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The Stillsons launch debut album Circus
With a dedicated following at their helm, Melbourne-based indie/folk group The Stillsons are preparing to launch their debut album – Circus.
The four-piece ensemble has risen from humble beginnings to emerge as one of the hottest young acts touring Melbourne’s live music circuit.
Their unique sound is a cocktail of traditional and contemporary influences, polished with the enchanting duel-vocals of lead guitarist Justin Bernasconi and drummer Cat Canteri.
The strong lead male/female dynamic is strengthened by the impeccable rhythm of lap-steel guitarist Ross Richards and the band’s newest member, bassist Jesse Mac.
Circus is a collection of eloquent narratives and intelligent harmonies written by Bernasconi and Canteri, who reflect on a range of personal and controversial issues.
The album’s first single Monday Morning is a light-hearted tribute to those lazy mornings as reality finally settles in.
Title track Circus, tells the story of an English girl travelling to Australia, determine to hold on to her previous life back home. Bernasconi, who wrote the track, reflects heavily on personal experience, having moved from England four years ago.
“Australia is like a Circus compared to the dreariness of the UK, yet sometimes people feel the need to recreate their old lives, despite moving 12,000 miles away.”
Their second single Charity and Ghosts (Where’s Your Mama Gone?) is an emotional depiction of 10 year old British ‘orphan’ who were taken from England in order to populate Australia in the 1930s.
Other album highlights include the raw Young Boy Blues, Why Don’t You Need It and Birds, the first track ever recorded by the band.
Circus is available April 9th 2009, courtesy of MGM/Green Distribution Media and will be available in all good music stores nationally and iTunes.
For more information contact: Chris Bright Publicist Email: [email protected]
Circus can be purchased on-line at waterfrontrecords.com and iTunes
Fell free to review selected tracks at triplejunearhted.com
http://www.waterfrontrecords.com/releases/releases.asp?Actio n=DisplayArtist&ArtistID=19324
RHYTHMS MAGAZINE JUNE 2009
Led handsomely by lead Stillson Justin Bernasconi who has written and performed the bulk of the material as well as producing the breezy roots aesthetic of this wonderfully free flowing record, CIRCUS shines with a real energy and a twinkle in the instrumentation that shimmers throughout the half-hour duration. Bernasconi alternates the lead vocal between himself and drummer/ percussionist Cat Canteri effortlessly with the raspy melody of Bernasconi suited to the at times Joan Baez-esque folk delivery of Canteri.
With an array of instrumentation used in a manner that is understated - never drowning the songs in a downpour of overused horns and strings - Bernasconi and co including pianist/ keyboardist Samuel Boon and lap steel player Ross Richard go on off shuffling progression of ditties that ease an aching soul, such is the clean, soothing manner in which the songs are performed. 'Down The line' finds Canteri in blues/jazz lounge mode supported by a boom chicka boom rhythm with basic harmonica, glockenspiel and lap steel to drive this baby home.
If anything the record could have benefited from more vocal interplay between the leads, feeling Canteri potentially dominates once to often. 'Young Boy Blues' sees Bernasconi attempt to reverse the trend with a straight-down-the-line blues jam that morphs into the heartfelt 'Blue Tack' coupled with just the acoustic guitar, soft backing vocals and the always melancholy addition of the lap steel to provide the necessary twang. And then wait for the instrumental ukulele/ violin/ lap steel driven 'Birds' that has opening credits Deadwood theme music written all over it. This is a fine record.
NICK ARGYRIOU
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RAVE! Magazine Review - THE STILLSONS – "Circus" Tuesday, 21 April 2009
Image(Green Media/MGM)
More polished roots music from an urban centre
There’s actually no one called Stillson in this Melbourne four-piece. But they play like a family that’s travelled the country backroads of this nation for a while. The surprise is, they’ve only been around four or so years, assembled by a newly arrived immigrant from Britain, multi-instrumentalist, producer and singer Justin Bernasconi. His main foil in this band is drummer Cat Canteri whose sweeter vocal delivery adds a nice counter to his darker but still measured tone. They draw together strands of roots music – blues, folk, country – with instruments like lap steel, banjo ukulele, putting them in a similar category to Adelaide’s Audreys. There’s some mild-mannered country blues in Down The Line and more of an electric feel in Why Don’t You Need It?, not to mention a typical traditional blues crawl in Young Boy Blues. But the centrepiece of this album is Charity And Ghosts (Where’s Your Mama Gone) which cheekily slips in bits of The Middle Of The Road’s tacky 1971 hit Chirpy Chirpy Cheep Cheep, helping to disguise a more sombre tale of orphans transported to Australia for cheap labour. That alone is a mark of this band’s abilities.
BILL HOLDSWORTH

