Sweet Sue Terry profile picture

Sweet Sue Terry

The bus is leaving--you on it?

About Me

"Sweet" Sue Terry plays a Yamaha silver plated Custom 855 alto saxophone and a Yamaha YSS 61 soprano saxophone, customized by Tomoji Hirakata. She uses Jody Jazz saxophone mouthpieces, Fibracell reeds, Consoli ligatures, NeoTech straps, and SaxRax horn stands.
"She plays like Charlie Parker reincarnated! She smokes!" is what Jazz Central Station had to say about Sue Terry--a saxophonist, composer and vocalist who's been hailed as a "Superwoman of Jazz" (Hartford Courant), a "forward voice in modern music" (Saxophone Journal) and "Simply extraordinary!" (Die Wahrheit, Berlin, Germany).
Sweet Sue was a protégée of saxophone legend Jackie McLean at the Hartt School in Hartford, Connecticut. He encouraged her to move to New York City, where she was later mentored by Clifford Jordan, Junior Cook and Barry Harris, who collectively gave her the nickname 'Sweet' Sue.
Upon her arrival in New York, Sue became a featured soloist with bands led by Jazz masters Charli Persip, Clifford Jordan, Walter Bishop, Jr. and Jaki Byard. She went on to work with greats such as Dr. Billy Taylor, Clark Terry, Al Jarreau, Chaka Khan, George Duke, Barry Harris, Hilton Ruiz, Irene Reid, Juan Carlos Formell, Dr. John, Jazzberry Jam, Teri Thornton, Mike Longo, Howard Johnson and Dianne Reeves. She has also performed with Jazz VIPs like Art Blakey, Carmen McRae, Jon Faddis, Lew Tabackin, Wynton Marsalis, Lew Soloff and Ray Barretto.
Sweet Sue has appeared as Jazz soloist with the National Symphony at The Kennedy Center, the Brooklyn Philharmonic at the Brooklyn Academy of Music, and the New York Pops at Carnegie Hall.
She has performed worldwide at venues such as The Montreux Jazz Festival; Grande Parade du Jazz in Nice, France; Pori Jazz Festival; Northsea Jazz Festival; the Blue Note in Tokyo, Japan; Quasimodo in Berlin, Germany; Marian's Jazzclub in Bern, Switzerland; and Spice of Life in London, UK. In the States she has been a frequent performer at venues such as The Kennedy Center in Wash. D.C. and Jazz at Lincoln Center in New York.
Her discography of more than forty recordings includes her as leader/composer on "Gilly's Caper", "Pink Slimy Worm" and "BANDLEADER 101", and as co-leader/composer on "The Troubadours" (with John Di Martino), and "The Blue.Seum Project" (with virtuoso woodwind improviser Tim Price.) Some artists whose recordings have featured her playing and writing include Charli Persip, Clifford Jordan, Joe McMahon, Derwyn Holder, Bobby Sanabria, Mini All Stars, Jaki Byard, Ricardo Franck (Ti Plume), Fred Ho, and DIVA.
Sweet Sue has conducted master classes and lectures throughout the U.S. and is the author of Practice Like The Pros, and several other instructional books with CDs, published by Music Sales Corporation. She is also a longtime practitioner of the martial art of Taiji Quan.
VISIT WWW.SUETERRY.NET FOR PHOTOS, DOWNLOADABLE MUSIC (RELEASED & UNRELEASED), AND A PULL-NO-PUNCHES BLOG.
Sue Terry is a Yamaha Artist.

My Interests

Music:

Member Since: 5/7/2006
Band Website: sueterry.net
Band Members: Get "Sweet" Sue Terry tracks on

Radio Programmers: Access the Qi Note Records catalogue on Airplay Direct! http://www.airplaydirect.com/QiNoteRecords
Sounds Like: “She plays like Charlie Parker reincarnated! She smokes!” Jazz Central Station

“Sue Terry is a forward voice in modern music. . .She has been universally recognized among her musician peers for decades as one of the most articulate players of the alto saxophone.” Saxophone Journal

"Open-ended freedom is, at best, a dicey venture that only true masters of their instruments, like Terry and Price, can transform into an art form." Owen McNally, Hartford Courant

“Sue Terry, an alto saxophonist in the hard-edged Jackie McLean mold, is one standout.” Robert Palmer, New York Times

?“. . . Sue Terry was the crowd pleaser with a fiery expressiveness that got the crowd cheering and urging her on. Her style had some of the angular inventiveness of Wayne Shorter, undercut by a bluesy edge that kept things down to earth.” Michael Hotter, Greenville Press

“. . . has a pure, burnished sound on each instrument . . .Technically, nothing seems beyond her reach, and her improvisations are consistently sharp and persuasive. . .” Jack Bowers, All About Jazz

“Sue Terry’s ‘The Troubadours,’ a polyrhythmic feast for the ears, is the most ambitious and impressive tune of the set.” David R. Adler, All Music Guide

“Terry performed in the contemporary, progressive role that the new woman in jazz is demanding.” Amsterdam News, New York

