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Tool - "Vicarious"
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A Perfect Circle - Judith
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1. How are you today?super 2. From where is your ancestry?irish 3. Are you registered to vote?yes4. If you could change anything about your looks, would you?thinner5. Funniest thing you heard all day?not a thing 6. Where are you from?ri7. What’s on your mind?everything8. Do you speak any other languages than your own?no 9. Why did you start this survey?something 2 do10. Do you prefer FaceBook or MySpace?myspace11. When was the last time you cried?12. What do you currently smell like?roses13. Is the room you’re in carpeted?no14. Where did your last hug take place?at home 15. What did you have for lunch today?soup 16. What’s your cell phone provider?no cell17. Do you have different ringtones for different people?no 18. How many e-mail accounts do you have that you actually use?1 19. Where is your best friend(s)?nh20. What song sums up your life right now?anything crazyCheck out more great MySpace Surveys at MySpaceSurveyFun.com Long & Random. Check this out.1. What’s your favorite ice cream flavor?coffe2. Cable or Satellite? cable3. Favorite video game?tetris4. Do you have to sleep with a fan on at night?when it is hot5. Your feelings on global warming?that it is bad6. Do you still have a VCR somewhere?yes7. Been on a sailboat?yes8. Two of your best friends are fighting. Your reaction?stay out of it9. Home Depot or Lowes?lowes10. Beer or Hard Liquor?hard liquor11. Best movie you’ve seen recently?sweeny todd12. Would you walk across broken glass for $100? with shoes13. Your feelings on dolphins?none14. Would you ever rob a bank?no15. Do you plan out your day before it begins?yes16. What kind of digital camera do you have?kodac17. Can you fall asleep with your eyes open?no18. Winter or Summer?summer19. Your ex’s car breaks down and they ask you for a lift. Your response?no20. Your feelings on Britney?she sux21. Do you go to the gym regularly?no22. Ever play with model trains?no23. You’ve just bought a new house. What color will you paint the walls in the living room?it is green24. Best subject in school?english25. What are your goals for this year?get my finances in order26. Do you spread false rumors about people just for the hell of it?only if thier assholes27. Do you consider yourself religious?yes28. Internet Explorer or Firefox?exploror29. Ever play online poker?no30. For real money?i would work31. Describe the first house you lived in.small32. Do you want to kick someone in the face right now?no33. Favorite sport to watch?none34. You see someone running around naked in the street. Your reaction?call the police35. How much syrup do you put on your waffles and/or pancakes for breakfast?not much36. Favorite junk food?popcorn37. Bottled water. Yes or no?yes38. Do you have a lot of candles in your room?yes39. Are the files in your computer well organized or all over the place?yes40. Are there dogs barking in your neighborhood right now?yes mine41. Where would you most like to be right now?here42. Do you own a sleeping bag?no43. UFC. Entertaining or stupid?stupid44. Favorite reality show?american idiol45. What was the first CD you ever bought?46. Are all infomercials completely pointless?yes47. Who are you voting for in 2008?oboma48. If money was no object, what car would you drive?lexus49. Last 5 played songs in your Itunes playlist?don't have one50. Was this survey random enough for you?yesCheck out more great MySpace Surveys at MySpaceSurveyFun.com

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Henry Wadsworth Longfellow (1807-1882) A Psalm of Life What The Heart Of The Young Man Said To The Psalmist.1Tell me not, in mournful numbers, 2 Life is but an empty dream! -- 3For the soul is dead that slumbers, 4 And things are not what they seem.5Life is real! Life is earnest! 6 And the grave is not its goal; 7Dust thou art, to dust returnest, 8 Was not spoken of the soul.9Not enjoyment, and not sorrow, 10 Is our destined end or way; 11But to act, that each to-morrow 12 Find us farther than to-day.13Art is long, and Time is fleeting, 14 And our hearts, though stout and brave, 15Still, like muffled drums, are beating 16 Funeral marches to the grave.17In the world's broad field of battle, 18 In the bivouac of Life, 19Be not like dumb, driven cattle! 20 Be a hero in the strife!21Trust no Future, howe'er pleasant! 