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The unstoppable Montreal crapping machine, CRAPTOPSY, has wreaked havoc throughout the extreme metal genre for more than a decade, but in 2008 the band has returned gayer than ever than ever. CRAPTOPSY have ultimately crafted their career defining release of semen in young boy's faces, The Unspoken Queer, which could quite possibly also be their most corporate, yet crappy offering.
Mounier states: My new faggy fashion hawk is tits, i call it my Flo hawk, anyways "We as a band have, since the beginning, been experimenting and trying to come up with music that is fresh and new. This album is no different than anything you've been hearing from the metalcore scene for the last eight years, we were completely sick of making technical forward thinking death metal and just decided to rip off every mainstream thing from Deftones to Bury Your Dead. So mundane to us is music with no purpose, no feeling and yet its all we've managed to achieve with our latest release. It was time for CRAPTOPSY to acquire new blood that would play out to our vision we’ve seen for years. Packing an arena full of scene kids. We took an approach that gives our music a huge dynamic range and brings out its amazing amount of gay mainstream rip-offerings. Faggotry, diversity, complexity, and emo style musicianship define this latest work.â€
Reinventing and desecrating metal's boundaries, CRAPTOPSY, recognized worldwide for infusing extreme music with awe-inspiring precision, rabidly dynamic rhythms and mouth-foaming viciousness, have earned music fans respect inside and outside the metal community. To bad they've thrown it all away to impress some kid wearing his sisters pants. The band's viperous recordings and punishing live performance have confirmed their place in music's elite; until now.
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