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MUCH LOVE TO "NINA-B", "MR. K, FLATTOP" AND "DOUG INGBER" OWNER OF VIDEO CITY. TV . WHO PRODUCED NINA SHOW ON VIDEO CITY AND "THE ALL NEW M.C. WAR FLATTOP SHOW", WAY BACK IN 1976.HERE'S A VIDEO INTERVIEW OF THE SHOW, OF "NINA-B" INTERVIEWING "MR. K, FLATTOP" ON VIDEO CITY. CLICK AND PLAY VIDEO DOWN BELOW NOW!"MR. K, FLATTOP" NO AS "MR. K, F-TOP ALLAH" BEING INTERVIEW BY "NINA-B" ON VIDEO CITY APRIL 2008. CLICK AND VIEW SHOW NOW!--------------------------------------------------------
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---------------------------------------------WHO EVER VIEWING THIS SHOW, WHO'S CARE. ANY ONE CAN FORGET WHAT M.C. STAND FOR AND DJ STAND FOR. MR. K, FLATTOP BEEN AWAY FROM HIS HOME TOWN, FOR A LONG TIME. BUT NOW HE'S BACK IN "NEW YORK". LOOK OUT FOR OTHER CABLE SHOW HE GOING TO BE ON SOON. AND THATS " VIDEOCITY. TV .PEACE!
HERE A VIDEO TAPEING OF "MR. K, FLATTOP" ON THE "CRAZY ALI CAYNE" SHOW IN SOUTH JAMAICA QUEENS. THE SHOW IS NOW AIRING ON CABLE TV IN NEW YORK NOW MySpace. com/Mr_K_Flattop to view more video's of Flattop and Crazy Ali Cayne.INJOY!..HITTING THE STREET 2/26/08,
THATS RIGHT "LIN-QUE" HOSTING "DJ-KD HANDYMAN" - WORLDWIDE&035;32. HITTING THE STREETS 2/26/08, READ MIX'S CD TRACKS LIST BELOW. PLUS PARADIZM FROM THE GODZQUAD/4FATHAZ, VIC FRESH, MR. K, FLATTOP AND MANEY MORE RAP ARTIST ON "WORLDWIDE&035;32"
THIS MIX'S CD IS OFF THA CHANGE, READ LIST BELOW.
THE BACK OF THE CD'S COVER
THE FRONT OF THE CD'S COVER
SHOW YOUR LOVE AND SUPPORT, AND BUY THE CD ON 2/26/08 AT ALL STORE.
PEACE!..
Get this video and more at MySpace.com
CHECK OUT, OUR FEMALE FRIEND "LIN QUE" VIDEO. CLICK & VIEW!CHECK OUT, OUR ZULUS NATIONS FAMILY ON VIDEO FROM N.Y!
Hip Hop First Family N.y Original Street Family U.Z.N 1973
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Add to My Profile | More VideosTHE TRUE MEANING OF HIP-HOP CULTURE BY AFRIKA BAMBAATAA, READ
IN THE NAME OF AMUN RATHE 5TH ELEMENT OF HIP HOP
KNOWLEDGE, CULTURE, OVERSTANDINGThis interview was done in 1995 and the facts of what Afrika Bambaataa said way back then still stands as facts today.Take back your Airwaves with BalanceThe True Meaning Of Hip-Hop Culture by Afrika BambaataaIntroduction by Faisal Ahmed from The Bomb Hip-Hop Magazine &035;38 (March 1995)He is known by a number of titles, "Godfather Of Hip-Hop", "Master Of Records", "Greatest DJ On Earth" - etc etc. Now while a number of teenage buckwild shorties who score with one hit record inflate their own egos to ridiculous levels through their own blunt-smoke induced gauge of talent, he is a man who truly deserves the above titles and more.However, if one word can accurately describe Bambaataa Aasim, more regularly known as Afrika Bambaataa, it is intelligence. This is a man who could very easily be living in a multimillion dollar ivory tower, content with his life and focused purely upon money. But not Bambaataa. He recognises that a great deal of ignorance exists within society, and he constantly strives to educate the misguided, indoctrinated masses.Taking his previous experiences as a gangbanger, he redirects the lessons of the streets into a positive and knowledgeable form. Serving as a source of inspiration and wisdom, he uses a philosophy of not misguiding youth, simply highlighting the facts and allowing people to draw their own conclusions. He does this from the same South Bronx streets he ran 25 years ago with the notorious Black Spades.The main thing that always strikes me about Bam though, is his genuine approachability and how humble he is about his achievements. He always speaks to you as an equal and he..ll always hug you like a brother when he sees you. Compare this to the behaviour of 95% of the current hip-hop community and you begin to understand the difference between men and boys, and you start to see where infiltrators began to fuck up our culture with that policy of "divide and conquer."The very fact that you are able to buy and read this magazine means that you owe a debt to Bambaataa, whether you acknowledge the fact or not. Now it..s crunchtime. Read the following and peep out your response. If you can understand and open your mind to the bigger picture, contact the Zulu Nation. If you have difficulty, check your head and ask yourself if you consider yourself to be long term with hip-hop or whether you are treating it as a fad. Remember, knowledge is infinite, and there is no power greater than the power of the mind, but it..s up to you as an individual to use it.peace, Faisal Ahmed ------------------------------------------------------------
