM of Def Jam Records bringing his extensive experience from the label side of the business.THE SOURCE Records/Management has sold an average of 10 million records a year for the past 6 years, and Violator has seen the last 7 CDs by THE SOURCE related artists enter the Billboard Top 200 Pop Album Charts in the Top 10. Superstar client Busta Rhymes went from hawking Mountain Dew on television to co-starring in major motion pictures (Gus Van Zants Finding Forrester with Sean Connery, John Singletons Shaft with Samuel L. Jackson and NARC produced by Ray Liotta). He also single handedly increased the sales of Courvoisier brand cognac 20% last year with his hit record Pass the Courvoisier and the related marketing campaign that he spearheaded. The musical roster bounces from those still watching the streets like Noreaga and Mobb Deep to new R&B sensation & Verizon spokesperson Tweet, to 50 Cent whose debut album Get Rich or Die Tryin has sold over 9M copies.For THE SOURCE, there would be no commercials, films or TV shows without maintaining a focus on the music. Platinum and gold are the norm for each artist CD on the roster. In an effort to demonstrate the continuity of their acts and familial loyalty, THE SOURCE tied together their street artists and mainstream stars on 1999s VIOLATER THE ALBUM, the million-selling CD that featured a reunited Capone-n-Noreaga, some of the last music from Big Pun, new tracks from Busta Rhymes, Mobb Deep, LL Cool J and introduced the first solo record from Q-Tip since his Vivrant Thing. The albums solid material and savvy marketing strategy got Hollywood and Americas attention. Following those accomplishments, THE SOURCE put together a successor in 2001 that demonstrated the growth of the SOURCE brand with VIOLATOR THE ALBUM V2.0, and coming this year will be the third installment which will be the first album in a new Violator/Jive Records distribution deal with singles by Missy Elliott & new Violator Records artist Dirtbag.Having successfully marketed hip-hop from the hood to Hollywood, THE SOURCE brought their street marketing skills to the film and television world when newly-formed Violator Marketing Group (VMG) landed the promotion contract for New Line Cinemas summer picture, Blow, starring Johnny Depp and directed by Ted Demme. VMG was not defined by ethnicity, but rather by lifestyle. Theirs will be a grass-roots team that furthers what Lighty, Scott & Moscowitz learned from convincing Mountain Dew to move Busta Rhymes soda sales pitch beyond urban radio and into multiple mainstream television and magazine advertisements. Since then, Busta has successfully moved on to work with brands like Miller and Courvoisier, Missy Elliott has successfully sold Gap and Reebok clothing, and Vanilla Coke and 50 Cent has launched his clothing line with Ecko and a sneaker line with Reebok. The rap culture has gone mainstream, adds Scott. Its not about color. Its about the music you listen to, the activities you enjoy doing, the kind of experiences you claim as your own.THE SOURCE has already made inroads into such areas as TV and film, with Busta Rhymes roles in Higher Learning, Shaft, Finding Forrester and NARC. Busta is also collaborating with screenwriters like Tiger Williams (Menace to Society) and Darryl Quarles (Big Mommas House) on his own film ideas, while Noreaga has sold HBO on his hosting role for his hip-hop documentary, What What, which the rapper created, will star in and Ted Demme produced. Violator has also begun to manage film and TV talent, and produce tours like the forthcoming Where My Girls At urban lifestyle tour hosted by Missy Elliott, and produce films, like Bloodmoney starring Busta Rhymes, and Prodigy. Violator, and the artists Missy Elliott and Busta Rhymes, will also be represented in Hollywood and on Madison Avenue by talent powerhouse CAA to exploit the Violator brand both in and outside music.We have always considered ourselves and the artists we represent to be progressive, and leaders in our field, adds Scott. This is just another chapter in our growth and we accept the challenge!Leave it to Chris Lighty to sum it all up. Lets face it. Right now, its a very interesting time to be young and black And A SOURCE MEMBER.

