David Miller, tenor (USA), is a graduate of Oberlin conservatory in Ohio where he took a BA in Vocal Performance and a Masters degree in Opera Theatre. For the last 10 years he has been based in New York and has sung over 45 operatic and music theatre leading roles with opera companies all over South and North America, Australia and Europe including Tony in Westside Story at La Scala in Milan. Most recently, he appeared on Broadway as Rodolfo in Baz Luhrman‘s acclaimed production of Puccini‘s La Boheme.
Sebastien Izambard, vox populi (France) is the only self-taught singer in the group. He is also an accomplished songwriter who plays guitar and piano. He has lived in Paris and produced for many other French artistes. In 2001 he performed with Johnny Haliday as a guest in his sold-out performances at the Paris Olympia. In 2002 Sebastien played one of the leading roles in the Richard Cocciante penned musical Le Petit Prince. He was working on a solo album when he joined Il Divo in 2003 and plans to contribute original material to the group‘s repertoire.
Urs Buhler, tenor (Switzerland), began singing publicly aged seventeen with Conspiracy, a hard rock band based in his home town of Luzern, where he attended the Academy for School and Church Music. He later moved to Amsterdam, where he studied Voice at the Amsterdam Conservatory under the tutorage of Udo Reinemann. Urs also benefited from private tuition with the late Swedish tenor, Gösta Winbergh and the French tenor, Christian Papis. In addition to a season at the Salzburg Festival, where he sang with the choir under the direction of Claudio Abbado, Urs has spent the past seven years in Holland singing oratorios and performing with the Netherlands Opera.
Carlos Marin, baritone (Spain), Based in Madrid, he established a considerable reputation singing leading roles in the Spanish versions of Les Miserables, The Man from La Mancha and Beauty and The Beast. After vocal masterclasses with Alfredo Kraus, Monserrat Caballe and Jaime Aragall, in recent years Carlos has charmed audiences worldwide and won critical acclaim as ‘primo baritono‘ in many operas, including renowned works such as La Traviata, The Barber of Seville, La Bohème and Madame Butterfly.
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