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beyjenny

About Me


In my choreographic work I am searching for ways to let the body collide with different external stimuli. In my recent pieces Tableau Doublé, and TanzTanz I am using a wide range of images taken from various historical, cultural and aesthetic contexts, which are processed by the performers into a living collage of poses, gestures and movements. I am interested in the human body as a container, mediator, a void which binds, a body that transmits unique situations and experiences. Rather than looking for highlights I am searching for a variety of details existing equally next to each other. I want to invite the audience to read the choreography moment for moment, I want them to trust and confront their own imagination.
www.sweetandtender.org

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Tableau Doublé

8th May 2008, Maus Habitos, Festival da Fabrica, Porto, Portugal
http://www.fabricademovimentos.pt/abertura.html
Sayaka and Jenny are walking through the desert, they are very thirsty. Jenny kills Sayaka, then she becomes Sayaka..s dog.
Tableau Doublé modifies the rules of the old parlour game: "Tableau Vivants", in which paintings are re-enacted by actors for the spectator to decode and recognize. Using numerous pictures, photos and film sequences as source material, the smallest movements of the two dancers' bodies create new images, and the moment of decoding is withheld. On the diamond shaped stage, in interplay with the electro-acustic sounds of composer Jetzmann, a choreography evolves that is playful and fluent, stringent and unpredictable. Images transformed into bare form confront the spectator with his/her own imagination.
concept/ choreography: Jenny Beyerdance: Sayaka Kaiwa, Jenny Beyermusic: Jetzmanncostume/decor: Anna Wuebberadvice: Nik Haffner, Marcus Droß, Ben Pointekermarimba: Johann Popp
Thanks to Sweet and Tender Collaborations, Performing Arts Forum and Association SKITe.
Produced by K3-Zentrum fuer Choreographie/Tanzplan Hamburg with the support of the German Federal Cultural Foundation and the Hamburg Departement of Culture in cooperation with Kampnagel Hamburg. With the support of the Culture 2000 programme of the European Union, within the frame of Enhanced danceWEB Europe, Hamburgische Kulturstiftung and Alfred Toepfler Stiftung.

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