22 Let the dead Past bury its dead! 23Act, -- act in the living Present! 24 Heart within, and God o'erhead!25Lives of great men all remind us 26 We can make our lives sublime, 27And, departing, leave behind us 28 Footprints on the sands of time;29Footprints, that perhaps another, 30 Sailing o'er life's solemn main, 31A forlorn and shipwrecked brother, 32 Seeing, shall take heart again.33Let us, then, be up and doing, 34 With a heart for any fate; 35Still achieving, still pursuing, 36 Learn to labor and to wait.Notes1] "Mr. Longfellow said of this poem: ..I kept it some time in manuscript, unwilling to show it to any one, it being a voice from my inmost heart, at a time when I was rallying from depression.' Before it was published in the Knickerbocker Magazine, October, 1838, it was read by the poet to his college class at the close of a lecture on Goethe. Its title, though used now exclusively for this poem, was originally, in the poet's mind, a generic one. He notes from time to time that he has written a psalm, a psalm of death, or another psalm of life. The ..psalmist' is thus the poet himself.When printed in the Knickerbocker it bore as a motto the lines from Crashaw:Life that shall send A challenge to its end, And when it comes, say, Welcome, friend."(Editor's note) Literally, the psalmist is of course King David.13] "Ars longa vita brevis est" (an aphorism by Hippocrates).Online text copyright © 2005, Ian Lancashire for the Department of English, University of Toronto.Published by the Web Development Group, Information Technology Services, University of Toronto Libraries.Original text: The Poetical Works of Henry Wadsworth Longfellow, with Bibliographical and Critical Notes, Riverside Edition (Boston and New York: Houghton, Mifflin, 1890), I, 20-22. PS 2250 E90 Robarts Library.First publication date: October 1838 Publication date note: Knickerbocker Magazine (Oct.1838); Voices of the Night (1839) RPO poem editor: Ian Lancashire RP edition: RPO 1998.Recent editing: 4:2002/4/6Composition date: 20 July 1838 Rhyme: ababOther poems by Henry Wadsworth Longfellow Your comments and questions are welcomed.All contents copyright © RPO Editors, Department of English, and University of Toronto Press 1994-2002 RPO is hosted by the University of Sponsored Links Rare Concert Posters Original Music Memorabilia Huge selection at great priceswww.PosterScene.comAbout | FAQ | Terms | Privacy Policy | Safety Tips | Contact MySpace | Advertise | MySpace International | MySpace Latino©2003-2008 MySpace.com. All Righ

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~ "An imaginary Supernatural being" -Websters English Dictionary ~ In a broader sense a fairy is a magical supernatural being and could therefore include all of the types of fairies below ~ A fairy is most commonly known to be a small human like creature with wingsTypes of Fairies Asrais~ Delicate Female fairies who melt if captured or exposed to sunlight Banshee ~ A female spirit attached to a particular family Bogles~ Bad natured Goblins Brownies ~ Helpful Fairies dedicated to a household or family Dwarfs ~ Are short, stocky and mature quickly Dryads ~ Spirits who dwell in trees particularly the oak Elves ~ Another name for Trooping Fairies Fire Fairies ~ Flames spirits or elementals who have the power to create and destroy Fir Darrig ~ Fearsome practical jokers Garden Fairies ~ They dance amongst the flowers bringing beauty to the garden Gnomes ~ Earth Elementals who live underground and protect earths treasures Goblins ~ Small ugly fairy's who usually work together to cause trouble Gwregedd Annwn ~ Welsh Water Fairies Gwyllion ~ Scottish Water Fairy who like to watch passers by sometimes misleading them Hobgoblins ~ General name or friendly Brownies Knockers ~ Mine Spirits who knock where riches can be found Leprechauns ~ Are sly, sneaky and can disappear before the blink of an eye Los Aluxes ~ Live in the ancient temples of Mexico Pixies ~ Mischievious fairies who can take on many forms and enjoy stealing horses to ride Phouka ~ Appear in many animal forms Redcap ~ Living in wicked old tunnels, a Goblin who dyes his hat in human blood Rock Fairies ~ Wise ones Selkies ~ Appear in the sea or ocean and reveal themselves first as a beautiful woman Shefro ~ Male Fairies wearing red caps and green coats Sidhee ~ Fairies with subterranean dwellings Sluagh ~ A Highland fairy who's the host of pagan ancestors Sprites ~ Change the color of the leaves in Autumn Spriggans ~ Ugly thieves who can inflate themselves to huge sizes Trolls and Trows ~ Despise day light Urisk ~ Of unattractive appearance, a solitary fairy who will often seek human company Undines ~ Water Fairies with beautiful voices Pixies Fairies ElvesThe Difference between Pixies Faries Elves~The most common form of fairy is depicted as a female with wings ~ Elves are airy spirits who play stringed instruments and love to dance. They can live underground or near water. They are sometimes winged.