Member Since: 12/04/2008
Band Members: Me, my harp and I.
..a 32 string Oakwood Lever harp, of the neo-celtic nylon strung non-pedal variety, Spruce soundboard, Maple body, Birch back, beautiful tone, a wonderful instrument..diatonic by it's nature.. Neo-Celtic harps are based loosely upon the traditional Irish and Welsh harps which date back through the ages and which are native and sacred to this country. Pedal harps (the big ones you get in orchestras) were invented much later, as a way of turning the basic diatonic instrument into a more chromatic one. Key changes and accidentals during playing became possible with pedals and thus the harp became no longer purely a folk instrument but a part of the classical world as well. Just think what I could do with a pedal harp?! The harmonies! The melodies!..not to mention the improvement to my playing and performance due to the wider string spacing... ah... so if any if you have a spare pedal harp or a spare 4 or 5 grand.. let me know.. ;D (Worth a try..)
Influences: Och... tis a strange and heady brew, to name but a very fine few- Alain Stivell (Renaissance of the Celtic harp), The Sileas, Sandy Denny, Orion Rigel Dommisse, Diane Cluck, Miss Newsom of course of course.., Mary Hampton, Robin Williamson, Fiona Davidson, Espers, Bjork, Beethoven.....and there I have to stop myself lest I begin to get encyclopaedic.
Sounds Like: Arthur Rackham's imagination in Suzanne Vega's nightie
Record Label: Unsigned