Member Since: 18/07/2006
Band Website: www.jimfergusonmusic.com
Band Members: Not Just Another Pretty Bass
Jim Ferguson--Vocals & Bass
Chris Potter--Tenor Saxophone
Pat Coil--Piano
Jim White--Drums
Deep Summer Music
Jim Ferguson--Vocals & Bass
Chris Potter--Tenor Saxophone
Stefan Karlsson--Piano
Jim White--Drums
Influences:
Red Mitchell, 1927-1992, was a talented bassist who was always in great demand. This photo was taken in a bass shop in Los Angeles in 1982. I first met Red at Chuck Israels' New York apartment around 1980. He had just returned from Sweden after a long absence from the U.S. jazz scene. From that meeting until his passing in 1992, Red was a constant source of inspiration and encouragement. His sense of melody will remain the standard for which I strive.
Bucky Pizzarelli is a superior guitarist who swing musicians in particular appreciate. Bucky Pizzarelli has been a fixture in jazz and the studios since the early '50s. Bucky and I worked together in 1994 at The Main Street Jazz Festival in Columbia, South Carolina. Bucky always lines up guitarists for the festival. Through him I've been able to play with many great guitarists (Mundell Lowe, Charlie Byrd, and Bucky). Bucky's son, John Pizzarelli, Jr., has also been a regular at the festival.
Eddie Daniels is without question a virtuoso who plays wondrous solos at any tempo, exploits every register and never seems to hit a clinker or make a mistake. I played with Eddie in 1994 at the Main Street Jazz Festival in Columbia, South Carolina.
Tenor man Lew Tabackin and trumpeter Clark Terry are two of the best horn players in Jazz. I had the honor of playing with them on several occasions at The Main Street Jazz Festival in Columbia, South Carolina. They play with so much depth and heart that itâs impossible not to get caught up in the excitement. This photo is from the â92 festival.
A charismatic pianist and vocalist, Mose Allison blends Southern wit and wisdom with urbane sophistication. I played with Mose in 1983 at the now defunct Cantrell's nightclub in Nashville, Tennessee. This was a real treat for me since I'd already been singing his songs for a number of years. Subsequent gigs have taken place at a popular songwriter's venue, The Bluebird Cafe, also in Nashville.
Pianist Marian McPartland has combined playing, broadcasting, recording and teaching in a distinguished manner. Her playing style fuses swing and bebop elements, and is both sophisticated and earthy. I first worked with Marian McPartland when she was a guest on the NPR program, "The American Popular Singer" hosted by Eileen Farrell. Iâve been fortunate to work several duo and trio dates with her. This shot was taken at a gig at The University of the South in 1986. Marian possesses a youthful energy in her playing and composing. I also admire her ability to keep NPRâs "Piano Jazz" alive and well in an age of short lived programming.
Mundell Lowe, Charlie Byrd and Bucky Pizzarelli are three of my favorite guitarists. Besides getting to play with these guys, Mundell has become a wonderful source of encouragement, often when I have needed it most. He is a world class player and a great person to know. This shot is from one of Buckyâs organized guitar sets during the 1994 Main Street Jazz Festival.
Jackie Cain is a great singer! She and Roy Krall were part of the 1994 Main Street Jazz Festival as well. These two innovative members of the vocal jazz community were a joy to work with.
One of the swing era's greatest pianists, Teddy Wilson's restrained, sophisticated approach moved the instrument into fresh territory. I worked with Teddy in 1984, two years before his death and it was an experience I'll never forget. He gave me his card and told me to call him if I got up to Boston. Unfortunately he was gone before I had the chance. I'm keeping that card though.
One of the great drummers of all time (and one of the few whose name can be said in the same sentence with Buddy Rich), Louie Bellson has the rare ability to continually hold one's interest throughout a 15-minute solo. Next to Louie is one of my mentors, Johnny Helms, a trumpeter who worked with Woody Herman, Sam Most, Clark Terry's Big Band and served as the Musical Director of the Main Street Jazz Festival In Columbia, South Carolina. Prior to this particular photo we had just finished a three drum set extravaganza with Louie, Bernard Purdie and Ed Soph all playing at the same time. It was especially nice to observe the respect and admiration from Bernard and Ed as they listened to Louie play.
When it comes to trombone players, you can't get much better than Urbie Green and Bill Watrous. They have both been a part of The Main Street Jazz Festival since its inception. This shot is from 1994.
Chris Potter has to be one of the best young tenor players in jazz today. He started sitting in with our band on a regular basis around 1979. I'm sure he was still in single digits. Even at that age Chris could really play. His folks would bring him to the gigs and stay with him till he had to go home (school nights and such). As far as I know, no one else in his family plays any musical instrument. This picture was taken in the studio during our recording sessions. I'm indebted to Chris for his generous contributions. His playing lifted each song to another level. I'm indeed grateful for his participation.
Sounds Like: Logo
Jim's Latest Album
Jim's First Album
Record Label: A-Records
Type of Label: Indie