--------------------Hip-Hop vs Hip-Hop (Take it for what it is).I, Afrika Bambaataa, have heard it all, read it all, in many magazines throughout the world, and seen almost all in this continuing bullshit about which rappers are better, east coast v west coast, Miami bass hip-hop is bullshit, British Rappers sound funny rapping, electro funk, techno rappers are soft, I like hardcore rap and beats, this one group is like that, old school vs new school, Rap wouldn..t be rap if it wasn..t for the battles, I..m the quickest, baddest rapper, deejay around, Go Go music in Washington D. C. is dead. It..s all about hip-house or house music all night long. I dis you, you dis me, my crew will take you out or kick your ass, fuck this or that, Nigger, Bitch, Nigguz, Nigguh, Hoe, Hooker, Bitches with Problems, Hoes with Attitudes. Just look at yourselves, sounding like a bunch of fools, who really don..t have any true knowledge of self and knowledge of hip-hop culture and what it..s all about.First of all, let me tell you that the music (beats) that makes up hip-hop, comes from different nationalities and races, especially from black people, and if you think I am a brother who don..t know what he is talking about, just check out many of the music, beats, grooves and sounds that many of your rappers use to make their records or rap over. Hip-hop music in general is colorless and not racist.It comes from many categories in music, for example: Hip-hop music is made up from other forms of music like funk, soul, rhythm & blues, jazz, rock heavy metal, salsa, soca (calypso), TV shows, kiddie shows, horror movies, techno, pop, disco, african, arabic, reggae -etc. . . . and if you use any records from these categories, you will see that the music is made by people from different races or nationalities from all over the planet, but it..s roots start with black people.I have read many interviews by different rap groups throughout the world, just to see where their heads are at, whether they are really knowledgeable about hip-hop music/culture or whether they are just plain assholes. Many of the rappers will down(dis) another rapper because he or she wanted to experiment with hip-hop by singing or adding a different sound in hip-hop to create something new.When are all of you in the hip-hop world going to "wake up"? You love to keep dissing each other for nothing and if you were wise in your disrespect of each other, you would know how to make money with respecting your disrespect of each other, if you truly understand what I am saying. Many who are into hip-hop or part of hip-hop culture throughout the world need a check up from the neck up.In fact, and in truth, the whole human family needs one. Everyone needs to check up on their own roots and culture and seek the real truths on life on this so-called planet Earth. Knowledge, wisdom, and understanding, facts and truths about black, brown, red, yellow and white people and not that brainwash white supremacy shit that white people in power have taught all over the world and to their own people of the so called planet Earth.Yes there are many wrongs in the worldwide hip-hop community, but there are also many aspects of positivity within the hip-hop community that the media or trade magazines rarely focus upon. Many of you in hip-hop culture don..t even listen to the rappers who are trying hard to wake your asses up to what is going on in the bigger scale than of what you see in your neighborhoods, their message goes in one ear and out the other.The media does play a big role in destroying the hip-hop culture movement, but many of you in the hip-hop community are the biggest enemies of hip-hop and you will be the ones who will help the enemies of hip-hop to destroy it, or to bring it back underground, because of your ignorance of knowledge of hip-hop. This has started the difference between "old school" and "new school".To myself (Afrika Bambaataa) there is only one school and that..s the learning, evolving, going through the different phases or cycles school of hip-hop. That is the real hip-hop school. A lot of you in the world of hip-hop better start looking at the problems in your own backyard as well as the world, because while you are enjoying yourselves etc. there are many plots being sprung to destroy hip-hop in the world.Because many people in government look at hip-hop music and its culture as a radical music that gets straight to the point and music that will wake up the youth and young adults throughout the world. They can also use hip-hop to backfire and destroy itself. You can believe what I..m saying. But time will tell and I see what you see not.Peace be unto you,Your brother In music and faith, Afrika Bambaataa.Related: Afrika Bambaata Bio, Universal Zulu NationZnVzZWFjdGlvbj11c2VyLnZpZXdwcm9maWxlJmZyaWVuZGlkPTM2OD
gwMjY1Jk15VG9rZW49ZjFiZGUyN2QtOWIzMS00MzZmLWI3NmMtMTRmMzcwZW
IxMTcy'War Flattop Productions
From:
The Universal Zulu Nation calls on the World to recognize the whole month of November as HIP HOP HISTORY MONTH!