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The Source was started originally by David Mays and Jon Shecter while they both attended Harvard University. The two were once radio DJs and hosted Street Beat on the college radio station WHRB. Mays and Shecter, both white men, were influenced by hip-hop and wanted to give praise by devoting coverage to the rising music genre. The Source originally started as a concert newsletter. Its popularity became known when The Source scored an interview with LL Cool J. The Source was growing from one small newsletter to a mainstream magazine.The two decided to hire their college friends James Benard (as Senior Editor) and Ed Young (as Associate Publisher), who both immediately became equal shareholders in the ownership of the magazine. At the time, Mays handled duties as the Publisher for the magazine, and Shecter was the editor-in-chief. The Source was moved from Boston to New York in 1990. Their move was to expand the magazine in a mainstream market.The Source became the most respected name in hip-hop journalism. The magazine included many notable features, including Unsigned Hype (a monthly profile of an up-and-coming rapper or group; DMX, Eminem, Notorious B.I.G., Common, and 50 Cent are among the many who have been featured).The "Record Report" is special feature in the publication. Journalists would judged albums by "mics". The Source "mics" the equivalent to a star rating. The publication uses a rating system from one to "five mics." An album that is rated at four-and-a-half or five "mics" is considered by The Source to be a superior hip hop album. The avatar used to rate the albums The Source reviews is a hand gripping a microphone. Over the first ten years or so of the magazine, the heralded "five mic" rating only applied to albums that were (and have held up over time to be) universally lauded hip hop albums. Some examples are A Tribe Called Quest's The Low End Theory, Nas's Illmatic, Outkast's Aquemini and De La Soul's De La Soul Is Dead.The magazine also featured cover stories on the crack/cocaine epidemic, police brutality, and New York's investigation of high-profile rappers. The publication has over eight million subscribers worldwide, and remains one of the most popular hip-hop magazines in the world.[edit] The Source Enterprises As The Source expanded, the magazine then became involved in television programs such as The Source: All-Access, The Source: Sound Lab and its annual award show. The Source Awards are given to rappers and some R & B acts for their contributions to hip-hop. The "Lifetime Achievement" Award is the highest award given to a rapper who has contribute their time to succeeding in the hip-hop music industry. The Source also releases a compilation album of hip-hop/rap hits. The Source has expanded overseas with a French version of the rap magazine, alongside a Source Latino and The Source Israel magazine franchises. The company has invested in mobile phones and ringtones in which subscribers are offered their favorite choice of hip-hop ringtones. The Source also invested in its own urban clothing apparel company.[edit] The Source Awards Controversies The magazine is also known for its annual,The Source Hip-Hop Music Awards Show. The first live (but untelevised) show was held in 1994, with the only notable event being Tupac Shakur running onstage during a set by A Tribe Called Quest, interrupting their performance. No violence resulted, and Shakur was convinced to make an apology by members of Zulu Nation.The second broadcast was taped in 1995 at the Paramount Theatre at Madison Square Garden. Many point to this show as heightening East Coast/West Coast tensions. Death Row Records' Suge Knight publicly questioned why Bad Boy Records honcho Sean "Puff Daddy" Combs had to appear in every one of his labelmates' videos. Some feel that this escalated the disrespect between the two coasts.The Source held their award show in Pasadena, California in 2000. The award show had to be stopped due to violence in the crowd and backstage. The fight caused DJ Quik to be hospitalized and resulted in Pasadena banning The Source from having their awards held in the city. Only five of the fifteen awards were given out during the telecast, and two performances were cut short. Still, despite the fact that no fights were shown on the broadcast, the 2000 awards' television ratings were 31 percent higher than the previous year's show.The bad publicity caused UPN, the network broadcasting The Source Awards, to sever their ties with them a year after the melee. UPN aired its last awards show from Miami in 2001. The Source Awards were featured on BET but it's uncertain if the network will continue the award show.THE FUED WITH EMINEMIn 2002, Benzino started a feud with rapper Eminem. Benzino claimed that Eminem was a product of the machine that sought to discredit black and Latino artists' contributions to hip-hop. He released a diss track called "Pull Ya Skirt Up", in which he says, among other things, that Eminem would only be remembered as a battle rapper, such as Canibus, if he weren't white. The track also alleged that the rapper would never have gained his level of popularity without being featured in The Source's Unsigned Hype column. The Source published several articles discrediting Eminem. Eminem responded back in a series of diss songs (namely "The Sauce" and "Nail In The Coffin") that attacked Benzino's street credibility and ethnicity. He also mocked Benzino for trying to make his son Lil' Ray Ray into a rap star. These records were widely seen as highly damaging to Benzino and The Source's credibility. Undaunted, Benzino