The Great War, 1914-1918
The first World War broke out three weeks after The Thirty-Nine Steps ends and Hannay immediately joined the Army as a Captain. He suffered wounds to the leg and neck in the Battle of Loos in September 1915 by which time he is a Major. Greenmantle, the follow up to The Thirty-Nine Steps, opens with him in Hampshire where he had come to convalesce after Loos. He earned a DSO (Distinguished Service Order) for his work as a spy during the events of Greenmantle in early 1916, which took place in wartime Europe and Turkey. Following this, he returned to regular service in the army and was rapidly promoted to the rank of brigadier-general. In early 1917, however, he was called back to the secret service to hunt an exceptionally dangerous man during the decisive months of World War I. During this time, told in Mr Standfast, he met and fell in love with his future wife, Mary Lamington, a young VAD nurse with remarkable brains and beauty. Later, in 1918, being promoted to major-general, he returned to the front lines and participated in the desperate fighting following Germany's massive, last-ditch effort to win the war.
Later life Soon after the war had ended, Hannay married Mary Lamington, and the following year had a son, Peter John Hannay. The boy was probably named after his two great friends John S. Blenkiron (an American spy who had often helped him) and Peter Pienaar, an old Boer scout who seems to have been a kind of father-figure to him. The family settled in Mary's old home in the Cotswolds, Fosse Manor, and Hannay (now a KCB) found peace and enjoyment as a kind of gentleman farmer. However, in 1920 or 1921, Hannay again found himself in an adventure, this time unravelling the mystery of three kidnappings in The Three Hostages.
Impact on Espionage Fiction Richard Hannay was one of the first modern spy thriller heroes, and as such has heavily influenced the genre. Today, considered in the light of mainstream espionage fiction, Hannay appears to be badly cliched - although one could point out that this is not his fault, as he was created well before his attributes became cliched.
In terms of personality Hannay seems to be a stereotypical 'strong, silent' Britisher; with a tough physique and shrewd brains (although not brilliant); daring and resourceful. In terms of plot, he is often forced to conduct his activities on the wrong side of the law, hunted by the police and enemy alike; he falls in love with a beautiful (blonde) spy on his own side; he is often called upon to thwart the Germans in some evil plan certain to ruin England's war effort.
However, Hannay also retains some characteristics that sharply distinguish him from those who followed. He narrates all the books about him, and shows a much wider range of emotion than usually expected from a thriller hero. Nowhere near as hard-boiled as the detective of American noir fiction, Hannay is dependant upon his friends, and appears to be a religious man - like his author, a Presbyterian. He is also increasingly shown to be something of a philosopher; he does not dehumanise his enemy, and despite sharing some of the racial prejudices of his day, is open-minded towards Germans, pacifists, and similar demonised groups of the time.
Most remarkably in contrast to more recent thriller heroes, however, Hannay finds it extremely difficult to talk to women, suffering from months of nerves before declaring his love for Mary. Until she appears, he has no love interest (indeed, the first two books are very tautly constructed, and in no way suffer from an absence of romance), and when puzzling over his love for Mary, he remarks, "You can't live my kind of life for forty years, wholly among men, and be any good at pretty speeches to women." Being ignorant of women, however, does not make him mentally teenaged or immature: he is in fact a very shrewd and able judge of men, and often unusually wise for the hero of a romping thriller.