~ Pixies are usually wingless with pointed ears and often wear a pointed hat and green clothes.Fairies History~ It is said that fairies are half of the Irish race who were made invisible ~ Many Christians believe that fairies were angels sent from heaven because they did not take either side of Lucifer or St. Michael. On earth they can choose to take the side of good or evil.~ Fairies were often blamed for mischief caused ~ Some believe fairies to be nature deitiesFairy Myths ~ Bells, Crosses and Horse shoes hung above a doorway can prevent fairies from entering homes. A four leaf clover is said to protect you from fairy spells and in somecases if you are very still make them visible.pixies fairies elves,pictures of pixies or fairies,beautiful fairies art,Faries History,fairy names Are Fairies real? ~ as real as you want them to be ~ open your art to the nature spirits, feel the wind gently caressing your face and listen to the sounds of nature, the voices of the fairies will carry the sounds of nature asking you to respect the environment and live in peaceful coexistence with all creatures on this earth ~ Pixies Fairies Elves are often refereed to as "Nature Angels" , the angelic energies looking after the nature kingdom on earth pixies fairies elves,pictures of pixies or fairies,beautiful fairies art,Faries History,fairy names Common spellings ~ common spellings of the word Fairy include: Fairy, Fairies, Faery, Faeries, Faerie ,Fey , Fee and FairysFairy Names ~ click for a selection of Fairy Names and their common descriptionsFairies Fact Sheets Male Fairy Names and Elves NamesFemale Fairy Name and Elf NameFairy SayingsNext >> Sponsored Links Chat Rooms - Free Chat Free with Sexy Singles in your ZIP code now!FreeEasyChatRooms.com Spanish Christian Music Christian, Bible & Music Videos Watch, Upload, Learn & Share Christwww.GodTube.com/SpanishChristian Black Kids Get the Latest News on Black Kids Video, Exclusive Interviews & Morewww.Spin.com MTV Artist of the Week Weezer is MTV's Artist of the Week Check out their new album here!weezer.com/newcd Who's Online? Patsy Send MessageDonna El... Send Message♥ Lacey ♥ Send MessageTamara Send MessageMidnight... Send MessageJoni Beh... Send MessageSee Full PageAbout | FAQ | Terms | Privacy Policy | Safety Tips | Contact MySpace | Advertise | MySpace International | MySpace Latino Dolls have been a part of humankind since prehistoric times. Used to depict religious figures or used as playthings, early dolls were probably made from primitive materials such as clay, fur, or wood. No dolls have survived from prehistoric times, although a fragment of an alabaster doll with movable arms from the Babylonian period was recovered. Dolls constructed of flat pieces of wood, painted with various designs and with "hair" made of strings of clay or wooden beads, have often been found in Egyptian graves dating back to 2000 BC. Egyptian tombs of wealthy families have included pottery dolls. Dolls placed in these graves leads some to believe that they were cherished possessions. Dolls were also buried in Greek and Roman children's graves. Girls from Greece and Rome dedicated their wooden dolls to goddesses after they were too "grown-up" to play with dolls. Most ancient dolls that were found in children's tombs were very simple creations, often made from such materials as clay, rags, wood, or bone. Some of the more unique dolls were made with ivory or wax. The main goal was to make the doll as "lifelike" as possible. That ideal lead to the creation of dolls with movable limbs and removable garments, dating back to 600 B.C. Following the era of the ancient dolls, Europe became a major hub for doll production. These dolls were primarily made of wood. Primitive wooden stump dolls from 16th and 17th century England number less than 30 today. The Grodnertal area of Germany produced many peg wooden dolls, a type of doll that has very simple peg joints and resembles a clothespin. An alternative to wood was developed in the 1800s. Composition is a collective term for mixtures of pulped wood or paper that were