went back and recorded several more tracks, including "Die Another Day" (in which he likens himself to a hip hop version of Martin Luther King, Jr. and Malcolm X and calls for Eminem's death) and "Lose Yourself" (which plays off the chorus of Eminem's hit song of the same name). These tracks were widely ignored.The Source then went another route to take down Eminem. It went as far to dig up an old tape in which a young Eminem was rapping racial slurs against Blacks and women. The magazine devoted its entire coverage to the discovery of the tapes, and also the negative impact that Eminem has had on the hip-hop industry. For his part, Eminem did not deny making the tapes; he claimed that he made them after a bitter break up with a black girlfriend (a situation upon which he elaborates on "Yellow Brick Road" off his Encore album). He apologized for making the tapes but also exhorted the public to consider the origin of the allegations.Nevertheless, Eminem had sued The Source for defamation and copyright infringement. The federal courts allowed an injunction to distribute a minimal amount of lyrics of the alleged tape. The Source ignored the injunction and went forth to publish the entire lyrics on its website and in its magazine. By ignoring the injunction, The Source was found in contempt of court and were forced to pay Eminem and his label, Shady Records a considerable sum in compensation. In 2005, lawyers for Eminem were preparing for trial over copyright infringement but aburptly withdrew stating that the rapper issue with The Source was done and there's nothing from the magazine. Benzino still hasn't officially squashed the beef with Eminem. Mays and Benzino both countered the withdrawal of the lawsuit calling it a "cowardly" move. They both claimed they can finally expose the truth about Eminem and planned to eventually release the "racist tapes" in a future magazine. Nevertheless, The Source was satisfied with the results, and felt that the move was considered a win for both parties.BENZINOS REGIGNITIONBenzino still continues to feud with Eminem and many others associated to him. Internet bloggers had rallied a petition for the removal of Benzino and Dave Mays. Under pressure, Benzino decided to step down from his post at The Source. In 2005, Benzino formally announced that he's resigning as chief operations officer and co-owner of The Source. Benzino cited that his battle with Eminem and the magazine's publishers were hurting the revenue of The Source. Within a few mere days Benzino announced that he returned to The Source as co-owner and currently works with The Source. Industry insiders believed that The Source staged a fake event in order to encourage advertisers to invest in the controversial magazine. The rapper refuted his claims about saving The Source, and instead blamed Interscope's chairman Jimmy Iovine. Benzino believe that Iovine was pressuring to fire rap mogul L.A. Reid if he didn't have Def Jam advertising removed from The Source. The reason why Benzino stepped down was to save Reid's position as president of Island Def Jam, or so he claimed. Last year, Benzino had been on radio denouncing Def Jam's founder Russell Simmons for not participating in his smear campaign to expose Eminem as a racist. He had used racial comments about Simmons in the past forcing Def Jam to pull a vast majority of their ads from The Source. As of today, Interscope, Def Jam, Tommy Boy, Virgin, Motown and Universal have pulled advertising from The Source. It is noted that Benzino was signed to each of these labels before the massive decrease in general advertising.The magazine has experienced their recent lawsuit from former editor-in-chief, Kim Osorio, the fifth Editor In Chief who took over from Carlito Rodriguez, who went on to produce a hip-hop show for MTV. Osorio alongside Michelle Joyce, a former marketing executive, both filed a multi-million dollar lawsuit against the magazine over gender discrimination and sexual harassment. Osorio claimed that Benzino and his friends from Boston would get special treatment while the female staffers were to abide by the rules. Also numerous complaints about harassments to female staffers were turned down by Benzino and Mays.After the departure of Osorio, staff editor Joshua "Fahyim" Ratcliffe was appointed to the publication. Ratcliffe abruptly left after he was ordered to change the rating of The Minstrel Show from rap group Little Brother was being changed after threats made upon him from Benzino. Ratcliffe believes that Benzino's jealousy of the group deserving a higher rating was too much at The Source, and Ratcliffe resigned after being forced to change the rating of the album. Lil' Kim who released The Naked Truth received the five mic rating instead. Although critics speculated that Lil' Kim's manager was dating Dave Mays, this is the first time that a female rapper ever received the highest rating in the magazine. The Little Brother album received a four-and-a-half mic rating instead of a five.

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My Blog

WHERE HIP HOP CAME FROM

Roots of hip hop Main article: Roots of hip hop The roots of hip hop music are in West African and African American music, as well as 1970s dance hall reggae. Discussion of the roots of hip hop (and...
Posted by THE SOURCE on Tue, 10 Oct 2006 09:44:00 PST

THIS IS ALL THE BIEFS IN THE INDUSTRY

Jay-Z vs. Terror Squad: While the beef between Jay-Z and Terror Squad member Big Pun is only rumored, the bad blood between him and Fat Joe has become increasingly publicized. Rumors state that Jay, ...
Posted by THE SOURCE on Tue, 10 Oct 2006 09:39:00 PST