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Sunday is gloomy, My hours are slumberless Dearest the shadows I live with are numberless Little white flowers Will never awaken you Not where the black coaches Sorrow has taken you Angels have no thoughts Of ever returning you Wouldn’t they be angry If I thought of joining you?Gloomy sundayGloomy is sunday, With shadows I spend it all My heart and i Have decided to end it all Soon there’ll be candles And prayers that are said I know But let them not weep Let them know that I’m glad to go Death is no dream For in death I’m caressin’ you With the last breath of my soul I’ll be blessin’ youGloomy sundayDreaming, I was only dreaming I wake and I find you asleep In the deep of my heart here Darling I hope That my dream never haunted you My heart is tellin’ you How much I wanted you Gloomy sunday
After the spectacular debut of Interview with the Vampire in 1976, Anne Rice put aside her vampires to explore other literary interests--Italian castrati in Cry to Heaven and the Free People of Color in The Feast of All Saints. But Lestat, the mischievous creator of Louis in Interview, finally emerged to tell his own story in the 1985 sequel, The Vampire Lestat. As with the first book in the series, the novel begins with a frame narrative. After over a half century underground, Lestat awakens in the 1980s to the cacophony of electronic sounds and images that characterizes the MTV generation. Particularly, he is captivated by a fledgling rock band named Satan's Night Out. Determined both to achieve international fame and end the centuries of self-imposed vampire silence, Lestat takes command of the band (now renamed "The Vampire Lestat") and pens his own autobiography. The remainder of the novel purports to be that autobiography: the vampire traces his mortal youth as the son of a marquis in pre-Revolutionary France, his initiation into vampirism at the hands of Magnus, and his quest for the ultimate origins of his undead species.While very different from the first novel in the Vampire Chronicles, The Vampire Lestat has proved to be the foundation for a broader range of narratives than is possible from Louis's brooding, passive perspective. The character of Lestat is one of Rice's most complex and popular literary alter egos, and his Faustian strivings have a mythopoeic resonance that links the novel to a grand tradition of spiritual and supernatural fiction. --Patrick O'Kelley -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe.Bible , Trigonometry book, algebra book , psychology book- general , writing and thinking skills in english, science book