Alen’s Work Begins, As I shall attempt to confirm; With or without direction. Forming regularities as regular as the foundation so kept, One needs listen, as Miles Davis uttered so generously. One may ‘feel but ‘hear the graveling look of suspicion. A ‘fragility of ‘touch and ‘strength upon which one may have all and so little; But this is not the extent to which one may precept such works. As it were or maybe, the work is long and studied, with a fraught nobility for ‘time, percussion and deviance Not at all what one wants to ‘hear, but what one must 'hear. As though the ‘hearing of one thing to ones objective order, performs. And another to that performances as suggestive or pertinently so. The language contorts what one may ‘know as relative to music, bringing upon a way of ‘music which ‘shows that ‘music as anything other than ‘itself, which is to say, object or objectified; material in compound. Of ones ‘senses, or ‘propositions of ‘knowing; or more over subjected to interpretation. One needs find leisure in the congruent affability’s, One needs find conclusion in conclusive matters not, The descriptive knowingness of sound and the functionality of that sound abundant; with little and every suggestion of something more, and far from less. As a construing of the mind, a 'catastrophe of reason, a sharp value of tradition and a eagerness to please one's own ideals, thus values, and laden conceptions of fostered historicisms. To teach and to learn in one such way, to seek question and be sought in the same, There is no meaning to what one can 'hear and what one can 'see, unless either are met with conjunctive structure for the slightest voluntary 'action, the dynamic of options, and the splendor of epistemic schisms. Alen is far from through with descriptive quires, open ears, open gestures; full and un-full gullets- to begin so diligently, of Alen’s work. Too immerse oneself as much and to little, to involve sounds alike. That is a sound which is clearly and supposed to experimentation, investigation and veneration, a sound which can be known, and thus must not be so easily detained. A fourth value of inquiry will suggest a vitality for abundance: A study of time and measure, a 'sight of glorified anthems, and a placement of craftsmanship. Alen has studied, learned and invokes the tribal almost, deniable message of the past. He has promised with some manner of tolerance and stability to covert what eastern martial amiabilities can be incept. Beyond and presently, there is a margin which may or may not place these obstructions or cohesions so pleneshed to tolerance, in the meticulous order. Thus, Alen’s work tells of a tender expression of fate pleasure and a willingness to venture the tool of potential, with or without remorse for denial.
Kyle Joseph Patterson
