Aaron Audio

Aaron Audio is a London-based record producer, prorammer, DJ, and CEO of Maiplues music production company.With more than five years of professional production experience he has worked with all manner and style of artist, from solo vocalists to indie bands, drum and bass DJs to jazz trumpeters, These include F. Lunaire, Dynamo Garage,, and remixes for The Kooks and the holloways with DJ Goldierocks. His work spans all genres, “ I like music, not genres.”Over the last eight years he has been crafting his own blend of instrumental electronic music, always veering towards the raw and the dark. “After spending all day in the studio with an acoustic artist, when I get home I have an overriding urge to produce some dirtyness.”Aaron Audio also Dj's on the east London Club circuit , Mixing and remixing all genres with electro, and dubstep – always accessible but still dirty.Aaron Audio is one half of multi-tempo dance outfit Honey Weasel, jamming and mixing live with two laptops, an arsenal of samples and a hoard of mad costumes. Last Summer hitting the British festival circuit, including hosting friday at the main stage of the Secret Garden Party, with Goldierocks soundsystem.Co-producer of the “A.Theory” ambient music project with Alex Preager, crafting a diverse scope of progressive acoustic electronica for television and advertising, including recent spots on Channel 4 and extreme sports videos. Their new album, "But It Still Hertz" will be released in the coming year.Whether DJing, producing, or creating original tunes, he works with a broad sound pallet drawn from a lifetime of production experience. Over two decades he has developed a unique personal relationship with production processes and production spaces.The son of music producer Trevor Horn and his wife Jill Sinclair, Aaron spent his childhood playing with recording equipment, at Sarm Studios in west London.“My dad left me alone in the studio when I was four and I managed to ruin all the drum machine programming they had done that day,” he says. “I was always around recording studios, after school and on family holidays, so it didn’t seem like anything special. But then when I was older I came to think that all the equipment was amazing, and I couldn’t leave until I had learned to use all of it badly.”http://www.maiplues.com
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