Member Since: 20/03/2006
Band Website: www.molehillorkestrah.com
Band Members: Chris Kallini (Skins and Things), Michael Dalzell (Mandolin), Cliff Kuhn (Guitar), Chris Kaufmann (Bass), Risha Druckman (Violin), Mona Chambers (Cello), Tony Rosano (Trumbone and Baritone), Jeff "Mr. Tidypaws" Grubic (saxophone),
and sometimes: Jeff Holsen (cymbalum), Jimmy Carr (accordion/vibes),
Dante and Marco Rosano ( trumpet, clarinet & saxophone)
The Molehill Orkestrah has released five albums to date:
Live From Underground (ltd. edition-out of press), Congress Live (official bootleg), Tu Anima Mundi (out of press - digital availability only), Transcenic, and most recently: Language of Bones
"Tucson’s wonderful Molehill Orkestrah makes a mountain of music with origins varying from the Middle East to the Balkans, from the Mediterranean and the gypsy diaspora. On its fifth full-length CD, the septet proves what a small, and joyous, musical world we live in, performing original compositions, as well as mutated versions of traditionals from Turkey and Cuba. As usual, violinist Risha Druckman and cellist Mona Chambers escort the band—they wrote many of the tunes—through the melodies, but much room is made for Cliff Kuhn’s guitar and bouzouki and the propulsive rhythms of drummer Chris Kallini. Nobody ever said Molehill Orkestrah are purists. Mandolinist Michael Dalzell’s delicate “Dance With a Stranger†has the dark overtones of a café lament, but its rich pan-European melody could come from any number of countries. It’s luxurious and beautiful, and it sounds completely contemporary. There’s a touch of klezmer meeting the American West in “Red River,†with Red Army Band-style horns and folk-rock guitar-picking. The sexy, slithering Latin rhythms of “Taboo,†“Vino Blanco†and “La Cumparsita†are fully engaging and impossible to resist. Closing the album is the lurching, zany swing of “Wet Dog,†in which group member Tony Rosano is joined by his brothers to create a neo-Dixieland romp that is all character and color. It’s enough fun that you’ll be sad when it ends."
-- Gene Armstrong,
Tucson Weekly, October 2, 2008
"Dear music fan and past or future members of their audience: The Molehill Orkestrah loves you, man (or woman). Seriously. While it's a given that the energy served up by an enthusiastic crowd is a huge part of what makes live music so great, it's the quintessential ingredient in The Molehill Orkestrah's gypsy cauldron. Thus, their [fourth]...long player, TranScenic, is totally live and all-instrumental--eight songs gleaned from more than 60 different performances and reduced to their savory essences, ranging from the Romanian traditional "El Basso" to the klezmer standard "Chassidic Brew" to the group's own compositions, which don't stray too far afield from the aforementioned. Recorded at venues ranging from Fourth Avenue's Plush to a party hosted by "Dylan" in Portland, Ore., TranScenic is a document that clearly reflects the interplay and improvisation that are so crucial to Molehill's chemistry...TranScenic represents the "closing of a chapter" for a band that is always moving forward; it's anyone's guess where they'll end up. Wherever it is, it'll probably involve an old, yet dependable bus and emotional fuel supplied by an enervated audience, hooked on the rapturous beauty of their music. "
- Curtis McCrary, Tucson Weekly, June 24, 2004
Influences: Language of Bones
Sounds Like: Twirl your cognac or raise your pbr in salute to your comrades in derelict revelry!
Molehill live at the All Souls Procession 2006, Grand Finale/Lighting of the Urn with Flam Chen
Type of Label: Unsigned