....DANIEL MIRANDA, Brazilian guitarist, proposes to you a delightful voyage -concert
through the different regions of this "cultural - continent" which is Brazil. His
tools? Quite e few: two kinds of very peculiar guitars (7 and 10 strings); 3
concerts formulas (solo, duet and trio); 15 years of w holesome experience as a
professional musician: 2 years as a professor of guitar and harmony at the Villa -
Lobos School of Rio de Janeiro; 4 recorded CDs; participation in the last
compilation of the Le Monde est un Village of the RTBF (radio and television
Belgian network ) and a new album recorded by the jazz and world music label
IGLOO called “Bienvenue†where he plays with his own compositions and enjoys the
immense pleasure of sharing it with the public!!
Daniel Miranda is a geographer graduated by the Federal University of Rio
de Janeiro. He made his musical studies with two famous guitarists of the nouvelle
vague of the Brazilian instrumental music in Rio: Luis Flavio Alcofra and
Bartolomeu Wise. He began his professional c areer as a soloist at 16 years of age.
Because he had used scientific methodology to make research on the origins
of the Brazilian music, Daniel Miranda was invited in 1996 by the Cultural
Foundation of the City of Petrópolis- Rio de Janeiro to give history classes of the
Brazilian Popular Music in the "Musical Workshop -Project".
In 1997, he assembled, with Paulo Sá (Mandolin) and Henrique Drach
(violoncello), the chamber music group RIO TRIO. With this group, Daniel
recorded a CD and gave many concerts and workshops throughout Brazil and the
United States. In this country, he participated as a professor and interpreter, at
the international conference of Mandolin in San Diego (California) and in Montana
with the Montana Mandolin Orchestra in Bozeman.
In 1999, he took part in the execution of the Suite Retratos by Radamés
Gnatali, with the Brazilian Conservatory Chamber orchestra.
In 2001, he recorded in Belgium the CD entitled Recontre with the Irish
guitarist Frankie Rose.
In 2002, Daniel Miranda became a professor of guitar and harmony at the
Villa-Lobos School of Rio de Janeiro.
In 2003, in Mons (Belgium), he was integrated into the spectacle Si c’est
chanté c’est pas perdu under the musical direction of Pascal Charpentier and
recorded a CD with them.
During the year 2005-2006, he recorded three pieces for the emission Le
monde est un vilage presented at RTBF by Didier Melon. He also published his
first solo album, Bienvenue, produced by the label IGLOO (Belgium).
In 2007 he participated in the CAP SUD FESTIVAL with the Brazilian percussionist Renato Martins and the Belgian double bass player San Gerstmans at the Royal theatre of Mons-Belgium.
The main goal of the spectacle BRAZIL IN 17 STRINGS is to present to
the public a decentralized vision of the Brazilian music. This idea was born from a
singular observation: the glance of a great part of the world’s public opinion on the
eastern Brazilian culture concentrates on one area and, more particularly, on one
city: Rio de Janeiro; and also on the Brazilian commonplaces such as the country of
the beautiful beaches, from the sun, Favelas, the soccer, the carnival, and so on...
All this will be called in question through a musical spectacle which
repertory is based on the various regional accents of this true cultural continent.
This vision will be transmitted by two kinds of very particular guitars: the guitar
with ten cords, better known in Brazil as the country guitar, and the guitar with
seven cords.
ONLY FOR BELGIUM: SPECTACLE AGREE PAR ART ET VIE: N° code: MNM 122
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