My Interests

Music:

Member Since: 18/04/2006
Band Website: Download songs on Triple J Unearthed!
Band Members: JUSTIN BERNASCONI- Vocals, Electric & Acoutic Guitars, Ukelele, Harmonica
CAT CANTERI- Vocals, Drums, Percussion and guitars
ROSS RICHARD- Lap Steel & guitars
JESSE MACK- Bass and vox
also Sam Boon sax and keys
Influences: JJ Cale, Clapton, The Band, Incubus, Roy Buchanan, Jeff beck, John Butler, Neil Young, Gomez, leonard cohen, joni mitchell, pink floyd/roger waters, richard thompson, robert johnson, jaco pastorius, weather report, police, ac/dc, hank williams, dixie chicks, jimi hendrix, missippi john hurt, bruce springsteen, the police.
Sounds Like: BEAT Magazine Issue 1170 - 10 June 2009

THE STILLSONS: Circus (Green Media/MGM)

Monday Morning is the perfect opener to The Stillsons’ debut album, Circus – a record that resounds in honest storytelling, emotive melodies and evocative messages. There’s a simplistic charm in the way English-born lead vocalist/guitarist Justin Bernasconi wistfully ponders: “It’s Monday morning, ain’t got much to say/it’s Monday morning, I’m waiting on another day”. With The Stillsons’ rich blend of Australian folk-rock, English pop sensibilities and country-fused blues, the Melbourne group has garnered much praise as a notable roots-rock band with a strong live presence (bassist Jesse Mac has recently been added to the line-up).

Circus permeates with beautifully-crafted arrangements comprising an array of instruments including lap steel, ukulele, banjo, mandolin, saxophone, piano, harmonica, accordion, cello, and glockenspiel. Charity and Ghosts (where’s your mama gone?) addresses the stolen generations of British ‘orphans’ transported to Australia in an effort to populate the nation with ‘white’ stock up until 1967. This distressing and disturbing historical fact is addressed with incredible poise and sensitivity by Bernasconi’s pensive vocals and a shimmering arrangement lined in a heartfelt melancholy.

Fiona’s Party Talk is a heart-rending folk lament in which drummer/vocalist Cat Canteri delivers a remarkably engrossing vocal performance. Atop deeply mournful keys, Canteri sings: “She dresses for a girl’s night out/she wonders why her friends find men and why she misses out/she’ll leave the crowd and wish she stayed at home/her mother can’t understand why she’s alone”. The album shifts into a rollicking country-blues swagger with Down The Line, Why Don’t You Need It (featuring a saxophone solo from Samuel Boon and Ross Richard’s gorgeous lapsteel melodies), and Young Boy Blues, showcasing an evocative Canteri and an extremely charismatic Bernasconi in the latter track.

The ethereal folk of Blue Tack finds Bernasconi returning to the soft emotive nuance of earlier songs, while the sparse yet glistening instrumental Birds and Circus (Reprise) – a song about the mixed joy of leaving home and the isolation often brought upon by change – bring the album to a tranquil conclusion. The Stillsons’ debut album is a beautifully-realised and moving record that captures the finest elements of Australian folk-rock music whilst offering a hauntingly distinct inflection.

CHRISTINE LAN

MX NEWS - Victoria

"The Stillsons energegetic and intense live performances have become hard to ignore"

MORELAND TIMES - Victoria

“It was Melbourne’s own The Stillsons who stole the show; emerging with an explosive sound and creating a vibe, which proved hard to imitate as the day progressed.” - [Of the Brunswick Music Festival]

Record Label: Waterfront Records - MGM Green Distribution
Type of Label: Indie

My Blog

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