“Sue Terry’s work on the Billie Holiday medley ‘Strange Crazy Heartache’ suggests that she has a formidable musical intelligence; her solo statement catches something of Lady’s voice.” Penguin Guide to Jazz on CD

“Sue Terry possesses a truly individual voice . . . she is especially compelling.” Cadence Magazine

“Sue Terry . . . Superwoman of Jazz” Hartford Courant

“The roaring Charli Persip Superband . . . closed the weekend with highlight after highlight, including the debut of superb alto saxophonist Sue Terry’s suite on Billie Holiday tunes.” Len Dobbin, Montreal Gazette

“The most eloquent and elegant solo of the double-header, though, was played by Sue Terry. . .her chorus on a Jordan composition filled the park with a remarkably big, billowing, bitter-sweet tone poem that was the emotional high point of the night.” Owen McNally, Hartford Courant

“Sue Terry, who crafted the stunning arrangement, offers a statement on alto that reaches into one’s soul.” W. Royal Stokes, JazzTimes

“I’m presenting some very talented young musicians who in my estimation are budding superstars, especially Sue.” Charli Persip in JazzTimes

“. . .nor can too much be said about the youngish and loving way in which Sweet Sue Terry saluted Charlie Parker, playing with the passion that sent some of the band’s reed players back to the shed when they realized they would have to work next to someone so intent on firing from the heart every chance she got.” Stanley Crouch, ‘Down Through The Years’ liner notes

“Sue nailed it!” Paquito D’Rivera

“She’s been compared to the great alto players like Charlie Parker and Phil Woods. . .Sue Terry exemplifies excellence with a commanding sense of swing and a burnished tone.” National Public Radio

Record Label: Qi Note Records
Type of Label: Indie

My Blog

YOU WON! NOW GIVE US YOUR SONG FOR FREE!

In yet another scam victimizing young musicians and composers, the TV show 90210 is trolling the talent pool for unsuspecting newbies in search of their big break. A common scam these days is to hold...
Posted by Sweet Sue Terry on Thu, 11 Sep 2008 08:02:00 PST

Is Your Profile Set To ’Private’? Then read this.

PLease be advised that I will not approve friend requests from private profiles unless I know you already. So please, people, send me a message containing an essay about yourself and why you want to ...
Posted by Sweet Sue Terry on Fri, 04 Jul 2008 01:18:00 PST

DRESSING ROOMS, OR LACK THEREOF

Did you know that many of the New York Jazz clubs lack decent dressing rooms for their artists? ("NO! I hear you gasp).It’s true.The venerable Village Vanguard, for instance, has no dressing roo...
Posted by Sweet Sue Terry on Thu, 10 Apr 2008 11:22:00 PST

FILMING & CLUBOWNERS

I'm in the middle of producing my first film.  It will be a demo DVD for the Assoc. Board of Royal Schools of Music Jazz Program.  We needed some scenes of New York and the Jazz clubs, so t...
Posted by Sweet Sue Terry on Sun, 30 Sep 2007 04:39:00 PST

TO DO, OR NOT TO DO, A DOOR GIG. Or, The Cost of Doing Business

Recently I was asked to curate a regular Jazz night at the Brooklyn Lyceum.  For the uninitiated, the word "curate," traditionally used to signify the person who selects the works for an art exhi...
Posted by Sweet Sue Terry on Fri, 09 Mar 2007 01:59:00 PST

SO, YOU WANT TO BE MY "MY SPACE" FRIEND?

Greetings, cyber angels & devils, and those who have not yet declared their position.  Please be advised that I will not automatically click "Approve" on your friend request.  Here's the...
Posted by Sweet Sue Terry on Tue, 20 Feb 2007 08:01:00 PST

I'LL HAVE TO GO WITH DESTINY ON THIS ONE

In a recent post on my regular website, www.sueterry.net, I put forth Derwyn's idea about playing Jazz in a cabin in the woods, with No Trespassing signs all around, until the local youth follows the ...
Posted by Sweet Sue Terry on Sun, 04 Feb 2007 07:38:00 PST

NEW YEAR'S EVE

Once upon a time, there was a staple of the musician's financial diet, known as the "New Year's Gig."  In days of yore, New Year's Eve could be counted upon to supply players with not just one gi...
Posted by Sweet Sue Terry on Thu, 28 Dec 2006 06:19:00 PST

THE END OF PROFESSIONAL MUSICIANS?

A chick on My Space e mails me, and presumably all the other New York musicians on MS, to say she's booking a club downtown, am I interested. I ask for more information. This is an excerpt from her re...
Posted by Sweet Sue Terry on Sun, 17 Dec 2006 08:06:00 PST

Review of Gilly's Caper & The Blue.Seum Project

Versatile Sue Terry promises sweet night of jazz By OWEN McNALLYSPECIAL TO THE COURANTOctober 19 2006"Sweet" Sue Terry, the noted, New York-based saxophonist, singer, composer, lyricist and band leade...
Posted by Sweet Sue Terry on Sat, 28 Oct 2006 10:49:00 PST