The official birthday of the Universal Zulu Nation is November 12, 1973.
The official birthday of Hip Hop is November 12th, 1974.
With consideration to the above mentioned dates, nothing makes more sense than to celebrate Hip Hop culture and it's history during November, which is exactly what the Universal Zulu Nation has been doing for over 34+ years. November is also significant in the fact that it kicks off the "indoor jam season". The Hip Hop community jams, enjoyed outdoors in the parks, throughout the Summer, had to move indoors for about 7 months to community centers, gymnasiums, schools etc. for the Fall and Winter seasons. The Hip Hop World should recognize this month and pay tribute to those who laid the foundation and paved the way as well as to those who continue to preserve the rich tradition of the culture.
Of course, The Zulu Nation appreciates all efforts to preserve the whole of Hip Hop culture, including any days or weeks set aside to conscientiously appreciate Hip Hop, but would rather that all of these days and weeks combine to celebrate in unity every November as the tradition has been since the beginning of this culture. Founded by the godfather of Hip Hop himself, Afrika Bambaataa, The Universal Zulu Nation is the world's oldest, largest and most respected grass roots Hip Hop organization. It's members and supporters are Hip Hop's most famous and legendary artists. True school enthusiasts travel from all around the world to be in New York City, in November, for the annual Zulu Hip Hop Anniversary, the only true Hip Hop Anniversary since the beginning. The Anniversary hosts a positive Hip Hop community coming together from all walks of life to celebrate the true essence and excitement of what Hip Hop was meant to be. Many artists who have donated their performances to help raise funds at Zulu Hip Hop Anniversaries have gone on to become legends and many of these legends continue to return to NYC, in November, to give back to the core community who supported them since their careers began.
A Little Background Information: In the early years of the culture, the movement went untitled until Afrika Bambaataa, started calling it "Hip Hop", a term originated by Lovebug Starski. In the 70's, ten years prior to it's gaining global recognition, Hip Hop was a celebration of life gradually developing each of it's elements to form a cultural movement. Due to it's energy, dynamics, and momentum, Hip Hop culture has become, ultimately, a key to upliftment and reformation, as well as a billion-dollar industry.
From the 80's on, the Rap industry and media have helped to make the terms "Hip Hop" and "Rap" synonymous, leaving out the other elements included in the culture. In light of this enormous oversight, the Zulu Nation promotes the "5th element" of Hip Hop, which is KNOWLEDGE, and actively tries to educate the masses about the history and foundational elements of true Hip Hop culture. Bambaataa declared: "When we made Hip Hop, we made it hoping it would be about peace, love, unity and having fun so that people could get away from the negativity that was plaguing our streets (gang violence, drug abuse, self hate, violence among those of African and Latino descent). Even though this negativity still happens here and there, as the culture progresses, we play a big role in conflict resolution and enforcing positivity."
Hip Hop is the Vehicle to Deliver Innumerable Lessons! Afrika Bambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching awareness, knowledge, wisdom, understanding, freedom, justice, equality, peace, unity, love, respect, responsibility and recreation, overcoming challenges, economics, mathematics. science, life, truth, facts and faith.
The Elements: Hip Hop culture is defined as a movement which is expressed through various artistic mediums which we call "elements". The main elements are known as MC'ing (Rapping), DJ'ing, WRITING (Aerosol Art), SEVERAL DANCE FORMS (which include Breaking, Up-Rocking, Popping, and Locking) and the element which holds the rest together: KNOWLEDGE. There are also other elements such as Vocal Percussion/Beat Boxing, Fashion, etc. Within the past 20 years, Hip-Hop culture has greatly influenced the entertainment world with its creative contributions in music, dance, art, poetry, and fashion.
Due to their lack of knowledge about the whole of Hip Hop culture, many of our world's youth are mistaken in thinking that activities such as: smoking blunts, drinking 40's, wearing a designer label plastered across their chest, carrying a gun, or going to strip clubs, are "Hip Hop". Hip Hop is being portrayed negatively by many artists who work in the element of Rap (emceeing), and this negativity is usually instigated and promoted by the record industry and various other corporations who exploit the culture at the expense of the youth's state of mind and morality. The Universal Zulu Nation believes there is a difference in speaking out about negativity (activism) and promoting it as a desirable lifestyle. Gangsters, pimps, playas, hustlers, niggers, spics, and many other derogatory words once used against us are now self employed in our everyday vocabulary. Our ancestors who have fought and died trying to free us from these sicknesses and slave mentality are probably turning over in their graves! Bambaataa asks you to just think about this, "How in the hell did we turn from GODS to dogs?"
