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Mick Beck

About Me

MICK BECK tenor sax, bassoon and whistles
An innovative instrumentalist and composer
Current projects include:

Gated Community – In 2005 Beck initiated a new 15-piece workshop band to re-explore the interaction of composition and improvisation. Ideal for festival performances.

Solo tours featuring both bassoon and saxophone, eg, Spain, Australia,England.

“Weavels”, a trio with Chris Cundy (bass clarinet) and Alex Ward (guitar) which is preparing a CD for release.

Work with master drummer Paul Hession as a duo (recent tours to Canada and Germany), and with other musicians (e.g., Derek Bailey leading to issue of CD Meanwhile back in Sheffield (May 2005); Dave Tucker leading to CD Shkrang: Some thoughts about, April 2006); Matt Wand; Tom Jenkinson (Squarepusher); Steve Beresford; Pat Thomas leading to CD The Three Bs; Milo Fine leading to CD Motion Ejecta; J.D. Parran.

Beck/Drenching/Pleasure, bassoon, bricks, and Dictaphones leading to Discus CD: “A low carbonation” issued June 2006.
plus CD Live at HOTS-OD issued 2003.

One of Stephen Grew's Grew Trio (Discus CD It's morning, issued October 2005 and … To Play Music, and It's Morning).

Beck/Lunch Improvors (bassoon plus writer/poet Out to Lunch Ben Watson);

Member of Hugh Metcalfe's Microtonal Megastars, with Hugh on guitar and drum, and Alan Durant on bass.

Work with some DJ and electronics artists, e.g. Tom Jenkinson (Norwich and London as part of the Squarepusher tour November 2005), and with UTT Foster and Martin Archer in Varispeed.

Participation in the Sonophages free music festival, Toulouse, France in August 2007 (the only non-French player).

Jazz groups working mainly with his own compositions, eg Linden Owen's The Big Clutch (Monmouth Music Festival 2005), and other players such as Pete Fairclough (drums) Pietro Lusvardi (bass).

Brief History

As an improvising big band leader to solo performer, Mick is known for his energy and originality: his playing covers the full emotional gamut from heartbreaking to mischievous, and from abstracts to compelling swing.
His improvising big band Feet Packets was unique in the UK and influential in the late 1980s. In the 1990s he led many small groups including the powerful free jazz trio Something Else with Paul Hession and Simon Fell, which released two acclaimed CDs. Since the nillennium, Beck's ground-breaking work with the mysterious and humorous bassoon, supplemented by his use of other wind instruments add many new sounds and moods. Since 2005, Gated Community has been revisiting the boundaries between total musical freedom and novel compositions, and has played with Damo Sezuki as guest artist.

Beck's technical innovations and musical ideas are often a source of inspiration to his collaborators on stage, and hehe works with many of free music's best-known exponents covering a wide age range. He is based in Sheffield, plays regularly in London and elsewhere in the UK, and from time to time in Spain, Germany, Austria, France, Canada and Australia.

He has worked with many great musicians such ass saxists J.D. Parran to Alan Wilkinson, guitarists Derek Bailey to Hugh Metcalf, percussionists Tony Buck to Steve Noble and Paul Hession, bassists Marcio Mattos to Simon Fell, pianists Chris Burn to Stephen Grew and Pat Thomas.

In the 1990s through to 2004, he was one of the lead organisers of Sheffield's Other Music, a bastion of the UK's free music scene from 1982.

Recordings include:

A Low Carbonation, Discus 28 CD, Beck/Drenching/Pleasure, June 2006;

Shkrang: Some thoughts about, (Mick Beck, Dave Tucker guitar and laptop, Paul Hession drums, Discus 25 CD, issued April 2006): “A top avant garde pick for 2006” (All About Jazz review) and “One has to look back as far as early Amalgam to find free jazz / improv as compellingly rooted and adventurous as this" (The Wire review)

It's Morning (Grew Trio, Discus 22 CD, autumn 2005). Jazzwise review “This release carries the hallmarks we've come to expect: an uncompromising and intense approach to non-idiomatic free music, delivered with an irrepressibly mischievous sense of humour. Ridiculously entertaining”.

Meanwhile, Back in Sheffield … (Derek Bailey guitar, Paul Hession drums, Mick Beck reeds, Discus 21 CD, Spring 2005. The Guardian “The opening track “After The Red Deer” is a 30 minute evolution through many sound scapes. “Raining” develops into dense ensemble jostles, with the raucous entry of Beck's bassoon. And on “Buckets”, the three players trade phrases as though hurling a hot coal back and fourth. These last two titles celebrate the apparent passage of the Sheffield rain through the roof, an event sure to convince free improvisers that there definitely is a god.

Motion Ejecta: Milo Fine (reeds and percussion), Paul Hession (drums), and Mick Beck (t/sax bassoon), Cadence USA, 2004; Web Store Review from USA: “It took Milo Fine, Mick Beck, and Paul Hession 56:43 to make this album. You'll be listening to it for a lot longer than that!” Cadence Magazine, USA, “This is free Jazz at its most uncompromising
and it's all the stronger for that”. Cadence Jazz Records “Able to double- and triple-tongue on a double reed, he creates dissonant textures you wouldn't associate with the usual orchestral instrument”.

