Sally Murray profile picture

Sally Murray

About Me

Recorded almost entirely on borrowed equipment in a south Manchester bedsit, Sally Murray’s debut four track release captures her highly personal and ambitious approach to songwriting and is a thing of raw, strange beauty.
The Nottingham–born singer’s effortless performances are brought to life by her rich, low voice which is shot through with East Midlands grit, that on this recording, is multi-tracked and up front, commanding the listener’s attention. Alongside her vocals are bowed & detuned guitars, analogue synthesizers, lap steel, e-bow, drums and old 70’s home organs.
While her music isn’t in thrall to any particular artist or genre, some would maybe cite the sounds of Feist, PJ Harvey and Bert Jansch as possible musical heros of Sally’s though stylistically this mini- album blends a wide scope of influences including acapella township gospel, lo-fi indie grunge, Sixties psychedelia and bare acoustic balladry.
Sally has been writing songs from a very early age - her first ever song was about a supernova ready to explode and destroy the earth written when she was five years old - and in recent years she has built up a loyal following in her hometown.
Since re-locating to Manchester she has played a handful of shows and is gaining a fearsome live reputation. Gigs around the UK are being planned for the autumn months including the In The City festival in October.
Buy "Battleground" now on CD, £6.00 incl postage, international orders please contact
to read an interview with Sally on BBC Nottingham, clickhere
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Sally performing live on Channel M in summer 2007:
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My Interests

Music:

Member Since: 04/02/2006
Band Website: [email protected]
Band Members: I, Me and Myself and occasionally Raz Ullah of the great Timbreland Recordings.
Influences: The Bob of the Dylan, Bert Yansch, Sandy Denny, Nick Drake, Jeff Buckley, The Pixies, Hot chocolate.
Sounds Like: "Sally Murray sometimes makes her guitar sound like a harp. Originally from Nottingham, she's relocated to Manchester where her multi-layered, left-field new-folk and unconventional kaleodoscopic melodies should find many friends amongst the city's outposts of such, Mushaboom and Red Deer Club and the like. There's a distinctly psycedelic side to it - a male friend, whose name I didn't catch, sits alongside her, variously making space noises on an analogue synth, whooshing cymbal flourishes or rushes of percussion. She finishes the set alone, standing at a piano; eclectic and individual she's like a homespun Feist, and Nottingham's loss is Manchester's gain."J A of manchestermusic.com
Record Label: Timbreland Recordings
Type of Label: Indie

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