used to make doll heads and bodies. These mixtures were molded under pressure, creating a durable doll that could be mass produced. Manufacturers closely guarded the recipes for their mixtures, sometimes using strange ingredients like ash or eggshells. Papier-mache, a type of composition, was one of the most popular mixtures. In addition to wooden dolls, wax dolls were popular in the 17th and 18th centuries. Munich was a major manufacturing center for wax dolls, but some of the most distinctive wax dolls were created in England between 1850 and 1930. Wax modelers would model a doll head in wax or clay, and then use plaster to create a mold from the head. Then they would pour melted wax into the cast. The wax for the head would be very thin, no more than 3 mm. One of the first dolls that portrayed a baby was made in England from wax at the beginning of the 19th century. Porcelain became popular at the beginning of the 19th century. Porcelain is made by firing special clays in a kiln at more than 2372 degrees Fahrenheit. Only a few clays can withstand firing at such high temperatures. Porcelain is used generically to refer to both china and bisque dolls. China is glazed, whereas bisque is unglazed. Germany, France, and Denmark started creating china heads for dolls in the 1840s. China heads were replaced by heads made of bisque in the 1860s. Bisque, which is fired twice with color added to it after the first firing, looked more like skin than china did. The French "bebe" was popular in the 1880s, and it has become a highly sought after doll today. The bebe, first made in the 1850s, was unique from its predecessors because it depicted a younger girl. Until then, most dolls were representations of adults. Although the French dolls were unrivaled in their artistry, German bisque dolls became quite popular because they were not as expensive. Kammer & Reinhardt introduced a bisque character doll in the 1900s, starting a trend of creating realistic dolls. For centuries, rag dolls were made by mothers for their children. Rag dolls refer generically to dolls made of any fabric. Cloth dolls refer to a subset of rag dolls made of linen or cotton. Commercially produced rag dolls were first introduced in the 1850s by English and American manufacturers. Although not as sophisticated as dolls made from other materials, rag dolls were well-loved, often as a child's first toy. Dollmaking did not become an industry in the United States until after the Civil War in the 1860s. Doll production was concentrated in New England, with dolls made from a variety of materials such as leather, rubber, papier-mache, and cloth. Celluloid was developed in New Jersey in the late 1860s and was used to manufacture dolls until the mid-1950s. German, French, American, and Japanese factories churned out cheaply produced celluloid dolls in mass quantities. However, celluloid fell out of favor because of its extreme flammability and propensity to fade in bright light. After World War II, doll makers experimented with plastics. Hard plastic dolls were manufactured in the 1940s. They resembled composition dolls, but they were much more durable. Other materials used in doll manufacturing included rubber, foam rubber, and vinyl in the 1950s and 1960s. Vinyl changed doll making, allowing doll makers to root hair into the head, rather than using wigs or painting the hair. Although most dolls are now mass-manufactured using these modern materials, many modern doll makers are using the traditional materials of the past to make collectible dolls. This summary was created by using information from the following sources: Britannica Online; "Doll," Microsoft(R) Encarta(R) 96 Encyclopedia. (c) 1993-1995 Microsoft Corporation. All rights reserved. (c) Funk & Wagnalls Corporation, The Ultimate Doll Book by Caroline Goodfellow; and Dolls: A Collector's Guide by Olivia Bristol. All rights reserved,| About Us | Doll FAQs | Favorite Links | Order Information | Supplies Soft Fired Greenware | Monthly Specials©2003-2008 MySpace.com. All Rights Reserved.The Faery TraditionAmong the distinguishing features of the Faery tradition is the use of a Faery Power which characterizes the lineage. It is an ecstatic, rather than a fertility, tradition. Strong emphasis is placed on sensual experience and awareness, including sexual mysticism, which is not limited to heterosexual expression. In this, as in the general spirit of spiritual exploration, there is more risk-taking encouraged than in other Wiccan traditions