The Late Circuit and Thomas Krenzel Doggett (TKD) created a buzz with their acid-jazz, trip-hop, film score influenced sound. The Cincinnati Enquirer said they're one of the "Top 20 bands to see at MidPoint Music Festival" in 2004. "Beautiful experimental Trip Hop with samples and instrumental phrases dominating lush soundscapes" said City Beat.
"...It's like a dance party, and when Thomas Krenzel Doggett isn't playing the sax, he's encouraging the crowd to dance and get rowdy." CIN Weekly 2005.
[TTaaS] showed a melodic quality missing in most rap/hiphop." MPMF Blog 2005
"TTaaS, the collaboration of DJ Late Circuit's tasty grooves and samples and Thomas Krenzel Doggett's sax and flute expressions, thrilled audiences at past MPMFs. Recent recordings include more samples and even a guest laying down some tasty guitar. This duo can only get better." City Beat 2005.
.."...songs where the Circuit and TKD are joined by guitarist Aaron Mahoney are among the disc's best. ...shows off TTaaS's all-important ability to create a sultry mood. The epic "Getting There"'s steady drum 'n' bass beat provides a solid floor for atmospheric eddies of guitar, meshing surprisingly well with more organic elements such as chimes and TKD's birdlike saxophone." Splendid Magazine 2005.
"Soundscapes lead to breakbeats before flying off into acid-jazz undertakings. Sometimes simplistic and downtempo, occasionally motivating and agitating. (6 out of 10)" Maximum Ink Music Magazine 2005
Get Your Own! | View SlideshowPure Movement 2007: Choreography by Kimberly Payne, Music by Two Turntables and a Saxophone