VOLUME ONE TOPICS
What You Really Need to Know About the Biz
Music & Friends Don't Mix
The Business of Being in a Band
Branding Your Band
The Importance of Image
What's in a Name?
Creating Music with Mass Appeal
Booking Your First Gig
Securing the Right Gig
Making Your Rock Show a Success
Getting the Right Kind of Press
Making Headlines
Selective Sponsorship
Ready to Record?
The Rules of Rock
Making Merch
Getting Signed
Counting Down the Most Influential in the Biz
VOLUME TWO TOPICS
A New Year, A Lot More Experience
Who's Really At Fault for Declining Sales, Heightened Piracy, & Lower Standards of Music as an Artform?
A Possible Solution to Digital Thievery? Well, not quite
The Real Deal on Record Deals
Musician Associations in Canada
Canada's Grant Programs
Music Recording Sales Certification
Music Industry Scams Pt I
Music Industry Scams Pt II
Alt Sources of Revenue I: Music Instruction & Party Performance
Alt Sources of Revenue II: Tribute Acts & House Bands
Alt Sources of Revenue III: Licensing & Songwriting, an Overview
Alt Sources of Revenue IV: Licensing & Songwriting, Majors vs. Indies
Alt Sources of Revenue V: Jingle Writing
Alt Sources of Revenue VI: Session Musicians
Alt Sources of Revenue Conclusion: Music Journalism
"Here it From the Pros" With Henry Rollins
Counting Down the Top Music Industry Sins Committed Against Artists
VOLUME THREE TOPICS
Let's Begin with the Facts
Musicians with Brains
Do Entertainers Have an Obligation to the Public to be Rolemodels?
Writing to Vent, but also Inspire
Talking Shop with Alan Cross
The Origins of Sex, Drugs, & Rock'n'Roll
Drugs = Bad for Business, but Good for the Soul?
Sexism in the Music Biz Pt I: Call it a Case of Penis Envy?
Sexism in the Music Biz Pt II: Dissecting Discrimination Toward Women Rockers
Sexism in the Music Biz Conclusion: Working from the Inside Out, Spotlighting Three Female Forces Who've Made a Difference
The Changing Face of Record Deals: An Inside Look at the Industry's Emerging Strategy for Maintaining Monopoly
How Booking Companies Work to Keep Indie Artists Off the Main Stage
The Booking Monopoly & Its Consequences for Concert Goers
Key Steps to Starting Your Own Successful Indie Label Pt#1
Starting up Your Own Label Pt #2: It’s All About the Money
Starting up Your Own Label Pt #3: Getting Your Infrastructure in Order
Starting up Your Own Label Pt #4: Designing Your Label's Look
Entrepreneurial Artists
Past Interview Subjects Include:
Chris Hannah (Propagandi/G7 Welcoming Committee Records)
Tim Potocic (Tristan Psionic/Sonic Unyon Records & Distribution)
Robert Calder (The Salteens/Boompa Records)
Ash Kennan (WarBride/ex-Bukkake Katholik/Music Critic)
Carla DeSantis (ROCKRGRL Magazine/Luna Guitars)
Tish Ciravolo (DaisyRock Guitars)
Madalyn Sklar (GoGirlsMusic/Indie Music Coach)
Alan Cross (The Ongoing History of New Music/ExploreMusic)
Henry Rollins (Black Flag/Rollins Band/The Rollins Show)
Roger LaPointe (The Booking House)
Mike Dimoulas (Hotel California)
Steve Thomson (Backstage Productions)
David Baccha (Backstage Productions Songwriter)
Michael McCarthy (Managing Director of EMI Music Publishing Canada)
Simon Wilcox (EMI Music Publishing Songwriter)
Jason Chapman (Boreal Forest Music Productions)
Kelvin Gumbs (Production/Session Musician)
Dale Ann Brendon (Freelance Drummer)
Anyone involved in the music industry looking to share their experiences - good and bad - in order to help aspiring artists!
Need an album or live review for your press kit? Shoot me an email for consideration. Please include your band's biography, and link to your official website where I can obtain sound samples.
*Please note: Preference is given to female fronted acts.*
ROSE CORA PERRY IS PROUDLY SPONSORED BY COVERZONE MAGAZINE, DAISYROCK GUITARS, STITCHES FOR BITCHES CLOTHING, HOTPICKS USA, SFARZO STRINGS, RADIO XXX, & ALESSE.