About Me
For many musicians, there comes a time when being a successful sideman isnt enough and a true artist with a unique voice emerges. For Michael White, drummer extraordinaire whose multi-faceted resume as a touring and session player has encompassed a versatile blend of Rock, Country, R&B and Jazz for over fifteen years, that time is now.After so many years playing on other peoples projects, Im looking forward to sharing my own music with the audience, says Michael. Its like most of the work I do in contemporary Jazz, live and in the studio - no sequencers, no overdubs or sampling, no frills, just solid playing by great musicians. I bring a spirit to my music. I put all my heart and soul into a unique sense of groove. I go by feel, trying to make the music just feel good. If you feel good, everything else comes easy. If a tune isnt grooving, then it is hard to focus on the strength of the lead instrument. But if youve got the flow happening, it sets up an even pace for everything.Michael, who is also a world class percussionist versed in Reggae, Latin and Brazilian Jazz, grew up in Chicago and began playing drums at age four. Influenced by the citys lively music scene and inspired by legends like Buddy Rich, Louie Bellson, Elvin Jones, as well as Coltrane and Miles, he was always active in school and neighborhood bands the same. He earned several scholarships, including one to the American Conservatory of Music, a prestigious Chicago music college, where he solidified his drumming skills and learned about composition, mallets, and piano playing. From local gigs, playing with the likes of Ramsey Lewis, word of his talent spread and soon he was too busy working and was forced to drop out of school. Soon he was laying down grooves for some of Chicago highest profile artists, among those being The Dells, Curtis Mayfield, The Impressions, and Jerry Butler. Michael went on his first tour during this time with Denise Williams and a tour with Lou Rawls and Curtis Mayfield soon followed.He ventured to Los Angeles in 1982, where he put to test his credo that To be a working musician you cant be one-dimensional. During a gig at a Chicago club Phil Upchurch told Michael that if he came to LA, he would offer him a regular Sunday gig at the Baked Potato, which would offer the young musician maximum exposure to the cities top musicians. He took the bait, and was soon embarking on a whirlwind career alternating studio, movie scores and jingle dates with extensive touring with the whos who of modern music.The litany of Michael Whites studio and live association over the years is staggering in its versatility and adaptability to all genres. Of his ability to play in such diverse settings, Michael comments, Its all music to me. As a drummer the main thing I think about is the groove! Everything else is just icing on the cake.The evolution is complete. An amazing drummer and one of the most accomplished sideman in the business, has finally stepped out.
