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Ritt Deitz

About Me

Upstream Ritt's newest release is now available. You can buy a copy at Uvulittle.com or at the finest CD stores in Madison, WI.
NOMINATED for 2008 MADISON AREA MUSIC AWARDS (MAMAs): Best Folk Americana Artist and Best Folk/Americana Album.
Ritt Deitz releases his fifth full-length CD of original and traditional songs, Upstream, on Uvulittle Records. Ritt spent the winter in the studio with longtime collaborators bassist Joe Meisel and guitarist / dobro player Craig Totten, sons Wilder (piano, percussion) and Mitch (percussion) and hammered dulcimer player Dave Foss. Singer-songwriter Sara Pace guests on backing vocals on four songs, including a lovely duet version of the Southern gospel standard "Wayfaring Stranger." Ritt's neighbor Andy Ewen, frontman of the Madison psychoblues quartet Honor Among Thieves, sits in on "Cloudy," an early Dire-Straits-like meditation on living by a road the highway department keeps widening every few years.
Upstream marks a musical turning point for Ritt with the regular addition of piano (Wilder), hammered dulcimer (Dave) and much more regular percussion (Wilder, Mitch). Upstream also features more backing vocal arrangements, creating a new ensemble feel unheard in his last two Uvulittle releases, After the Mountains and Collected (1999-2000). Ritt takes his quintet on tour to support Upstream this fall, with television and radio appearances in Madison, and live dates in Madison, Chicago, Louisville, Newport (KY), and Trempealeau (WI).
Creeks and rivers (like the Ohio River he grew up by) weave in and out of the songs on Upstream. Most songs are new, but there are also a few older songs, newly recorded, like "Ice" and "Okay (I Agree)," in which water surrounds the poet. "See the forming ice / On the phone lines / Imaginary birds / Changing their plans" leads to rain rushing down walls inside a house, and the changing of the seasons. "Okay (I Agree)" (featuring backing vocals by Sara Pace) is a hallucinatory walk on the water: "In my dream I was walking on the river / Trying so hard not to break in two / All my friends they were swimming underwater / They could only say one thing / Okay, I agree." Like in a lot of Ritt's other songs, isolation gives way to some kind of long yearned-for unity, which in turn risks turning into something lockstep and overwhelming.
Or, like in "My Favorite Color," in which a man just out of jail tries without success to find his young daughter (born while he was gone), water brings some kind of vague release: "He looked across the river and he wished that he could swim / He'd climb up on the pilings where he'd sing and dive back in / He knew where he was going was where he'd always been / Sometimes all you have to spend is time."
Ritt's long-honed fascination with family and home and one-to-one connections with others (one-to-one connections that are unique and fragile and full of history) runs through Upstream, but this is by far the most aquatic record of Ritt's to date.
The Cincinnati Post's Rick Bird called AFTER THE MOUNTAINS "wonderfully twangy." The Madison Observer calls Deitz "bittersweet and original" and "sincere and solid."
The Wisconsin State Journal says UPSTREAM "features songs filled with intelligence and emotion steeped in water imagery."
ISTHMUS (Madison, WI) calls UPSTREAM "evocative singer-songwriter material that runs from spare, poetic tone poems to tough-minded roots fare."
More from ISTHMUS: "On much of his new album, Upstream, Deitz employs a thoughtful, eminently civilized persona to put across his carefully constructed semi-acoustic material. But he also has an angrier, more elemental side of his character, and here (in "Cloudy") he explores with tense lyrics about failure, frustration' and hard times comin' with a burr in his throat and a coal-fire burning a hole in his belly. Some tense blue notes from Madison guitarist Andy Ewen only add to the impression that a change is gonna come just as soon as the tune is over -- and it ain't gonna be pretty when it does [...] Although Deitz sounds nothing like David Olney, I keep thinking this performance would fit right in on one of Olney's impossibly lowdown albums. It has that much grit."
The Onion says Deitz "works the same side of the street as Greg Brown and Bruce Cockburn, with songs that are concurrently earthy, ethereal, and intelligent."
ISTHMUS (Madison, WI) says, "Ritt's songs are rough and smooth at the same time, acoustic roots rock with just enough mountain music in it to remind you he is from Kentucky."
This is acoustic roots rock that Pike 27 leadman Dave Purcell calls both "gritty and intelligent" and "sweet, gentle and smoldering."
Deitz was also nominated in 2007 for 2 separate Madison Area Music Awards: Best Folk/Americana Artist and Best Folk/Americana Album (for AFTER THE MOUNTAINS).
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Music:

Member Since: 25/11/2005
Band Website: www.rittdeitz.com
Band Members: Ritt Deitz and friends
Influences: Neil Young, Ryan Adams, Johnny Cash, Nat King Cole, Mark Knopfler, Doc Watson, The Pretenders, Bill Monroe, Professor Longhair, REM, Led Zeppelin, Greg Brown, Rolling Stones, John Prine, Bruce Springsteen, Son Volt
Sounds Like: Greg Brown, Bruce Springsteen, Jim Morrison, Neil Young, Bruce Cockburn, Calexico, Willy Porter, Son Volt, Ryan Adams

Record Label: Uvulittle Records
Type of Label: Indie

My Blog

Shank Hall video - Wade In The Water

Wade In The Water - Shank Hall, Milwaukee - June 1, 2007
Posted by on Wed, 27 Jun 2007 09:28:00 GMT

Madison Area Music Awards

Hi Everyone, A quick note to let you know that I've been nominated for two Madison Area Music Awards (MAMAs) this year: Best Artist (Folk/Americana) and Best Album (AFTER THE MOUNTAINS, also Folk/Amer...
Posted by on Fri, 23 Mar 2007 14:31:00 GMT

Listen to my live performance on WORT

We had a really fun time on WORT last week. John Fabke had us on the show to help promote the new record on his Pastures of Plenty program. Listen to the interview and on-air performances.
Posted by on Wed, 15 Feb 2006 18:33:00 GMT

Onion review of After The Mountains

Ritt Deitz' fourth album, After The Mountains, reaffirms the local songwriter's mastery of loose, unforced lyricism in an acoustic roots and blues framework. He works the same side of the street as Gr...
Posted by on Thu, 09 Feb 2006 14:14:00 GMT