In 1994 in Mexico it arrives the fashion and the not well linked sport of the skateboarding with the stupid music of the ska. They arrived to the scene groups like "Sekta core", "Estramboticos", "Tijuana No", "Panteon Rococo" , and dirts that enriched with the great ignorance of many youths without having a worthy identity that for lack of artists, they saw in these the opportunity to have a musical alternative pleasure.
The great socio-economic problem given to the crisis in Mexico and the great devaluation of the mexican peso in front of the US dollar and later the US dollar in front the Euro, caused an imbalance in the society, this was reflected in the new youths which suffered the attacks of the new culture yankee.
But a problem arises catastrophic in the encourage musical of the new adults, and it is the techno and dance music's arrival, for not mentioning to the new pop music artists, soon after arrive the music's death with the "corridos del norte" and other musical garbage as that of the bands such an it is even the case of the damage effective that cause the stupid group "La Banda el Recodo".
From that time Las Ratas del Pantano have had diverse names as "Babylon Solaris", "The Iguoks", "Manhattan Transfer", "FUNGUS" among others. Since there was not possibility to escape of among the garbage, as much Héctor as Pepe decide to conform the alternating project inside the underground music and this way to ridicule of those that even artists are said at the present time. The result gave him a musical style: punk, rock, psycho, rockabilly, garage, fuzz and anti-pop performance, wanting to link the music and the sarcasm with the culture...
Las Ratas del Pantano are producing and original creators of their own material, the distribution of disks runs for bill of the house record (FATTS RECORDS) but with the condition that the material is extremely cheap and made co producer with the "EL DEBRALLE". At the moment The rats of the swamp give their productions to any person that requests them any record