Afrika Bambaataa encourages you to do more research about our story, his/her-story, and what you think is your mystery is actually your history. Where are our Hip Hop thinkers, lawyers, holistic doctors, scientists, agriculturalists/herbalists, revolutionaries, politicians, judges, researchers, teachers, police, army, accountants, anthropologists, etc. Where is our own Hip Hop Museum? Many talk the talk but don't walk the walk. Many straight out sell-out to the liberation of our people as well as to all humans on the planet so called Earth! He also encourages you to do research on any Hip Hop organization that deals with consciousness and the upliftment of all people. To all those who purposely make up your own history and lie about the culture- DO YOUR RESEARCH!
You can contact the Universal Zulu Nation at their main website www.ZuluNation.com and to explore links to other Zulu chapters and websites.
Thank you in advance for forwarding this announcement to everyone you know!
Peace and Blessings Afrika Bambaataa & the entire Universal Zulu Nation.
As we say in Zulu - respect the many UNIVERSES and especially MOTHER EARTH
PS: If you are planning any events in honor of Hip Hop History Month in November please feel free to write to the webmaster at ZuluNation.com to keep us up-to-date!
THE 5TH ELEMENT OF HIP HOP CULTURE
KNOWLEDGE, CULTURE, OVERSTANDING
FACTOLOGY VS. BELIEFS
NEW YORK STATE SENATE RECOGNIZES NOVEMBER AS
HIP HOP HISTORY MONTH
STATUS:
J6602 ESPADA
Resolutions, Legislative
TITLE....Honoring the rich traditions of Hip Hop Culture
/www.senate.state.ny.us/
12/11/02
REFERRED TO FINANCE
12/17/02
REPORTED TO CALENDAR FOR CONSIDERATION
12/17/02
ADOPTED
BILL TEXT:
LEGISLATIVE RESOLUTION honoring the rich traditions of Hip Hop Culture
WHEREAS, It is the sense of this Legislative Body to pay tribute to
those individuals of historic and artistic significance whose creative
talents have contributed to the cultural enrichment of our communities
and our Nation; and
WHEREAS, The month of November is now recognized by the State of New
York as Hip Hop Culture History month; and
WHEREAS, Afrika Bambaattaa, was the first Hip Hop activist, who once
said, "Hip Hop Culture was created to be about peace, love, unity and
having fun, in order to help people to get away from the negativity that
was plaguing our streets"; and
WHEREAS, Even though this negativity still exists, as the culture
progresses, Hip Hop Culture plays a big role in the conflict and resol-
ution by encouraging positivity; and
WHEREAS, Hip Hop is made up of Rap, DJ'ing, Break dancing, Up-Rocking,
Popping, Locking, Vocal Percussion, and Beat Boxing; and
WHEREAS, The godfather of Hip Hop culture is Afrika Bambaattaa; and
the world's oldest, largest and most respected grass roots Hip Hop
organization is the Universal Zulu Nation; and
WHEREAS, Hip Hop culture is a positive tool for social change; and
WHEREAS, The inception of Hip Hop culture in the Bronx was during the
early 1970's; it has been a vehicle for breaking down racial barriers on
a world wide level; and
WHEREAS, Hip Hop is a means for overcoming challenges, and a means for
teaching awareness and knowledge, inspiration and wisdom; and
WHEREAS, During the 70's, Hip Hop was a celebration of life, gradually
developing to form a cultural movement as a result of its dynamic energy
and momentum; and
WHEREAS, Hip Hop culture has become, ultimately, a key to uplift the
spirit of many; and
WHEREAS, Hip Hop culture has greatly influenced the entertainment
world with its creative contributions in music, dance, art, poetry, and
fashion; and
WHEREAS, Hip Hop is the vehicle to deliver innumerable lessons and
continues to provide for unity, love, respect, and responsibility; and
WHEREAS, D.J. Afrika Bambaattaa and the Universal Zulu Nation, Cool
Herc, Grandmaster Flash, the Cold Crush Brothers, Nolie Dee, Maria Davis and Mytika Davis are true inspira-
tions; and
WHEREAS, It is the sense of this Legislative Body, in keeping with its
time-honored traditions, to recognize and pay tribute to those organiza-
tions which foster ethnic pride and enhance the profile of cultural
diversity that strengthens the fabric of the communities of New York
State; and
WHEREAS, It is the sense of this Legislative Body that those who
enhance the well-being and vitality of their community and have shown a
long and sustained commitment to excellence certainly have earned our
recognition and applause; now, therefore, be it
RESOLVED, That this Legislative Body pause in its deliberations to
honor the rich traditions of Hip Hop Culture; and be it further
RESOLVED, That copies of this Resolution, suitably engrossed, be tran-
smitted to Afrika Bambaataa and all of the participants of the Hip Hop
Culture Celebration
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