The members of Bloodkitt (literally "blood concrete" in german) have been making music together and solo since childhood. This is their expression of the darkest, ugliest, most masochistic (and sadomasochistic) side of their psyches. Raised on dark, heavy obscure music, horror movies, and other mental scar tissue. Middle fingers raised high to the local scene which emphasizes only what is fashionable at the time.
This is not for poseurs.Crank it up for best results.COMING SOON:
OBSCENE PLANET our first full length album.
Split with FISTULA
Split with Galdr
Split with Rape-X
Split with La Otracina
Split with Gallows of Sedition
MORE TBABeau of HammerSmashedJazz just reviewed our upcoming album, he's an amazing guy and you should check out his blog. this is what he said about it:New Jersey's industrial sludge monsters Bloodkitt have finished their debut recording,which can be found here.I'm currently on my second listening,and man,am I blown away.Hopefully a good label picks this up soon,because it's damn good.Black Noise Part 1 starts things off with a Godflesh-meets-Halo cold crawl,plodding along like a mortally wounded cyborg descending into a K Hole,tripping over its own blood and wires.Black Noise Part 2 centers on a huge Iommi-worthy riff flowing on top of more eerie mechanical sounds,setting you deeper inside this strange,futuristic hellhole.The ten minute third track,Blood Moon,is where it all turns.By now the monster in the asylum has been fully revealed,and the real terror begins.After a two minute noise onslaught,the drum machine begins unraveling into high speed spasms and we are greeted with some Mick Barr-like fretwork.Then as quickly as it began,it ends,with the last five minutes slowly dragging you down the hole further.After that,Funeral In Leather goes back to a simple approach;loud,slow,brutal...a primer for the next mindmelting track.Necromancers starts off with another assault of noise,and quickly speeds up,with the drum machine once again pumping out of control,like the cyborg's heart,running for its life.The speed assault is followed by an awesome acoustic interlude,which sounds more disturbing than comforting...and the last few minutes close with some killer hushed/sung vocals that sound like ghosts trying to communicate from beyond the walls of the asylum.The next three tracks are absolutely awesome,and seem to work together as one singular idea.Obscene Planet is a quiet ambient number which further cements you in the strangeness of this experience,and rolls you right into the nine minute acoustic Please,Let Me Sleep.Skeletal Smiles takes you full circle back to the frightening opening tracks,with more maniacal vocals letting you know that you are no closer to escaping this nightmarish future world.
The final track,Under the Hospital Morgue Light,is just as it sounds.All hope is now lost,and you realize there is no escape from this hole.