which may have specific laws limiting behavior, and there is a certain amorality historically associated with the Tradition. We see ourselves, when enchanted, as "fey"--not black, not white, outside social definitions, on the road to Faeryland, either mad or poetical. We are aware that much of reality is unseen, or at least has uncertain boundaries. As in all the Craft, there is a deep respect for the wisdom of Nature, a love of beauty, and an appreciation of bardic and mantic creativity. The Gods are not just constructs or psychological forces from the collective unconscious. The Gods are real, with a system of morality different from our own, and we have a responsibility to them. The Faery Tradition, in common with initiatory lineages of the Craft which practice possession, is a mystery tradition of power, mystery, danger, ecstacy, and direct communication with divinity. This is in contrast to traditions which practice psychodrama or psychotherapy through ritual. The negative side of this style of working is that we have a lot of initiates who did not return unscathed from between the worlds. The tradition is not for everybody, and it is not amenable to mass attendance, like many Pagan paths.There is a specific corpus of chants and liturgical material, much of it stemming from Victor Anderson and Gwydion Pendderwen, which provides a frame for many Circle-workings, and poetic creativity is highly valued. The magical practices of the Faery (or Feri, as Victor spells it) Tradition are heavily invocatory, to encourage possession, which relies mainly on psychic talent or sensitivity to occur. Rites are stylistically diverse, and may draw from many sources.There is an initiatory lineage, traceable to Victor or Cora Anderson or Gwydion Pendderwen. Victor tells of antecedents of the present tradition in the coven in which he was involved in the l920's and 30's in Oregon. Hallmarks of the tradition are possession of secret names, energy-working using pentacles and visualization of blue fire, a body of poetic and liturgical material, deities and archetypes specific to the Tradition, the doctrine of the Three Selves, a cingulum of a specific color, a "tribal" or "clan" feel to the coven, the use of the horned (sometimes called "inverted") pentagram, and the honoring of a warrior ethic. For example, we are urged not to coddle weakness, support others in insincerities or self-deceptions, or to submit one's own Life force to anyone or anything, which leads to a fierce openness called the "Black Heart of Innocence." The Faery Tradition is gender-equal, and all sexual orientations seem able to find a niche. For many, there is a strong identification with the realms of Faery and with shape-shifting.Although Victor is universally recognized as the founding teacher of the tradition, it is possible to identify influences which shaped the tradition before its present form evolved. There is a strong African diasporic influence, primarily Dahomean-Haitian, and the Three Selves theory is an outgrowth of Huna beliefs. Neither is Victor the only source for material presently within the tradition. Each initiate seems to draw the tradition in a new direction and uncover new ground. Some practitioners, such as Gwydion and Eldri Littlewolf, went deeply into shamanic forms. Gwydion also worked extensively with Celtic religion, even learning Welsh early in his Wiccan training. Other influences (Arica, Tibetan meditation, and Ceremonial Magick) entered as Gabriel Caradoc began teaching. Victor, Gwydion, Caradoc, Brian Dragon and Paladin wrote darkly beautiful ritual poetry and liturgy. Gabriel's classes provided an excellent training in magical visualization and his students continue his teachings. Poet Francesca De Grandis and songwriter Sharon Knight have added their inspiration to the corpus of material. Starhawk has used concepts developed in the Faery Tradition in expressing her beliefs and practice, and has given the clearest explanations widely available of concepts such as the Three Selves or the Iron Pentacle.Copyright 1988 by Anna Korn. May be reproduced if credit is given.Found and Posted By Witch of the North.Blessed be to you all.. Sponsored Links American Capital Dividend Dividends Paid 43 Consecutive Qtrs. Q2 2008 dividend $1.03AmericanCapital.comAbout | FAQ | Terms | Privacy Policy | Safety Tips | Contact MySpace | Advertise | MySpace International | MySpace Latino©2003-2008 MySpace.com. All Rights Reserved.

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