The 3 Bs (Pat Thomas, Paul Hession, live at the Termite Festival, Leeds).

… To Play Music, (Stephen Grew Trio, live from Liverpool).

Beck-Drenching-Pleasure ( Live at HOTS-OD, with T H F Drenching and Miss Sonic Pleasure,2002.

Mick Beck Stephen Grew Duo: Picture August cd).

Something Else: Playing with Tunes, and Start Moving Earbuds (CDs), and Rearquarters (cassette).

Feet Packets (14-piece band), Listen! Feet Packets (CD), and two cassettes.

contributions to Simon Fell's Compilations 4 and 3 and Piece for 10(0);

contributions to many of Martin Archer's releases such as recent Outward Sound's Thunder in a clear sky.

My Interests

Music:

Member Since: 30/06/2008
Band Members:

NEW ALBUM OUT NOW ON DISCUS! Click here

Use this button to buy for £10 including p&p worldwide

"Sheffield based reedsman Beck has been a fixture on the UK improv scene for a quarter century, and graced countless recordings as a sideman and collaborator - but this is his first solo venture proper: 13 single take live-in-the-studio tracks that, in Beck's own words "explore the ever fascinating boundary between conventional harmonies and looser playing. Largely , that means spontaneous improvisations showcasing a confident mastery of extended tenor saxophone techniques and an inquisitive dedication to unravelling the possibilities of the bassoon. In Beck's hands, this normally quaint and sedate woodwind , rarely associated with improvisation, becomes by turns a vicious, snarling entitiy or a sonorous well of complex overtones. This CD includes a couple of ttunes by Ornette Coleman and Eric Dolphy, and the final track..... with its playful tinkering with ocarina, recorder, swanny and tin whistle also reveals the influence of Roland Kirk - but for the most part, this is the work of an underrated British original."
- DANIEL SPICER, JAZZWISE

"MICK BECK'S album, Life Echoes, is not conventional listening. But seldom do instruments speak so loudly, or take on characters of their own. Opening track The Crocodile sounds like a conversation between two ducks. Indeed, Beck's album dwells on music's ability to speak in a literal sense. Many of the tracks would be well suited for a silent movie or a theatrical performance. The album, released on local label Discus Records, comprises a plethora of instrumentation. Throughout it Beck alternates between bassoon, whistles, saxophone, swanny, vixen call recorder, with each taking on a theme. But there are tracks, however, where he enters a conventional musical format. Three Twice is a melancholic number – somewhat downbeat compared to its jovial counterparts. Spanning many moods, many creatures and many sounds, Life Echoes does exactly what it says on the tin. And, much like life, it is impossible to fathom." - By Rachael Clegg SHEFFIELD TELEGRAPH

Interview. August 08. Mick speaks about his roots and influences and about three very different, recent gigs. Click to listen. 39mins / 26mb mp3."Ace tenor saxophonist Mick Beck incorporates an amplified bassoon (in a way) that defies even the most oddball stereotypes" - All About Jazz, June 2006.

"Beck's abstract resources extend to all manner of whistles and squeals, but his tenor sax playing is a resourceful development of Evan Parker's" - The Guardian, May 2005.

"..pushed along by beck's scorching post-Ayler tenor sax." - Jazzwise November 2005.

"Able to double- and triple-tongue on a double reed, he creates dissonant textures you wouldn't associate with the usual orchestral instrument" - Cadence Jazz Records no. 1164.

"He plays the tenor with conviction that can border on lawlessness. Mick Beck has been causing jaws to drop by playing the bassoon. He is now getting something personal and unheralded out of the bassoon" - The Wire.


..

BLISTRAP (w/ Phil Marks (USA) - drums) live @ Resonance FM 7th March 2009

MICK BECK'S GATED COMMUNITY.

Promotional Video 2006 by Freenoise

Beck with Corsano 2.7.08
Extract from this set here!
Record Label: Various
Type of Label: Indie

My Blog

New Album Arrival!

Apologies for over-optimistic release date for my solo album, Life Echoes. It's just arrived in Sheffield, so anyone who wants to buy can contact me direct on [email protected], or Discus Reco...
Posted by on Mon, 23 Feb 2009 08:06:00 GMT

January 2009

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Posted by on Fri, 23 Jan 2009 00:55:00 GMT

Today...

Well, here I am two months on from last entry.  At the beginning of August I injured my ankle badly enough to make it difficult to play and practice.  This was a sod, as I was working up wha...
Posted by on Thu, 02 Oct 2008 21:47:00 GMT

Solo Recording...

Later in August I shall be taking some studio time to record what I hope will be most of a solo album. The decision to do this is something I've been wrestling with for years  the wish to publish so...
Posted by on Fri, 01 Aug 2008 07:21:00 GMT