We interrupt your regularly scheduled program to bring you this important bulletin!
WPI has changed its name to Black Cat Revival.
The newly-created Black Cat Revival MySpace profile can be found at www.myspace.com/blackcatrevival .
The new band website (which looks strikingly similar to the old website) can be found at www.blackcatrevival.com
Please update your file accordingly.
We now return you to your regularly scheduled programming, already in progress...
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As written in the 3rd person...
Wigglepussy, Indiana has been appropriately dubbed by the media as "Modern Pop Music's Evil Twin".
Dark, theatrical rock; deep hooks & poetic verse backed by solid jazz-influenced musicianship, enhanced by a powerful multimedia live show. Be afraid, be amused, be entertained. Fans of progressive and art rock, metal, avant-garde jazz and alternative rock all find a home in Wigglepussy Indiana.
Within 4 years the band has self-released 2 albums on their own vanity label Quan Productions, designed all of their own art & media materials, and started their own publishing company "Whoopety-Smacks Music".
They've successfully supported a national college radio campaign with their second release, Life at the Gallows that earned them 9th Most Added Album on CMJ in December 2003, with rotation on 100+ stations including embracement from the Upper Room with Joe Kelly, most notably with the songs Transylvanian Moonshine & White.
Their songs have been placed in compilations, film projects, adapted to theatre, and licensed for TV, including most recently the appearance of "Diamond City Shook" on the We Are the Future's Voice Your Choice compilation and "Big Blue Machine" on MTV's Real World. Their music has also appeared in conjunction with comic books, art openings and stand-up comics.
Solely through word-of-mouth and buzz, they've grown their mailing list to over 200 citizens, a quarter of which are Street Team members, since putting these newly revamped systems in effect only 3 months ago. And they've done it all without any external agents, managers, or label support. In other words, they've done it the DIY way.
The band's focus is now on expanding their buzz through regional touring. Their consistent Columbus draw has brought in up to 400 people at headlining shows, and they've been met with growing enthusiasm in Cincinnati, Cleveland, Athens, and other cities. They've showcased 2 years in a row at the Midpoint Music Festival, and continually receive positive reviews. To keep building that sphere outward, they are working with venues and gig-swapping with bands in the numerous other Midwest, Southern, and Eastern markets, including Chicago, Detroit, Pittsburgh, Indianapolis, Philadelphia, Morgantown, Knoxville, Lexington, and Louisville.
