MUSIC, INSTRUMENTS, SINGING, AND watching XTREME SPORTS, and playing LAX..
Music:
EMO, HARDCORE, TECHNO, METALCORE, METAL, SOME POP ROCK, SOME GRINDCORE, REGGAE, SOME BUBBLE GUM POP,HYPHY, SOME CRUNK,INTELLEGENT HIP HOP, 80'S POP, BASICALLY I LOVE MUSIC, ....
And now im gonna hit u wit some knowledge that right this is for those of you who throw around the the phrase hardcore far too often.Metalcore is often mistaken for Hardcore on these boards. Here's the difference.
Hardcore is punk influenced music that sometimes has a heavier sound and sometime's doesn't. It sometimes have breakdowns and some don't, this depends more on the age of the band. Some are straight edge, some aren't. But most have honest sincere lyrics about issues that they themselves face.Metalcore is obviously metal influenced and because they're of this there is more complexity in the writings of guitar, more noted riffs added to it than hardcore has.. Some say that it has punk influences...but that depends on what band you are talking about. Metalcore has a lot of breakdowns, most of which have the "JUN JUN JUN" sound which some double bass. Metalcore was a lot better a couple years ago before more and more band's started learning that you can tune into drop-C, use only thin picks, and get a drummer who knows his double bass.
Hardcore bands:
Blood For Blood, Chain Of Strength, American Nightmare, Death Threat, Judge, Gorilla Biscuits, 7 Seconds, Champion, Count Me Out, Carry On, Terror, hoods
Metalcore bands:
Hatebreed, 100 Demons, Bury Your Dead, Black My Heart, On Broken Wings, North Side Kings, Walls Of Jericho, Clenched Fist
MOREGrindcore in its purest form consisted of short, apocalyptic blasts of noise played on standard heavy metal instrumentation (distorted guitar, bass, drums). Although grindcore wasn't just randomly improvised, it certainly didn't follow conventional structure, either; while riffs could sometimes be picked out, pure grindcore never featured verses, choruses, or even melodies. Grindcore vocals sounded torturous, ranging from high-pitched shrieks to low, throat-shredding growls and barks; although the lyrics were usually quite verbose, they were very rarely intelligible. Some bands in this catagory can also be known as Mathcore. Meaning they're more complex in the musical writings.
Grindcore bands:
Napalm Death, Dillinger Escape Plan, Death, Carcass, The Locust, The Tony Danza Tap Dance Extravaganza, Cock and Ball Torture, Pig Destroyer, Agoraphobic Nosebleed...
Emo style has become broader over the years. In the beginning, these bands consisted mostly of people who played in hardcore punk bands, got burned out its limited forms, and moved to a guitar-oriented, midtempo rock-based sound with emotional punk vocals (i.e., no posed soulful crooning like pop music). The central aspect here is the guitars - distorted, strummed mostly in duo unison, with occasional catchy riff highlights. This becomes known as the classic "D.C. sound," along with the octave chords that show up in later "emo" music. Later bands bring in more pop elements, like catchy-riff based songs, pop song structures (listen to Jawbreaker's "Chesterfield King" to illustrate this), and less-punk, more-smoothly-sung high-register singing (less yelling, straining, throatiness). Listen to Elliot or Chamberlain for an example of how alternative-pop this music has become. Yet those bands are undeniably still emocore. Also note most emo bands play Gibson Les Paul guitars, with a few SGs, and use mostly Marshall JCM-800 amps...Emo has recently evolved into something more complex since the D.C. era. Bands have adopted to more obscure lyrics along with intricate riffs and interesting vocals.
Emo bands:
Rites of Spring, Embrace, Gray Matter, Ignition, Dag Nasty, Monsula, Fugazi kind of, Fuel, Samiam, Jawbreaker, Hot Water Music, Elliot, Friction, Soulside, early Lifetime, Split Lip/Chamberlain, Kerosene 454
Post-Hardcore
In the early-to-mid '80s, several bands in the United States came to life that were inspired by the do-it-yourself ethics and the cathartic, guitar-heavy material characterized by the hardcore punk bands that predated them. These newer bands, termed post-hardcore, often found complex and dynamic ways of blowing off steam that generally went outside the strict hardcore realm of "loud fast rules." These bands often used more than three chords and they also creatively built and released tension rather than airing their dirty laundry in short, sharp, frenetic bursts. Additionally, many of these bands' vocalists were just as likely to deliver their lyrics with a whispered croon as they were a maniacal yelp. Along with Hsker D, Naked Raygun was one of the first U.S. post-punk bands of the early '80s that merged melodic influences with punk/hardcore. These were the first two bands (Husker and Naked Raygun) in 1981. With other bands in the Chicago scene such as the Effigies, Breaking Circus and Man Sized Action followed by later bands such as Fugazi, Quicksand, Dag Nasty and Mission Of Burma. Another important influence on many of these bands was U.K. post-punk from the late '70s and early '80s; Gang of Four, Public Image Limited, Joy Division, and Wire played a significant role in many of the bands' musical growth.
