Early life
Born Anthony Visconti in Brooklyn, his exposure to music was immediate due to his father's ablity to play the ukulele, which he was taught to play as early as 5 years old. Throughout his teenage years Visconti was involved with both a classical brass band playing tuba, a traditional orchestra playing the double bass and a more alternative outfits playing rock'n'roll guitar. Such a versatile range of musical styles was finally abandoned by the age of 15, when he focused his efforts in a band named Ricardo and the Latineers.
During the next few years of his life, he was involved within a number of soft-rock and lounge acts, playing both the bass and electric guitar. With his then-wife Siegrid, he then attempted a career as pop duo Tony and Siegrid. Under this name, their first single Long Hair was a regional hit in 1967 but was to be the peak level of success for the duo. After the failure of his attempt to become a pop singer, Visconti took the descion to become in-house producer for his publisher, the Richmond Organization.
Production
Visconti's big break came with a chance meeting with British producer Denny Cordell in 1968. While he was still working as in-house producer, Cordell asked him to assist in recordings for successful jazz vocalist Georgie Fame. As a part of this work, Visconti moved to London - a move which would soon become a permanent one. He was to live the most part of the next 30 years in London, the city in which his career would flourish.
Early production work on the album Prophets, Seers and Sages, the Angels of the Ages for the British outfit T-Rex was to be of critical importance in kick-starting his influential career in a number of ways. It was to begin a relationship with T-Rex that would last for their next seven albums, and through this Visconti would start a professional friendship with David Bowie. Initially, he and Bowie, along with guitarist Mick Ronson and drummer John Cambridge, formed and toured with the band Hype in which he played bass. Although the band name would be very shortlived, the line-up persisted and would go on to record the seminal single "The Man Who Sold the World" in 1970. He would further go on to work on the albums Diamond Dogs (1974), Young Americans (1975), "Heroes" (1977), Low (1977), Lodger (1979) and Scary Monsters (and Super Creeps) (1980).
In 1987, Visconti, together with Justin Hayward of The Moody Blues, supplied incidental music for the BBC2 science fiction series Star Cops.
By the end of the 1980s, Visconti's consistent involvement with top artists had diminished, but despite this he continued to work with many newly formed outfits. In 1990 he produced and did the arrangements for the debut album from NYC band Electric Angels. He produced 'Electric Honey' for Luscious Jackson, Leisure Noise by Gay Dad, Soul Candy for Cherry Poppin' Daddies, Dawn of Ananda for Annie Haslam and Moonchild for Debbie Gibson. In the 00's Visconti reformed his assosiation with David Bowie, producing his the recent albums Heathen in 2002, and Reality in 2003. A full list of the best known albums with which he has been associated is available from his official website.
He moved to Manhattan, New York City and has collaborated with Copenhagen band, Kashmir, whose debut album featured David Bowie. He worked in Rome on the 2006 Morrissey album Ringleader of the Tormentors.
