DA RUMPSHAKERSz
i love them with all my heart... i never had so much joy in my life until i met these girls.. their the fun && my laughter....the light to my sky... the birds to my trees...the melody to my song... the soul to my spirit.. i dont know what i would do without them; and its not on a dancing level; i love these girls more than life itself; i cant imagine my life without them; so i would like to thank god for bringin them into my life; cuz without them, my life is incomplete.. i love all of you!!
dancing
i AM A BOUNCE ARTiST, FLY BOY KENO [ SkREAM iT! ]I am a local New Orleans Bounce Artist with the stage name of Fly Boy Keno a.k.a. Keno Da Kidd. I have been in love with bounce music ever since I was young, but never even dreamed that I would be one of the artist contributing to the bounce game. I have been rapping for little over a year now, with my first hit song "Pop Your BubbleGum". I am 18 years of age. I attend Delgado Community College with a major in Computer Engineering. I have two dance groups: "Da Rumpshakers" & "Da Most Wanted Guys" that aid me in whatever show i have to perform at. My only influence is Sissy Nobby.
Bounce music is an energetic style of New Orleans hip hop music which is said to have originated as early as the late eighties, but is typically believed to have begun with the 1991 single "Where Dey At" by MC T.Tucker and DJ Irv. A highly influential cover of "Where Dey At" was also released by DJ Jimi in 1992.
[1]Bounce is characterized by call and response style party and Mardi Gras Indian chants and dance call-outs that are frequently hypersexual. These chants and call-outs are typically sung over the "Triggerman beat," which is sampled from the song "Drag Rap" by the Showboys, or "Brown beat," which is sampled from Derek B's "Rock The Beat."
[2] The sound of bounce has primarily been shaped by the recycling and imitation of the "Drag Rap" sample: its opening chromatic tics, the intermittent shouting of the word "break", the use of whistling as an instrumental element (as occurs in the bridge), the vocoded "drag rap" vocals and its brief and repetitive melody and quick beat (which were produced with use of synthesizers and drum machines and are easily sampled or reproduced using like-sounding elements).
[3]The genre maintains widespread popularity in New Orleans, LA and the southern United States and has a more limited following outside of the Deep South. Throughout this decade, the Take Fo' record label has dominated the genre with artists such as DJ Jubilee, Da' Sha Ra' and Willie Puckett. "Sissy rappers" such as Katey Red and Big Freedia have also made significant contributions.
[4]Like crunk, Miami bass and Baltimore club, bounce is a highly regional form of dance music. Nevertheless, bounce has influenced a variety of other rap subgenres and even emerged in the mainstream. Atlanta's crunk artists, such as Lil' Jon and the Ying Yang Twins, frequently incorporate bounce chants (such as, "shake that thing like a salt shaker")
[5] and slang (such as "twerk")[6] into their music. Mississippi native David Banner's hit "Like A Pimp" is constructed around a screwed up sample of the "Triggerman" beat.[7] The mixtapes of Three 6 Mafia's DJ Paul also prominently feature traditional bounce sampling. DJ Paul, a native of Memphis, TN, has, in fact, been one of the most prominent purveyors of bounce outside of Louisiana, having incorporated its features into tracks produced for La Chat, Gangsta Boo and his own group, Three 6 Mafia.[8] He has also released several "pure" bounce songs, including the popular "Push 'Em Off".
One of the first mainstream bounce records was Juvenile's "Ha", which would eventually chart on the Billboard Hot 100. Juvenile also released the genre's biggest domestic hit to date, "Back That Azz Up", which peaked at 18 on the Billboard Hot 100. The first international bounce hit was by Beyoncé, a native of Houston, TX with roots in New Iberia, LA, whose 2007 single "Get Me Bodied" broadly introduced the genre to an international audience!