Uncle Josh Graves is one of the
greatest of all dobro players and probably the first to have played the
instrument in bluegrass music. Historian Bill C. Malone summarized Graves’
abilities as follows: "Graves perfected a rolling syncopated style that enabled
him to play galloping breakdowns as well as slow love songs or ballads."
He was attracted to the dobro as a child on hearing Cliff Carlisle play on
Jimmie Rodgers’ recordings, and he later met Carlisle, who gave him help and
encouragement. He was also influenced in his early career by the dobro playing
of Pete Kirby (Bashful Brother Oswald). He learned not only dobro but also
guitar and bass, and in 1942, he made his professional debut with the Pierce
Brothers.
After then playing with Esco Hankins in Knoxville, he played with Molly O’Day
and Mac Wiseman, before joining Stoney Cooper And Wilma Lee on the WWVA Wheeling
Jamboree. In 1957, he moved with them to the Grand Ole Opry, where he first met
Flatt And Scruggs. He soon became a permanent member of their Foggy Mountain
Boys, initially playing bass, but soon changing to dobro. He was impressed by
Scruggs’ brilliant three-fingered style of banjo playing which, with Scruggs"
help, he soon adapted to the dobro.
When Flatt And Scruggs split in 1969, he became a member of Flatts’ Nashville
Grass until 1971, when he joined the Earl Scruggs Revue until 1974. During the
60s and early 70s, he played on albums by both Flatt and Scruggs and as a
session musician, he played albums by other artists including Steve Young and
Kris Kristofferson.
In 1974, he left Scruggs to work as a session musician and to make solo
appearances. He recorded his debut, Alone At Last, for Epic Records and also
appeared on releases by Charlie McCoy, Boots Randolph and James Talley. In 1975,
he recorded a duet album with Jake Tullock as Uncle Jake And Uncle Josh (he had
created Uncle Josh as an alter-ego comic character that he portrayed on stage,
and he was friendly with Tullock from his days with Flatt And Scruggs).
During the late 70s, he recorded with Bobby Smith and as one of Joe Maphis’
Super Picker Pals, while also recording solo albums for CMH. In the 80s, Graves,
Mike Auldridge and Jerry Douglas produced Dobro Summit, an educational video,
and he also played as a member of the Masters, with Eddie Adcock, Kenny Baker
and Jesse McReynolds. In the 90s, Graves was still in demand for session work
and was regularly making appearances on various radio and television shows.
Josh Graves is one of the main people responsible for the acceptance and
popularity of the Dobro® in bluegrass and country music. Josh Graves created the
modern sound of the Dobro© and introduced it to Bluegrass Music when he became a
member of Lester Flatt & Earl Scruggs Foggy Mountain Boys in the 1950’s.
Today the Dobro© is an important contributor to the sound of modern country
music, and that can be credited to Josh Graves.
Uncle Josh Graves, whose bluesy Dobro innovations helped keep that curious and
difficult instrument alive in country and bluegrass music, died Saturday
September 30, 2006 in Nashville after a lengthy illness.
He will continue to live on through his music and the memory of those who knew
and loved him.