Dan Papaila

Dan is a San Diego based jazz guitarist whose recent instructional book, "Chord Shapes for Jazz Guitar" is gaining critical praise.
"Dan has come up with a great way to impart much of the most fundamental and important information about how to voice chords for jazz.” .. Bruce Forman

“A ‘must’ for every serious guitar student ..Mundell Lowe

“Dan Papaila is a great guitarist and in this book he has logically laid-out a great method to learn jazz guitar chords. The photos make it very easy for players of all levels to properly finger the chords. I highly recommend this book.” ..Dave Stryker

“Any serious guitar player should have this book” ..Calvin Keys

“A ray of sunshine for the guitarist starting out in jazz”
..San Diego Troubadour

“This book is recommended for any student seeking to expand their chord knowledge quickly and effectively.It would be a welcome addition to any jazz guitar reference library!” ..Just Jazz Guitar Magazine

Learn about Dan's book at: sandiegoguitar.com
or amazon.com
Dan honed his bluesy style playing with the likes of R&B legends Eddie “Cleanhead” Vinson, Big Joe Turner, Plas Johnson, and Johnny “Hammond” Smith.

"Dan’s early memories include watching his uncle perform at the Grand Ole Opry in Wheeling, West Virginia. Born in New Kensington, PA, Dan moved to Omaha in 1959 with his mother and sister. At age 16 he was given $60 by his mother to acquire a guitar from a local pawn shop. Within two years he was working in local pop groups. It was around 1970 that Dan familiarized himself with the work of Wes Montgomery, Grant Green, Kenny Burrell and George Benson. He also became close friends with another guitarist from Omaha, Billy Rogers; they studied and practiced together for several years before Rogers’ untimely death in 1987.

His Los Angeles years found Dan working the lounge circuit with various trios. “Nearly all the clubs on the South side of Wilshire Boulevard had Hammond B-3 organs,” he recalls. “I played lots of R&B with Billy Larkin, Cleanhead Vinson and Big Joe Turner.” In 1976 Dan began what would become a definitive association: he started working with the organist Johnny "Hammond" Smith. The Hammond Smith years found Dan playing the "Chitlin Circuit". Later, Dan traveled to Las Vegas in 1981 and played the Nevada circuit for a couple of years. Then it was back to the blues, co-leading an R&B fusion group with Tower Of Power keyboardist Roger Smith in Sacramento before the move to San Diego. Since then he has enjoyed success locally and on the jazz festival circuit."

....Leonard Feather

Dan's recordings have received critical praise and international attention. "Positively!" reached number 11 on national radio and was named "Best Jazz Album" at the San Diego Music Awards. His televised performance at the awards ceremony has aired regularly on BET, the cable jazz network. "Full Circle" spent 10 weeks on the national charts and was nominated "Best Jazz/Blues Album" at the San Diego Music Awards - His fifth nomination!